Spark, Muriel. Curriculum Vitae: Autobiography. Constable.
213
Connections Sort descending | Author name | Excerpt |
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Reception | Elspeth Huxley | She was always feisty about the amount she was paid: for her first broadcast she queried the BBC
's provision of eight guineas since she had heard that the standard fee was ten. She was... |
Reception | Muriel Spark | Spark's editor, Alan Maclean
, told her: You've hit the jackpot today. Spark, Muriel. Curriculum Vitae: Autobiography. Constable. 213 |
Reception | Richmal Crompton | Critics were unfailingly enthusiastic, and the William books (with their US editions and European translations) were distributed and translated widely. Williams, Kay. Just Richmal. Genesis. 140 |
Reception | Penelope Fitzgerald | Mollie Hardwick
in Books and Bookmen pronounced this to be a delicate water-colour of a novel, small and charming. “Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC. |
Reception | Frances Bellerby | During the 1950s her poems were often read on a BBC Western Region
programme, where they were first introduced by Charles Causley
. John Lehmann
read one of FB
's poems on the Third Programme... |
Reception | Josephine Tey | Tey's novel was made into a BBC
television movie in 1986. It was also the unacknowledged basis for the 1963 film Paranoiac, directed by Freddie Francis
. The Internet Movie Database (IMDb). http://www.imdb.com. Tey, Josephine. Brat Farrar. Penguin. front cover |
Reception | Josephine Tey | |
Reception | Mary Robinson | A conference at the University of Warwick
commemorated the two hundredth anniversary of MR
's death; Stuart Curran
gave a plenary address and Jacqueline M. Labbe
spoke about Robinson on the BBC
's Woman's Hour. Curran, Stuart. Email about Mary Robinson to Isobel Grundy. Labbe, Jacqueline M. “Mary Robinson’s Bicentennial”. Women’s Writing, Vol. 9 , No. 1, pp. 3-8. 3 |
Reception | Daphne Du Maurier | |
Reception | Liz Lochhead | Before she had published a collected volume of her verse, LL
won a BBC Radio Scotland
poetry prize for Revelation and Poem for Other Poor Fools. Smith, Ali. “Liz Lochhead: Speaking in Her Own Voice”. Liz Lochhead’s Voices, edited by Robert Crawford and Anne Varty, Edinburgh University Press, pp. 1-16. 13 Varty, Anne. “The Mirror and the Vamp: Liz Lochhead”. A History of Scottish Women’s Writing, edited by Douglas Gifford and Dorothy McMillan, Edinburgh University Press, pp. 641-58. 643-4 |
Reception | Jane Austen | The major novels have been repeatedly dramatised and filmed; the BBC
has had great success with videos and DVDs of all six. They and the unfinished novels have been almost equally material for sequels, prequels... |
Reception | Ruth Pitter | During her lifetime RP
was deeply appreciated by some readers. C. S. Lewis
scatters through his letters such remarks as Whenever I re-read your poems, I blame myself for not re-reading them oftener. King, Don W. “The Anatomy of a Friendship: the correspondence of Ruth Pitter and C. S. Lewis, 1946-1962: Mythlore, Summer 2003”. Findarticles. 2 |
Reception | Malorie Blackman | While Blackman's publisher was seeking a US contract for Noughts and Crosses, the terrorist attacks of 7 September made a fictional Liberation Militia into an untouchable idea. The book did not appear in the... |
Reception | Dylan Thomas | At another performance two weeks later (with the script this time complete), the cast took fourteen curtain calls before Thomas took the final one alone. Other American readings followed. DT
delivered the typed, completed manuscript... |
Reception | Liz Lochhead | The initial version of Mary and the Monster was not well received. LL
quotes the reviewer from the Birmingham Evening News as saying I'd rather be at the dentist—to which she adds, so would... |
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