Percy Bysshe Shelley
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Standard Name: Shelley, Percy Bysshe
PBS
is one of the six major (male) English Romantic poets.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Mary Shelley | The manuscript of Frankenstein, now in the Bodleian Library
and featuring the hands of both MS
and her husband
, forms the centrepiece of the Shelley-Godwin Archive (http://shelleygodwinarchive.org/), whose first phase was opened to... |
Textual Production | Anna Mary Howitt | She chose epigraphs to chapter one from Keats
and James Shirley
, to chapters three and fourteen from Mary Howitt
, and elsewhere from Elizabeth Barrett Browning
, Percy Bysshe Shelley
, and writers in French, German, and Italian. |
Textual Production | Ella D'Arcy | |
Textual Production | Mary Shelley | |
Textual Production | Amabel Williams-Ellis | Her completion of the novel was delayed and nearly prevented when she suffered a serious concussion; however, her friend Storm Jameson
helped bring the text to publication by acting as proofreader and advisor. Williams-Ellis, Amabel. All Stracheys Are Cousins. Weidenfeld and Nicolson, 1983. 152 |
Textual Production | Mathilde Blind | |
Textual Production | Caroline Bowles | CB
's letters to the poet she married were published in The Correspondence of Robert Southey
with Caroline Bowles, To which are added: Correspondence with Shelley
, and Southey's Dreams. Shattock, Joanne. The Oxford Guide to British Women Writers. Oxford University Press, 1993. |
Textual Production | Mary Shelley | MS
helped Edward John Trelawny
by editing his autobiographical Adventures of a Younger Son, 1831: among other things she added epigraphs from both Byron
and Percy Shelley
, and supplied his title. She also... |
Textual Production | Dorothy Wellesley | DW
set up her own Penns in the Rocks Press
and in conjunction with publishers William Collins
produced volumes of Byron
and Shelley
each illustrated in black-and-white and colour. OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Alice Meynell | AM
wrote introductions or prefaces to over twenty books. For Blackie
's Red Letter Library series alone she introduced Elizabeth Barrett Browning
's letters and poems (1896 and 1903), and works by Robert Browning
(1903),... |
Textual Production | Mary Ann Browne | The dedication celebrates her sister as the playmate of my childhood, the companion of my youth, and . . . the friend and blessing of my maturer years. Browne, Mary Ann. Ignatia. Hamilton, Adams, 1838. prelims |
Textual Production | Robert Browning | RB
's Introductory Essay on Shelley
appeared in Edward Moxon
's edition of Letters of Percy Bysshe Shelley. Day, Aidan, and Robert Browning. “Introduction, Critical Commentary, and Editorial Materials”. Robert Browning: Selected Poetry and Prose, Routledge, 1991, pp. 1 - 21, 151. 230 Browning, Robert. Robert Browning’s Poetry: Authoritative Texts, Criticism. Editor Loucks, James F., W. W. Norton, 1979. vii The Athenaeum Index of Reviews and Reviewers: 1830-1870. http://replay.web.archive.org/20070714065452/http://www.soi.city.ac.uk/~asp/v2/home.html. 1269 (21 January 1852): 214-5 |
Textual Production | Mary Shelley | MS
published a short-lived edition of her husband
's Posthumous Poems, in 500 copies. Shelley, Mary. The Journals of Mary Shelley, 1814-1844. Editors Feldman, Paula R. and Diana Scott-Kilvert, Johns Hopkins University Press, 1995. 434n1 |
Textual Production | Mary Shelley | MS
edited and published a new edition of her husband
's works, with much prefatory material by herself. Shelley, Mary. “Introduction”. Lodore, edited by Lisa Vargo, Broadview, 1997, pp. 9-45. 45, 16 |
Textual Production | Sylvia Townsend Warner | STW
wrote an opera libretto about the last days of Percy Shelley
, The Sea Change, for musician Paul Nordoff
, who had been commissioned by Columbia University
to write an opera. Harman, Claire. Sylvia Townsend Warner: A Biography. Chatto and Windus, 1989. 222 |
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