Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
BBC
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Mary Agnes Hamilton | MAH
presented for the BBC
the first broadcast of A Week in Westminster, a radio programme designed by Hilda Matheson
to educate the electorate (especially the newly-enfranchised female part of it) about politics. “Women’s History Timeline”. BBC: Radio 4: Woman’s Hour. |
Textual Production | Emmuska, Baroness Orczy | Following a silent film of 1928 entitled The Triumph of the Scarlet Pimpernel (from the novel of the same title, 1922), Orczy and Julia Neilson
gave permission for the filming of the work by London Film Productions |
Textual Production | Naomi Alderman | She also wrote Borrowed Time, 2011, a novel which is a spin-off from the BBC
's Doctor Who series, which she regards as fan fiction. Armitstead, Claire. “Naomi Alderman. A life in . . ”. theguardian.com. |
Textual Production | Wendy Cope | WC
's radio play Shall I Call Thee Bard? A Portrait of Jason Strugnell was broadcast by BBC
Radio 3. “Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC. |
Textual Production | Mary Wesley | It appeared exactly a year after she had finished the first draft (working title Period Piece) and put away the manuscript (written in ink on paper of A4 size, with lines but without margins)... |
Textual Production | Nina Bawden | It was made into a film for BBC
television. “Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC. |
Textual Production | Hilary Mantel | Within not much more than a year of publication this novel had sold more than 65,000 copies, overturning its author's feeling of having always been a very modest seller. Taylor, Debbie. “Hilary Mantel”. Mslexia, No. 30, pp. 46-8. 47 |
Textual Production | Constance Garnett | Ephemeral writings by CG
have not been collected. A letter she wrote to Leonard Woolf
at the New Statesman and Nation in 1933, setting out her considered judgement on Soviet Communism, was apparently designed for... |
Textual Production | Agatha Christie | The origin of the stage play was a radio play. Elizabeth Jenkins
tells a story that this was based on the actual killing of a war evacuee by the farmer with whom he and his... |
Textual Production | Michelene Wandor | This publication was one of a group of four: the others are by Zoë Fairbairns
, Valerie Miner
, and Victoria Nelson
. Three of Wandor's stories are revised from versions which appeared in Guests... |
Textual Production | Rose Macaulay | RM
was a hard-working critic, reviewer, and journalist. From the 1920s into the second world war she wrote for Time and Tide, The Spectator, and the New Statesman among other publications. Emery, Jane. Rose Macaulay: A Writer’s Life. John Murray. 206-7, 239 |
Textual Production | Naomi Alderman | |
Textual Production | Harold Pinter | Pinter began this work as a radio play. The BBC
archives hold a scene-by-scene plan he made for it, plus statements about overall themes and purpose. This plan was rejected in November 1958, but later... |
Textual Production | Muriel Spark | An Author's Note says that both stories and plays were written on the same creative wavelength, Spark, Muriel. Voices At Play. Penguin. 7 |
Textual Production | Kathleen Jamie | KJ
has written scripts for radio programmes, like The Whale Road, about the arches made of whale bones which stand here and there in Britain (BBC Radio 3
, 2008), and Norn But... |
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