Williams-Ellis, Amabel. All Stracheys Are Cousins. Weidenfeld and Nicolson.
152
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Felicia Hemans | In a letter of 1822, in mock despair at the interruptions resulting from writing in a home occupied by children and renovators, FH
casts herself as Beatrice in Shelley
's The Cenci (which she misattributes... |
Textual Production | Amabel Williams-Ellis | Her completion of the novel was delayed and nearly prevented when she suffered a serious concussion; however, her friend Storm Jameson
helped bring the text to publication by acting as proofreader and advisor. Williams-Ellis, Amabel. All Stracheys Are Cousins. Weidenfeld and Nicolson. 152 |
Textual Production | Anna Mary Howitt | She chose epigraphs to chapter one from Keats
and James Shirley
, to chapters three and fourteen from Mary Howitt
, and elsewhere from Elizabeth Barrett Browning
, Percy Bysshe Shelley
, and writers in French, German, and Italian. |
Textual Production | Mary Shelley | The manuscript of Frankenstein, now in the Bodleian Library
and featuring the hands of both MS
and her husband
, forms the centrepiece of the Shelley-Godwin Archive (http://shelleygodwinarchive.org/), whose first phase was opened to... |
Textual Production | Mary Shelley | |
Textual Production | Mathilde Blind | MB
delivered to the Shelley Society
a lecture on Percy Bysshe Shelley
at St George's Hall, Langham Place in London. The lecture drew the attention of the Editor of the Westminster Review. Garnett, Richard, and Mathilde Blind. “Memoir”. The Poetical Works of Mathilde Blind, edited by Arthur Symons and Arthur Symons, T. Fisher Unwin, pp. 1-43. 24 |
Textual Production | Ella D'Arcy | EDA
's last book was her translation into English of Ariel, the biography of Percy Bysshe Shelley
written by André Maurois
, published, like her other books, by John Lane
. “The Times Digital Archive 1785-2007”. Thompson Gale: The Times Digital Archive. 43576 (15 February 1924): 17 Clarke, John Stock. Ella D’Arcy. |
Textual Production | Mary Shelley | MS
helped Edward John Trelawny
by editing his autobiographical Adventures of a Younger Son, 1831: among other things she added epigraphs from both Byron
and Percy Shelley
, and supplied his title. She also... |
Textual Production | Alice Meynell | AM
wrote introductions or prefaces to over twenty books. For Blackie
's Red Letter Library series alone she introduced Elizabeth Barrett Browning
's letters and poems (1896 and 1903), and works by Robert Browning
(1903),... |
Textual Production | Ella D'Arcy | |
Textual Production | Mathilde Blind | |
Textual Production | Caroline Bowles | CB
's letters to the poet she married were published in The Correspondence of Robert Southey
with Caroline Bowles, To which are added: Correspondence with Shelley
, and Southey's Dreams. Shattock, Joanne. The Oxford Guide to British Women Writers. Oxford University Press. |
Textual Production | Mary Shelley | MS
published a short-lived edition of her husband
's Posthumous Poems, in 500 copies. Shelley, Mary. The Journals of Mary Shelley, 1814-1844. Editors Feldman, Paula R. and Diana Scott-Kilvert, Johns Hopkins University Press. 434n1 |
Textual Production | Winifred Peck | WP
published a novel, Veiled Destinies, titled from a phrase in Shelley
's Adonais (his lament for the death of Keats
). Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 2410 (10 April 1948): 201 |
Textual Production | Mary Shelley | MS
edited and published a new edition of her husband
's works, with much prefatory material by herself. Shelley, Mary. “Introduction”. Lodore, edited by Lisa Vargo, Broadview, pp. 9-45. 45, 16 |
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