Ward, Mary Augusta. A Writer’s Recollections. Harper and Brothers, 1918.
349
Connections Sort descending | Author name | Excerpt |
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Textual Features | Sarah Butler | The petitions mention the death of her husband, Captain James Butler
, at the battle of Aughrim (a Williamite victory over Jacobite or Catholic
forces), the deaths of her children, the loss of her house... |
Textual Features | Mary Augusta Ward | This book is a sympathetic defence of Italy (to which it is dedicated) and the fruits of the Risorgimento against those who seemed to MAWungenerous and unjust towards the struggling Italian State. Ward, Mary Augusta. A Writer’s Recollections. Harper and Brothers, 1918. 349 |
Textual Features | Charlotte Mary Brame | After these revelations the earl dies, leaving Laurie the bulk of his estate. Treated cruelly by her newly-discovered aunt and cousins because her appearance has dispossessed them of expected inheritance, Laurie finds some comfort in... |
Textual Features | John Betjeman | Critic Ian Sansom
notes the preference this poetry evinces for familiarity and tradition. He singles out for mention the opening poem, Death in Leamington (about the bleakness of a woman's death in lonely, genteel poverty),... |
Textual Features | Fredrika Bremer | This trenchant, perceptive study of patriarchy is presented with the flamboyant tropes characteristic of Bremer's imagination. Hertha, like several of her other protagonists, has a tyrannical father and an invalid, less radical sister, Alma. She is... |
Textual Features | Ellen Wood | In a subplot Adeline de Castella breaks with her beloved Frederick St John when her Catholic
father forbids her to marry him. The emotion of their parting causes her to break a blood vessel, after... |
Textual Features | Jessie White Mario | Here she gives her appraisal of Catholic
and Protestant views of women's rights, as well as a general discussion of the disappointingly slight interest in Italy in sexual equality. Daniels, Elizabeth Adams. Jessie White Mario: Risorgimento Revolutionary. Ohio University Press, 1972. 164 |
Textual Features | Romer Wilson | The work is often described as epistolary; it is written in the first person, in letters which are varied with sketches that read almost like diary entries. “Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC. Shanks, Edward. “Romer Wilson: Some Observations”. The London Mercury, Vol. 22 , No. 130, Aug. 1930, pp. 343-9. 346 |
Textual Features | Jane Porter | Her first piece of this kind, for Friendship's Offering, 1826, was titled A Tale of Ispahan and designed to supplement an engraving of that town from a sketch by her brother Sir Robert Ker Porter |
Textual Features | Anna Kingsford | AK
's interpretation casts the story in religious terms, depicting the warring tribes of Gepidæ and Langobards as enemies because of their differing beliefs. While the Langobards are Christians (though AK is careful to note... |
Textual Features | C. E. Plumptre | Plumptre explains her choice of subject matter by admitting that she feels a peculiar sympathy with those humbler seekers after truth—too great to be content with the ephemeral pleasures of the hour, not great enough... |
Textual Features | Evelyn Waugh | The protagonist of these books, Guy Crouchback, is a middle-aged Roman Catholic, divorced from his wife, Virginia (though not in the eyes of the Church
, which therefore does not regard a sexual fling with... |
Textual Features | Charlotte Lennox | A spirited female narrator (who resembles CL
herself in much though not all of her experience) tells the story of her past life to a dear friend. Harriot is an intellectual heroine, a keen reader... |
Textual Features | May Crommelin | The book is headed with romantic lines from Thomas Davies [sic]
about successive migrants and visitors to Ireland, from the brown Phoenician to the iron Lords of Normandy. Crommelin, May. Orange Lily. Ullans Press, 2017. 1 |
Textual Features | Elizabeth B. Lester | There follows a series of six stories under the general title A Sketch from the Parlour of my Inn, three of which open with quotations from William Wordsworth
. The final story in this... |
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