Percy Bysshe Shelley
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Standard Name: Shelley, Percy Bysshe
PBS
is one of the six major (male) English Romantic poets.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Muriel Spark | Spark's interest in Mary Shelley had first been aroused by reading Ariel, André Maurois' life of Percy Shelley
. She said later that writing this book against time for economic reasons and at the... |
Intertextuality and Influence | Margaret Holford | The title-page quotes a French proverb: La fin couronne les oeuvres, or the end crowns the work The dedication to Baillie expresses pride in the friendship, but shame at the idea of comparison between their... |
Intertextuality and Influence | Una Marson | UM
's title and epigraph are taken from a line by Shelley
: The desire of the moth for the star, signifying an unattainable love-object. Her volume was introduced by Philip Sherlock
, who drew... |
Intertextuality and Influence | Mathilde Blind | |
Intertextuality and Influence | Harriet Martineau | Writing to Mary Russell Mitford
of her hope that they might meet, HM
acknowledged the influence which the spirit of your writings has had over me. qtd. in L’Estrange, Alfred Guy Kingham, editor. The Friendships of Mary Russell Mitford as Recorded in Letters from Her Literary Correspondents. Hurst and Blackett, 1882, 2 vols. 1: 263-4 |
Intertextuality and Influence | Harriet E. Wilson | A number of HEW
's epigraphs to chapters remain untraced, and some may be her own work. Those identified bear witness to considerable reading: among English writers she quotes Shelley
, Byron
, Eliza Cook |
Intertextuality and Influence | May Sinclair | The collection also contained homages to George Eliot
and Percy Bysshe Shelley
. Boll, Theophilus E. M. Miss May Sinclair: Novelist: A Biographical and Critical Introduction. Fairleigh Dickinson University Press, 1973. 39-40 |
Intertextuality and Influence | Alice Meynell | AM
's associations with Aubrey de Vere
, Patmore
, and Meredith
were mutually beneficial. She shared with these poet-mentors the passion and facility for metrical and verbal analysis. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 19 |
Intertextuality and Influence | Mary Shelley | This novel has an epigraph from John Ford
's The Lover's Melancholy, 1629, about the storms and turmoil of human life. Shelley, Mary. Lodore. Editor Vargo, Lisa, Broadview, 1997. 47 |
Intertextuality and Influence | Alice Meynell | The forty poems date from the last five years before publication. Their styles are derivative. Song of the Day to the Night is reminiscent of Shelley
, Soeur Monique of Wordsworth
, An Unmarked Festival... |
Intertextuality and Influence | Charlotte Despard | In this historically-based essay CD
sets out to deal not with individual women but with the great woman-principle. Shaw, Frederick John, editor. The Case for Women’s Suffrage. Unwin, 1907. 190 |
Intertextuality and Influence | Emily Gerard | The title of A Sensitive Plant comes from the poem of the same name by Percy Bysshe Shelley
: his sensitive plant, too, is human, in his case a male poet. The sensitive character depicted... |
Intertextuality and Influence | Mary Elizabeth Braddon | This story of infidelity features an Italian financier who as a furiously jealous foreigner is compared to Shakespeare's Othello. (At least Provana is not black Braddon, Mary Elizabeth. Beyond These Voices. Hutchinson, 1910. 68 |
Intertextuality and Influence | Emily Gerard | This novel has two sections, Dream-Life and The Awakening, with an Intermezzo between the two: love is not part of the dream, but of the awakening to reality. The title-page quotation from La Fontaine |
Intertextuality and Influence | Rosamund Marriott Watson | In addition to poems from all her previous volumes, the book includes The Story of Marpessa, which first appeared in the Universal Review in September 1889. This poem is a critique of marriage adapted... |
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