Percy Bysshe Shelley
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Standard Name: Shelley, Percy Bysshe
PBS
is one of the six major (male) English Romantic poets.
Connections
Connections Sort descending | Author name | Excerpt |
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Textual Features | Kathleen Raine | |
Textual Features | Edna Lyall | The story opens with Charles Osmond's son Brian, a young doctor in Bloomsbury, and his daily observation of a tall schoolgirl on her way home with her books. This is Erica Raeburn, who has... |
Textual Features | Mary Shelley | When she resumed her journal after Percy Shelley
's death she headed it The Journal of Sorrow—Begun 1822. But for my Child it could not End too soon. Shelley, Mary. The Journals of Mary Shelley, 1814-1844. Editors Feldman, Paula R. and Diana Scott-Kilvert, Johns Hopkins University Press, 1995. 428 |
Textual Features | Una Marson | UM
's poetry has sometimes been characterised as uneven. Her best poems, however, explore black, female identity with perception and passionate honesty. Despite the pervasive influence on her work of Romantic poets such as Shelley |
Textual Features | Edith Sitwell | The English edition appeared the following year. Her choice for inclusion is, as usual, idiosyncratic. She begins well before Chaucer
, with anonymous early religious poems in which may be heard, she writes, the creaking... |
Textual Features | Dorothy Wellesley | DW
's selection, though, demonstrates a serious interest in women's literary and feminist history. Of the selections whose authors can be identified, almost half are women. Though Marguerite, Lady Blessington
, doyenne of the albums... |
Textual Features | Helen Dunmore | The title poem pictures a man skating on a pond; he has the air, though, of a long-distance rather than a pleasure skater, and the poem imagines him going on forever, mounting the crusted waves... |
Textual Production | Germaine Greer | GG
has published a good deal in her scholarly field of seventeenth- and eighteenth-century women's writing. Her anthology (with Susan Hastings
, Jeslyn Medoff
and Melinda Sansone
), Kissing the Rod, has played an... |
Textual Production | Kathleen Nott | KN
published The Good Want Power. An essay in the psychological possibilities of liberalism, titled from a pronouncement of Percy Bysshe Shelley
which continues: the powerful goodness want. “The Times Digital Archive 1785-2007”. Thompson Gale: The Times Digital Archive. 60049 (7 July 1977): 19 |
Textual Production | Winifred Peck | WP
published a novel, Veiled Destinies, titled from a phrase in Shelley
's Adonais (his lament for the death of Keats
). Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 2410 (10 April 1948): 201 |
Textual Production | Kate O'Brien | KOB
explores the topic of a lesbian relationship in As Music and Splendour, her last novel, whose title quotation (from a lyric by Percy Bysshe Shelley
) implies that the relationship will not be... |
Textual Production | Felicia Hemans | In a letter of 1822, in mock despair at the interruptions resulting from writing in a home occupied by children and renovators, FH
casts herself as Beatrice in Shelley
's The Cenci (which she misattributes... |
Textual Production | Mathilde Blind | MB
delivered to the Shelley Society
a lecture on Percy Bysshe Shelley
at St George's Hall, Langham Place in London. The lecture drew the attention of the Editor of the Westminster Review. Garnett, Richard, and Mathilde Blind. “Memoir”. The Poetical Works of Mathilde Blind, edited by Arthur Symons and Arthur Symons, T. Fisher Unwin, 1900, pp. 1-43. 24 |
Textual Production | Ella D'Arcy | EDA
's last book was her translation into English of Ariel, the biography of Percy Bysshe Shelley
written by André Maurois
, published, like her other books, by John Lane
. “The Times Digital Archive 1785-2007”. Thompson Gale: The Times Digital Archive. 43576 (15 February 1924): 17 Clarke, John Stock. Ella D’Arcy. 21 Mar. 2019. |
Textual Production | Anna Mary Howitt | She chose epigraphs to chapter one from Keats
and James Shirley
, to chapters three and fourteen from Mary Howitt
, and elsewhere from Elizabeth Barrett Browning
, Percy Bysshe Shelley
, and writers in French, German, and Italian. |
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