Heineman, Helen. Mrs. Trollope: The Triumphant Feminine in the Nineteenth Century. Ohio University Press, 1979.
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Connections Sort descending | Author name | Excerpt |
---|---|---|
Publishing | Ellen Mary Clerke | EMC
was a frequent, lifelong contributor to both English and Italian periodicals. She wrote for the journal of the Manchester Geographical Society
, National Review, Contemporary Review, Gentleman's Magazine, and (less frequently... |
Reception | Frances Trollope | Helen Heineman
describes this book as a pastiche of seances, mesmerism, Roman Catholic
conversions, wicked guardians, and social class snobbery that displays a distinct decline Heineman, Helen. Mrs. Trollope: The Triumphant Feminine in the Nineteenth Century. Ohio University Press, 1979. 249 |
Reception | Elizabeth Jennings | In the Times Literary SupplementPeter Redgrove
welcomed EJ
as a good rather than a great poet, lyrical, metaphysical, and psychologically penetrating, a very accomplished writer of short pieces. TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 2705 (4 December 1953): 778 |
Reception | Katharine Tynan | At the start of her writing career, in 1885, KT
was revered as the next Catholic
woman poet to succeed Christina Rossetti
. She herself held firmly to this image even while her Parnellism and... |
Textual Features | Susan Smythies | SS
's modesty was well founded. The novel that follows is a more conventional romance than any of Richardson
's, though it makes much reference to Sir Charles Grandison, and also cites Pamela (though... |
Textual Features | Zoë Fairbairns | The nurse of the title is Marie Louise Habets
, who had been a nun for seventeen years, but had left her religious Order before she met the US Protestant Kathryn Hulme
when both were... |
Textual Features | Lady Charlotte Bury | Since the earlier novel, Self-Indulgence, had been allegedly forgotten twenty years before, LCB
said she had rewritten it with all names and some background events changed. Mudge, Bradford Keyes, editor. Dictionary of Literary Biography 116. Gale Research, 1992. 63 |
Textual Features | Monica Furlong | MF
's contributors here, both men and women, look back at childhoods in which belief and observance were integral parts. They include those whose remembered experience was gleaned within different faiths: Anglican
, Roman Catholic |
Textual Features | Sarah Butler | The petitions mention the death of her husband, Captain James Butler
, at the battle of Aughrim (a Williamite victory over Jacobite or Catholic
forces), the deaths of her children, the loss of her house... |
Textual Features | Mary Augusta Ward | This book is a sympathetic defence of Italy (to which it is dedicated) and the fruits of the Risorgimento against those who seemed to MAWungenerous and unjust towards the struggling Italian State. Ward, Mary Augusta. A Writer’s Recollections. Harper and Brothers, 1918. 349 |
Textual Features | Catherine Sinclair | This novel focuses on Beatrice, an orphan of mysterious origin who ends up after a shipwreck in the imaginary Scottish village of Clanmarina. She is taken in by Sir Evan McAlpine, and Lady Edith, his... |
Textual Features | Charlotte Mary Brame | After these revelations the earl dies, leaving Laurie the bulk of his estate. Treated cruelly by her newly-discovered aunt and cousins because her appearance has dispossessed them of expected inheritance, Laurie finds some comfort in... |
Textual Features | Lucas Malet | The wife, Jessie Enderby, is much younger than the middle-aged colonel. She is presented (by a male narrator who sees himself as a social historian and social critic) not as the passive victim of a... |
Textual Features | John Betjeman | Critic Ian Sansom
notes the preference this poetry evinces for familiarity and tradition. He singles out for mention the opening poem, Death in Leamington (about the bleakness of a woman's death in lonely, genteel poverty),... |
Textual Features | Fredrika Bremer | This trenchant, perceptive study of patriarchy is presented with the flamboyant tropes characteristic of Bremer's imagination. Hertha, like several of her other protagonists, has a tyrannical father and an invalid, less radical sister, Alma. She is... |
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