Heineman, Helen. Mrs. Trollope: The Triumphant Feminine in the Nineteenth Century. Ohio University Press, 1979.
249
Connections Sort descending | Author name | Excerpt |
---|---|---|
Publishing | Christina Stead | Having decided to leave Simon and Schuster
, CS
submitted this work in manuscript to Angus Cameron
of Little Brown
, but she may have done this too early, since he replied that it needed... |
Reception | Frances Trollope | Helen Heineman
describes this book as a pastiche of seances, mesmerism, Roman Catholic
conversions, wicked guardians, and social class snobbery that displays a distinct decline Heineman, Helen. Mrs. Trollope: The Triumphant Feminine in the Nineteenth Century. Ohio University Press, 1979. 249 |
Reception | Elizabeth Jennings | In the Times Literary SupplementPeter Redgrove
welcomed EJ
as a good rather than a great poet, lyrical, metaphysical, and psychologically penetrating, a very accomplished writer of short pieces. TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 2705 (4 December 1953): 778 |
Reception | Katharine Tynan | At the start of her writing career, in 1885, KT
was revered as the next Catholic
woman poet to succeed Christina Rossetti
. She herself held firmly to this image even while her Parnellism and... |
Textual Features | May Crommelin | The book is headed with romantic lines from Thomas Davies [sic]
about successive migrants and visitors to Ireland, from the brown Phoenician to the iron Lords of Normandy. Crommelin, May. Orange Lily. Ullans Press, 2017. 1 |
Textual Features | Jane Porter | Her first piece of this kind, for Friendship's Offering, 1826, was titled A Tale of Ispahan and designed to supplement an engraving of that town from a sketch by her brother Sir Robert Ker Porter |
Textual Features | Marjorie Bowen | Early in the story two young men, Dirk and Thierry, decide to study the dark arts. After they put a curse on a fellow-student they are accused of witchcraft and their apparatus discovered, but they... |
Textual Features | Jane Barker | |
Textual Features | Anna Kingsford | AK
's interpretation casts the story in religious terms, depicting the warring tribes of Gepidæ and Langobards as enemies because of their differing beliefs. While the Langobards are Christians (though AK is careful to note... |
Textual Features | Evelyn Underhill | The Lost Word draws on but warps the conventions of aestheticism. Catherine Alstone's passion for art is not inflected by practical concerns, but neither is it art for artisticness that I want . .... |
Textual Features | Georgiana Fullerton | In Mrs. Gerald's Niece Margaret, the heroine of Grantley Manor, is now Mrs Walter Sydney and is thirty-seven. The new novel engages with the Oxford Movement
, detailing the doctrinal progression of Ita and... |
Textual Features | Catharine Trotter | It records the thinking that led her to return from the Roman Catholic Church
to the Church of England
. CT
uses the first person, in a clear, confident style, hammering her opponents with rhetorical questions. |
Textual Features | C. E. Plumptre | Plumptre explains her choice of subject matter by admitting that she feels a peculiar sympathy with those humbler seekers after truth—too great to be content with the ephemeral pleasures of the hour, not great enough... |
Textual Features | Charlotte Lennox | A spirited female narrator (who resembles CL
herself in much though not all of her experience) tells the story of her past life to a dear friend. Harriot is an intellectual heroine, a keen reader... |
Textual Features | Georgiana Fullerton | GF
is still struggling here with the relative merits of fiction and biography. Her preface puts forward the idea that when a biography is able to present its readers with a reflection of their own... |
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