Oakley, Ann. Taking It like a Woman. Flamingo, 1992.
xiv
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Ann Oakley | It was televised by the BBC
amid much media hyperbole. Oakley, Ann. Taking It like a Woman. Flamingo, 1992. xiv Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. Cochrane, Kira. “Ann Oakley: ’Barbara Wootton was too visionary’”. theguardian.com, 7 July 2011. |
Textual Production | Naomi Alderman | NA
says this book was facilitated by the success of fictions about other, distinct communities: Zadie Smith
's White Teeth, Monica Ali
's Brick Lane, and especially influenced by Jeanette Winterson
's Oranges... |
Textual Production | Catherine Cookson | By the late 1980s, when she was past eighty herself and in precarious health, CC
had become an industry that supported a vast empire, with hundreds of people dependent on her for their livelihood. This... |
Textual Production | Jean Rhys | The production was commissioned by the BBC
, and took place at the Royal Festival Hall
in London. It was conducted by Colin Davis
, with Meriel Dickinson
as soloist. The work was later... |
Textual Production | Teresa Deevy | This reached print the year after it was performed, in the Dublin Magazine. It played in Cork in 1939, opening on 6 November. A television film made from it was broadcast by the BBC |
Textual Production | Katherine Mansfield | Scholar Claire Tomalin
suspects that this refusal had to do with KM
's unacknowledged debt to Chekhov
in The Child-Who-Was-Tired. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Textual Production | Phyllis Bottome | |
Textual Production | Anne Devlin | The opening instalment of AD
's three-part television adaptation of D. H. Lawrence
's novel The Rainbow was first aired on BBC One
. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 245 Schrank, Bernice, and William W. Demastes, editors. Irish Playwrights, 1880-1995. Greenwood Press, 1997. 95 |
Textual Production | Jackie Kay | JK
continues to publish stories in periodicals: for instance Wish I was here, commissioned for Guardian, 2 August 2003. Kay, Jackie. “Wish I was here”. Guardian Weekly, 2 Aug. 2003, pp. 50-3. 50 Kay, Jackie. “Short story endings”. Mslexia, Vol. 20 , Jan. 2004, pp. 44-5. 45 |
Textual Production | Agatha Christie | |
Textual Production | Andrea Levy | AL
has had her short fiction read on BBC Radio 4
. Hickman, Christie. “Andrea Levy: Under the skin of history”. The Independent, 6 Feb. 2004. |
Textual Production | Julia O'Faolain | While working as a translator for the Council of Europe
, JOF
also set out, at her father's urging, to write professionally. Later, however, she felt she had made a false start as a writer... |
Textual Production | Naomi Alderman | She also wrote Borrowed Time, 2011, a novel which is a spin-off from the BBC
's Doctor Who series, which she regards as fan fiction. Armitstead, Claire. “Naomi Alderman. A life in . . ”. theguardian.com, 28 Oct. 2016. |
Textual Production | Wendy Cope | WC
's radio play Shall I Call Thee Bard? A Portrait of Jason Strugnell was broadcast by BBC
Radio 3. “Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC. |
Textual Production | Margaret Haig Viscountess Rhondda | She included essays previously published in Time and Tide about her travels to far-off places such as Gibraltar, Morocco, Greece, Egypt, and the holy places of the earth: Rhondda, Margaret Haig, Viscountess. Notes on the Way. Books for Libraries Press, 1968. 2 |
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