Mitchell, David J. The Fighting Pankhursts: A Study in Tenacity. MacMillan.
24
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Friends, Associates | F. Mabel Robinson | FMR
shared to the full the social involvement of her family with entertaining leading figures in London cultural life: such men as John Singer Sargent
, Robert Browning
, William Morris
, and Oscar Wilde |
Occupation | Walter Pater | While at Brasenose
, he wrote three anonymous essays for the Westminster Review: Coleridge
's Writings, Winckelmann, and The Poetry of William Morris. All three were attacked, says scholar Laurel Brake |
Friends, Associates | Emmeline Pankhurst | Among those gathering at the Pankhursts' Russell Square salon were William Morris
, Annie Besant
, Keir Hardie
, Tom Mann
, and Elizabeth Cady Stanton
. Mitchell, David J. The Fighting Pankhursts: A Study in Tenacity. MacMillan. 24 |
Education | Sylvia Pankhurst | SP
grew up amidst the political discussions of her parents' home. An intimate friend, politician Keir Hardie
, later remarked of this informal education: So that is what is the matter with you! You heard... |
Occupation | Sylvia Pankhurst | SP
made very little money from artistic commissions, but devoted her talents in visual art to the Women's Social and Political Union
. She designed the cover of Votes for Women. Other artistic contributions... |
Publishing | Edna St Vincent Millay | In 1924 Frederic
and Bertha Goudy
printed a limited edition of the title-poem Renascence at their Village Press
, using the very hand press that William Morris
had used for the Kelmscott Chaucer
. Milford, Nancy. Savage Beauty: The Life of Edna St. Vincent Millay. Random House. 320 OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Leisure and Society | L. T. Meade | These tastes leaned to the pre-Raphaelite, with Morris
hangings and photogravures after Burne-Jones
and Watts
. Black, Helen C. Pen, Pencil, Baton and Mask: Biographical Sketches. Spottiswoode. 222, 228 Black, Helen C. Pen, Pencil, Baton and Mask: Biographical Sketches. Spottiswoode. 223 |
Intertextuality and Influence | Ethel Mannin | EM
mentions spending her earlier years, whilst I was still serious, Mannin, Ethel. All Experience. Jarrolds. 74 Mannin, Ethel. All Experience. Jarrolds. 74, 75 |
Reception | Vernon Lee | One of the first and most appreciative readers of VL
's work was John Addington Symonds
, a leading cultural historian of the time. Her book also brought her the notice and friendship of other... |
Reception | Vernon Lee | This book lost Lee the friendship of others who had admired her Studies of the Eighteenth Century in Italy. Broken friendships included those with Oscar Wilde
(refigured as the character Posthlethwaite), Jane
and William Morris |
Travel | Vernon Lee | VL
was at this time a guest of Mary Robinson
and her family. She combined her connections with theirs in order to meet a number of major cultural figures: Sir Leslie Stephen
, Robert Browning |
Friends, Associates | Rudyard Kipling | RK
and his sister Trix spent Decembers (the Christmas holidays) with their mother's sister Lady Burne-Jones
, and her husband, the painter Sir Edward Burne-Jones
, at their home, The Grange, in Fulham. Here... |
Publishing | Jane Francesca, Lady Wilde | JFLW
received £25 for the rights from William Morris
, and in December 1893 he signed one of three hundred copies from the new illustrated edition published by Kelmscott Press
. Melville, Joy. Mother of Oscar. John Murray. 256 |
Textual Features | Muriel Jaeger | MJ
's introduction says that the world of this novel is a Bellamy-Morris-Wells world. Stratton, Susan. “Muriel Jaeger’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>The Question Mark</span>, a Response to Bellamy and Wells”. Foundation, No. 80, pp. 62-9. 65 |
Textual Production | Henrik Ibsen | Eleanor Marx (daughter of Karl Marx
) played Nora and Aveling played Torvald. They were joined by May Morris
(daughter of William Morris
) as Mrs Linde and Bernard Shaw
as Krogstad. Durbach, Errol. “A century of Ibsen criticism”. The Cambridge Companion to Ibsen, edited by James McFarlane and James McFarlane, Cambridge University Press, pp. 233-51. 233-4 |
No bibliographical results available.