Percy Bysshe Shelley
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Standard Name: Shelley, Percy Bysshe
PBS
is one of the six major (male) English Romantic poets.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | G. B. Stern | She begins by quoting in its entirety Robert Browning
's poem entitled Memorabilia, which as she observes is better known by its opening line, Ah, did you once see Shelley
plain? qtd. in Stern, G. B. . And did he stop and speak to you?. Henry Regnery, 1958. prelims |
Intertextuality and Influence | Amy Levy | The plot concerns an English governess to an Italian family in Rome, who opposes the love which develops between her and the grown-up son. AL
plants allusions to Jane Eyre and to famous English... |
Intertextuality and Influence | Mary Shelley | When Mary first met Percy Shelley
, he was about to embark on serious publication. Between 1813 and 1821, he published several major works, including Queen Mab, Epipsychidion, The Cenci, and his... |
Intertextuality and Influence | Florence Farr | A series of reviews by others precedes Farr's own account of her musical recitations. These experiments in verse performance began as illustrations of Yeats's theories of the music and rhythm of spoken verse, but Farr... |
Intertextuality and Influence | Dinah Mulock Craik | Freed as a disabled woman from the expectations of conventional femininity, Olive leads an independent life and struggles to become a successful painter, strengthened by her reading of Shelley
and Byron
. But she foregoes... |
Intertextuality and Influence | Charlotte Dacre | Zofloya was widely reviewed and its language widely condemned as bombastical—probably reflecting unease at its rampant female sexuality. Shocked reviews included those in the Literary Journal and Monthly Literary Recreations, though the Morning... |
Intertextuality and Influence | Muriel Spark | Spark's interest in Mary Shelley had first been aroused by reading Ariel, André Maurois' life of Percy Shelley
. She said later that writing this book against time for economic reasons and at the... |
Intertextuality and Influence | Margaret Holford | The title-page quotes a French proverb: La fin couronne les oeuvres, or the end crowns the work The dedication to Baillie expresses pride in the friendship, but shame at the idea of comparison between their... |
Intertextuality and Influence | Jane Gardam | The title given these stories may sound sentimental, but in fact it comes from a kind of cake made by a character who, when asked about her health, always replies that this is only one... |
Intertextuality and Influence | Una Marson | UM
's title and epigraph are taken from a line by Shelley
: The desire of the moth for the star, signifying an unattainable love-object. Her volume was introduced by Philip Sherlock
, who drew... |
Literary responses | Ethel M. Dell | In response to a compliment on her writing EMD
replied, they are not well written and will never be called classics. qtd. in Dell, Penelope. Nettie and Sissie. Hamish Hamilton, 1977. 129 |
Literary responses | Amelia Opie | The Critical Review, which had praised AO
's earlier work, thought this novel equally well done, and that the description of the heroine's death could stand comparison with those of Richardson
's Clarissa or... |
Literary responses | Florence Dixie | This book was widely reviewed in provincial and even American as well as London papers. The Leamington Spa Courier and Warwickshire Standard called it a real, living, human production, and one which must ever be... |
Literary responses | Sydney Owenson Lady Morgan | This splendidly excessive tale was elaborately summarised by the Critical Review. It had the nerve to complain at the end that Owenson ought to write in a more simple and natural manner, Critical Review. W. Simpkin and R. Marshall, 5 series. 3d ser. 23 (1811): 195 |
Literary responses | Florence Dixie | Holyoake
, the dedicatee, in his prefatory piece (like W. Stewart Ross
commenting on The Story of Ijain) defends FD
's work not only by assertion (it is a a marvel of thought... |
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Texts
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