Baillie, Joanna. “Editorial Materials”. The Collected Letters of Joanna Baillie, edited by Judith Bailey Slagle, Fairleigh Dickinson University Press, 1999, pp. ix - xiv, 1.
11
Editing De Monfort for her British Theatre in 1808, Elizabeth Inchbald
wrote of the hero as a lunatic possessing every vice which pride engenders, yet...
Intertextuality and Influence
Anne Bannerman
After her death AB
was quickly forgotten. Yet literary historian Stuart Curran
has recently noted the influence of her poetry on Dorothea Primrose Campbell
. Critic Adriana Craciun
, writing for the website Scottish Women...
Curran, Stuart. “Isabella Lickbarrow and Mary Bryan: Wordsworthian Poets”. The Wordsworth Circle, Vol.
27
, No. 2, 1 Mar.–31 May 1996, pp. 113-18.
113
The appearance of her Collected Poems...
Literary responses
Jane Taylor
Critic Stuart Curran
calls this volume brilliant. He notes the resemblance of its fine irony
Curran, Stuart. “The I Altered”. Romanticism and Feminism, edited by Anne K. Mellor, Indiana University Press, 1988, pp. 185-07.
192
to that of Jane Austen
(despite the fundamental earnestness of Taylor's Dissenting attitudes). Presenting those attitudes as a crucial...
Literary responses
Catherine Talbot
Present-day critics like Stuart Curran
think highly of CT
as a poet. Rhoda Zuk
in the Oxford Dictionary of National Biography praises her as a feminist and a rational moralist, and argues that the dismissal...
Literary responses
Charlotte Smith
Critic Stuart Curran
maintains that the handling of idiolects for individual characters in The Old Manor House is a new development in fiction.
Curran, Stuart. “Reading with Both Hands: The Dialog of Novelist and Poet”. American Society for Eighteenth-Century Studies (ASECS) Conference, Boston, MA, 27 Mar. 2004.
Author summary
Jane Taylor
JT
, a writer of poems for children when she was little more than a child herself, saw herself in adulthood as first and foremost a Christian writer, seeking to change the lives of her...
Reception
Mary Robinson
A conference at the University of Warwick
commemorated the two hundredth anniversary of MR
's death; Stuart Curran
gave a plenary address and Jacqueline M. Labbe
spoke about Robinson on the BBC
's Woman's Hour.
Curran, Stuart, and Isobel Grundy. Email about Mary Robinson to Isobel Grundy. May 2000.
Labbe, Jacqueline M. “Mary Robinson’s Bicentennial”. Women’s Writing, Vol.
9
, No. 1, 2002, pp. 3-8.
3
Reception
Charlotte Smith
CS
has enjoyed a recent renaissance, with Stuart Curran
's edition of her poems, 1993, her Major Poetical Works edited by Claire Knowles
and Ingrid Horrocks
, 2017, Curran's fourteen-volume collected works from Pickering and Chatto
Textual Features
Mary Robinson
Critic Stuart Curran
calls the birthday poem startlingly original
Curran, Stuart. “Mary Robinson and the New Lyric”. Women’s Writing, Vol.
9
, No. 1, 2002, pp. 9-22.
13
in its juxtaposition of rich and poor, each group metonymically described by their attributes.
Textual Production
Mary Robinson
The Morning Post published MR
's The Haunted Beach, an indignant poem about a pauper burial on Brighton beach.
Scholar Stuart Curran
estimates that this paper printed no less than ninety-eight poems by MR
.
Curran, Stuart. “Mary Robinson and the New Lyric”. Women’s Writing, Vol.
9
, No. 1, 2002, pp. 9-22.
16
Robinson, Mary. Perdita: The Memoirs of Mary Robinson. Editor Levy, Moses Joseph, Peter Owen, 1994.
135-6, 165
Timeline
No timeline events available.
Texts
Curran, Stuart, and Isobel Grundy. Email about Mary Robinson to Isobel Grundy.
Smith, Charlotte. “Introduction”. The Poems of Charlotte Smith, edited by Stuart Curran, Oxford University Press, 1993, p. xix - xxix.
Curran, Stuart. “Isabella Lickbarrow and Mary Bryan: Wordsworthian Poets”. The Wordsworth Circle, Vol.
27
, No. 2, pp. 113-18.
Curran, Stuart. “Mary Robinson and the New Lyric”. Women’s Writing, Vol.
9
, No. 1, 2002, pp. 9-22.
Curran, Stuart. “Reading with Both Hands: The Dialog of Novelist and Poet”. American Society for Eighteenth-Century Studies (ASECS) Conference, Boston, MA.
Curran, Stuart. “Romantic Women Poets: Inscribing the Self”. Women’s Poetry in the Enlightenment: The Making of a Canon, 1730-1820, edited by Isobel Armstrong and Virginia Blain, St Martin’s Press, 1999, pp. 145-66.
Curran, Stuart. “The I Altered”. Romanticism and Feminism, edited by Anne K. Mellor, Indiana University Press, 1988, pp. 185-07.
Smith, Charlotte. The Poems of Charlotte Smith. Editor Curran, Stuart, Oxford University Press, 1993.