King, Don W. “The Anatomy of a Friendship: the correspondence of Ruth Pitter and C. S. Lewis, 1946-1962: Mythlore, Summer 2003”. Findarticles.
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| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Reception | Frances Horovitz | |
| Reception | Ruth Pitter | During her lifetime RP
was deeply appreciated by some readers. C. S. Lewis
scatters through his letters such remarks as Whenever I re-read your poems, I blame myself for not re-reading them oftener. King, Don W. “The Anatomy of a Friendship: the correspondence of Ruth Pitter and C. S. Lewis, 1946-1962: Mythlore, Summer 2003”. Findarticles. 2 |
| Reception | Olivia Manning | It was a disappointment to OM
when The Observer review, by Ruth Inglis
, was headlined, Who is Olivia Manning? qtd. in Braybrooke, Neville, and Isobel English. Olivia Manning: A Life. Chatto and Windus, 2004. 2 |
| Reception | George Eliot | The novel has never been a feature film, but was adapted as a highly successful BBC
television series in 1994. Williams, Neville et al. Chronology of the 20th Century. Helicon, 1996. 529 |
| Reception | Mary Robinson | A conference at the University of Warwick
commemorated the two hundredth anniversary of MR
's death; Stuart Curran
gave a plenary address and Jacqueline M. Labbe
spoke about Robinson on the BBC
's Woman's Hour. Curran, Stuart, and Isobel Grundy. Email about Mary Robinson to Isobel Grundy. May 2000. Labbe, Jacqueline M. “Mary Robinson’s Bicentennial”. Women’s Writing, Vol. 9 , No. 1, 2002, pp. 3-8. 3 |
| Reception | Josephine Tey | |
| Reception | Anne Devlin | AD
has read two of these stories on BBC Radio 4
: Five Notes after a Visit (1986) and First Bite (1990). Devlin, Anne. The Way-Paver. Faber and Faber, 1986. prelims “Anne Devlin”. Alan Brodie Representation. |
| Reception | Muriel Spark | Spark's editor, Alan Maclean
, told her: You've hit the jackpot today. qtd. in Spark, Muriel. Curriculum Vitae: Autobiography. Constable, 1992. 213 |
| Reception | George Eliot | A BBC
adaptation of the novel, 2002, made marital rape a major feature in its interpretation of Grandcourt's silent cruelty which, as critic Andrew Dowling
notes, operates as a sign of some truth beyond itself... |
| Textual Features | Wendy Cope | |
| Textual Features | Wendy Cope | The title punctures its own potential pretentiousness with reference to The Archers, the much-loved BBC
radio serial of country life. Cope's prose style, like her poetry, is dialogic and punchy. When she gave up... |
| Textual Features | Elspeth Huxley | For The Times in the 1930s her subjects included the gold rush at Kakamega in Kenya's only tropical rain forest, and New Deal farming in the American South. In March 1938 she embarked... |
| Textual Features | Lesley Storm | This play effectively portrays the aftermath in Britain of the defection of Guy Burgess
and Donald Maclean
, who fled to the Soviet Union on 25 May 1951 after years of spying for Communist
Russia... |
| Textual Features | Anne Ridler | The third play, The Mask was inferior as a stage play, in AR
's later judgement, to its radio version (in which she collaborated with her cousin Robin Milford
, who wrote the music, and... |
| Textual Features | Olivia Manning | The Man Who Stole a Tiger strikes a different note. It begins in Jerusalem but ranges as far as the Congo. A scrawny, tubercular soldier with a criminal record, presented without sympathy or understanding... |
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