Percy Bysshe Shelley

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Standard Name: Shelley, Percy Bysshe
PBS is one of the six major (male) English Romantic poets.

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Marion Reid
Using rhetoric similar to that of abolitionists, Reid draws parallels between the plight of women and that of slaves. The title-page asks (in the words of Percy Bysshe Shelley ) Can man be free, if...
Intertextuality and Influence Mary Anne Duffus Hardy
Quoting a phrase originally used by the seventeenth-century Thomas Fuller , she recalls how at the old slave mart people representing God's image, carved in ebony, were lined up like cattle for sale in most...
Intertextuality and Influence Amy Levy
AL acknowledged the influence on her poetry of Percy Bysshe Shelley , Goethe , Heine , Robert Browning , Swinburne (whose poem Félise she answered in Félise to Her Lover), and James Thomson (the...
Intertextuality and Influence Sarojini Naidu
In one speech given in 1903, True Brotherhood, SN advocates the spirit of brotherhood and equality as an antidote to provincialism, declaring I am a real democrat, because to me there is no difference...
Intertextuality and Influence Rosamund Marriott Watson
In addition to poems from all her previous volumes, the book includes The Story of Marpessa, which first appeared in the Universal Review in September 1889. This poem is a critique of marriage adapted...
Intertextuality and Influence Amy Levy
The plot concerns an English governess to an Italian family in Rome, who opposes the love which develops between her and the grown-up son. AL plants allusions to Jane Eyre and to famous English...
Intertextuality and Influence Mary Shelley
When Mary first met Percy Shelley , he was about to embark on serious publication. Between 1813 and 1821, he published several major works, including Queen Mab, Epipsychidion, The Cenci, and his...
Intertextuality and Influence Florence Farr
Farr quotes from a variety of sources, from the Book of the Dead and Iamblichus 's The Mysteries to Shelley 's Ozymandias.
Farr, Florence. Egyptian Magic. Aquarian Press.
12-13, 15, 85
She also includes long fragments of the Gnostic papyrus...
Intertextuality and Influence Florence Farr
A series of reviews by others precedes Farr's own account of her musical recitations. These experiments in verse performance began as illustrations of Yeats's theories of the music and rhythm of spoken verse, but Farr...
Intertextuality and Influence Margaret Holford
The title-page quotes a French proverb: La fin couronne les oeuvres, or the end crowns the work The dedication to Baillie expresses pride in the friendship, but shame at the idea of comparison between their...
Literary responses Marguerite Gardiner, Countess of Blessington
This book sparked both sensation and controversy. It was the starting point for Blessington's friendships with Isaac D'Israeli and Edward Bulwer-Lytton .
Feldman, Paula R., editor. British Women Poets of the Romantic Era. John Hopkins University Press.
149
Some critics were sceptical as to whether her friendship with Byron had...
Literary responses Michael Field
George Meredith thought the play would act well but added this criticism: I do not find in your dramatic prose the complete ring that there is in the sound and volume of your blank verse...
Literary responses Amelia Opie
The Critical Review, which had praised AO 's earlier work, thought this novel equally well done, and that the description of the heroine's death could stand comparison with those of Richardson 's Clarissa or...
Literary responses Ethel M. Dell
In response to a compliment on her writing EMD replied, they are not well written and will never be called classics.
Dell, Penelope. Nettie and Sissie. Hamish Hamilton.
129
Highbrow journals at her death were careful not to praise. The Times Literary...
Literary responses Sydney Owenson, Lady Morgan
This splendidly excessive tale was elaborately summarised by the Critical Review. It had the nerve to complain at the end that Owenson ought to write in a more simple and natural manner,
Critical Review. W. Simpkin and R. Marshall.
3d ser. 23 (1811): 195

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