Ward, Mary Augusta. A Writer’s Recollections. Harper and Brothers, 1918.
349
Connections Sort descending | Author name | Excerpt |
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Textual Features | Charlotte Elizabeth Tonna | Yet often the political critique runs counter to the novel's religous concerns. Indeed, even as it attacks the outrageous conditions of the industrial poor, the novel seems to welcome the moral scourge they provide, as... |
Textual Features | Sarah Butler | The petitions mention the death of her husband, Captain James Butler
, at the battle of Aughrim (a Williamite victory over Jacobite or Catholic
forces), the deaths of her children, the loss of her house... |
Textual Features | Catherine Sinclair | In Lady Mary Pierrepoint the title character is a Protestant whose virago widowed mother-in-law (Lady Pierrepont) intends to disinherit her son Sir Cosmo (Mary's husband) and leave her lands to the Roman Catholic Church
... |
Textual Features | Mary Augusta Ward | This book is a sympathetic defence of Italy (to which it is dedicated) and the fruits of the Risorgimento against those who seemed to MAWungenerous and unjust towards the struggling Italian State. Ward, Mary Augusta. A Writer’s Recollections. Harper and Brothers, 1918. 349 |
Textual Features | Charlotte Mary Brame | After these revelations the earl dies, leaving Laurie the bulk of his estate. Treated cruelly by her newly-discovered aunt and cousins because her appearance has dispossessed them of expected inheritance, Laurie finds some comfort in... |
Textual Features | Ellen Wood | In a subplot Adeline de Castella breaks with her beloved Frederick St John when her Catholic
father forbids her to marry him. The emotion of their parting causes her to break a blood vessel, after... |
Textual Features | John Betjeman | Critic Ian Sansom
notes the preference this poetry evinces for familiarity and tradition. He singles out for mention the opening poem, Death in Leamington (about the bleakness of a woman's death in lonely, genteel poverty),... |
Textual Features | Fredrika Bremer | This trenchant, perceptive study of patriarchy is presented with the flamboyant tropes characteristic of Bremer's imagination. Hertha, like several of her other protagonists, has a tyrannical father and an invalid, less radical sister, Alma. She is... |
Textual Features | Jessie White Mario | Here she gives her appraisal of Catholic
and Protestant views of women's rights, as well as a general discussion of the disappointingly slight interest in Italy in sexual equality. Daniels, Elizabeth Adams. Jessie White Mario: Risorgimento Revolutionary. Ohio University Press, 1972. 164 |
Textual Production | Adelaide Procter | AP
published A Chaplet of Verses, a slim volume in aid of the Providence Row Night Refuge
for Homeless Women and Children in Moorfields, London, England's first Catholic
refuge of this type. This... |
Textual Production | Seamus Heaney | |
Textual Production | Evelyn Waugh | After EW
's book on Dante Gabriel Rossetti
, which was connected with his early ambition to be an artist, came a number of biographically-oriented works which sprang from his Catholic faith. His lives of... |
Textual Production | Susanna Hopton | After years of theological study had brought her back from the Roman Catholic
to the Anglican church
, SH
addressed a detailed account of her shift in thinking to her former, Catholic mentor, Henry Turberville
. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. Hopton, Susanna. “Introductory Note”. Susanna Hopton, edited by Julia J. Smith, Ashgate, 2010, p. ix - xxiii. xvi |
Textual Production | Sarah Wentworth Morton | SWM
also pioneered the sonnet in America and wrote hymns for several different denominations. Her tolerance for different beliefs and movements appears in Reanimation, a Hymn for the Humane Society (an organization dedicated to saving... |
Textual Production | John Oliver Hobbes | The sequel follows Robert's idealised, but doomed, relationship with Bridget, the heroine of the previous novel. After trials that culminate in Bridget's learning that her first husband is still alive, the couple split, and Robert... |
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