Guskin, Phyllis J. “’Not Originally Intended for the Press’: Martha Fowke Sansom’s Poems in the Barbados Gazette”. Eighteenth-Century Studies, Vol.
34
, No. 1, 2000, pp. 61-91. 66
Connections Sort descending | Author name | Excerpt |
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Intertextuality and Influence | Helen Dunmore | These poems deal in passing time and final partings, with the sudden recognition of changes accumulated over years. The magic cloak of invisibility longed for by children comes in the end unsought for and the... |
Intertextuality and Influence | Gillian Slovo | The scrappily emerging stories of how these men ended up in Guantanamo Bay are horrifying in their randomness and confusion. For an audience already familiar with the outlines, details still convey a shock, as when... |
Intertextuality and Influence | Eva Figes | On the first page the protagonist in this very confusing story signs in to a hotel called the Black Swan under the name of Nelly Dean. She asks for a double room, saying she expects... |
Intertextuality and Influence | Martha Fowke | These poems reflect social life and perhaps the company of lawyers in the London of about 1720. Guskin, Phyllis J. “’Not Originally Intended for the Press’: Martha Fowke Sansom’s Poems in the Barbados Gazette”. Eighteenth-Century Studies, Vol. 34 , No. 1, 2000, pp. 61-91. 66 |
Intertextuality and Influence | Jeanette Winterson | In the opening chapter the narrator, a woman named Billie Crusoe, is making publicity announcements to a crowd of the inhabitants of Orbus about the newly-discovered Blue Planet, to which they will be encouraged to... |
Intertextuality and Influence | Katherine Philips | |
Intertextuality and Influence | Ethel Wilson | The novel's epigraph is the especially popular passage from John Donne
's Meditation 17 which begins No man is an Island. The epigraph illustrates the novel's critique of extreme individualism and selfishness embodied by Hetty. Pacey, Desmond. Ethel Wilson. Twayne Publishers, 1967. 54-55 |
Intertextuality and Influence | Michelene Wandor | These poems reflect gender power struggles: whether writing about motherhood, or the end of a marriage, or travelling by train to a Women's Liberation conference (another display / of all the frayed edges)... |
Intertextuality and Influence | Mary Sidney Herbert Countess of Pembroke | The fact that Mary Sidney did not print the psalms, as she did her brother's poems, says something about her attitudes both to print and to her own ranked and gendered identity as an author... |
Intertextuality and Influence | Michelene Wandor | It proclaims: this is the story of two people // this is the story of two peoples // and one God / your God or mine? Wandor, Michelene. The Music of the Prophets. Arc Publications, 2006. 34 |
Intertextuality and Influence | Emily Gerard | This novel has two sections, Dream-Life and The Awakening, with an Intermezzo between the two: love is not part of the dream, but of the awakening to reality. The title-page quotation from La Fontaine |
Intertextuality and Influence | Anne Carson | AC
's contributions include rendering Fragment 286 by the Greek poet Ibykos
in the manner successively of various more modern voices: John Donne
, Samuel Beckett
, Franz Kafka
, an FBI
report on Bertolt Brecht |
Intertextuality and Influence | Winefrid Thimelby | |
Intertextuality and Influence | Elizabeth Griffith | He describes her with a line from Donne
's Second Anniversary. EG
's range of reference here includes Rousseau
, Milton
, Frances Greville
, and Lady Mary Wortley Montagu
. Characters discuss and... |
Literary responses | Anne Locke | Charles A. Huttar
has praised AL
's sermon translation as readable, clear, and energetic—qualities in her original which it would have been easy to lose in translating. Editor Kel Morin-Parsons
calls the sonnets her most... |
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