Two of the older children willingly followed their mother into the Roman Catholic
Church. Florence and her twin went through the terrors of a first confession, but as she later put it, [h]uman nature does not like being slapped in the face, and both of them, but particularly Florence, were early sceptics and rebels.
Dixie, Florence, and William Stewart Ross. The Story of Ijain. Leadenhall Press, 1903.
52
Her rebellion against Christian dogma (a male god with no female to accompany him) had begun at the age of three.
After her mother
's conversion Lady Gertrude Douglas (later GD
) lost no time in becoming a Catholic herself. She was received into the Church
as soon as she arrived in France.
Roberts, Brian. The Mad Bad Line. Hamish Hamilton, 1981.
GF
felt that her parents and teachers had inculcated reverence in her for religious matters, yet had left her religious education imperfect and scanty.
qtd. in
Craven, Pauline. Life of Lady Georgiana Fullerton. Translator Coleridge, Henry James, 2nd revised, R. Bentley and Son, 1888.
4
She gives a similar upbringing in religion to the heroine of her novel Too Strange not to be True, 1864. Nonetheless, in the extracts from her memoir published in the Life of Lady Georgiana Fullerton she makes her conversion sound inevitable. She there notes that TixallHall left on her a deep indelible impression of the Catholic traditions of which the place is full,
qtd. in
Craven, Pauline. Life of Lady Georgiana Fullerton. Translator Coleridge, Henry James, 2nd revised, R. Bentley and Son, 1888.
5
and also mentions the early influence of reading François René Chateaubriand
's Catholic defence of Christianity, Génie du Christianisme. Of this book she says that the poetry of the ideas and of the style fascinated me.
qtd. in
Craven, Pauline. Life of Lady Georgiana Fullerton. Translator Coleridge, Henry James, 2nd revised, R. Bentley and Son, 1888.
Her father's death plunged the PresbyterianHW
into a crisis of religious faith and a conviction that the goodness of God was a myth. Hating the Puritanism in which she had grown up, its stress on conscience and will, she fell into a despair from which she was rescued by the discovery of St Augustine
and of medieval Latin poetry.
Waddell, Helen. “Acknowledgements; Note; Introduction”. Between Two Eternities, edited by Felicitas Corrigan, Society for Promoting Christian Knowledge, 1993, pp. viii - ix, 1.
6
She now wanted to combine beauty with religion, and was strongly drawn towards the forbidden Catholicism
, but she kept her conflict hidden, and her visit to a Catholic church was in secret.
Waddell, Helen. “Acknowledgements; Note; Introduction”. Between Two Eternities, edited by Felicitas Corrigan, Society for Promoting Christian Knowledge, 1993, pp. viii - ix, 1.
7
She later wrote to her sister, I'll never be a Catholic, but I'd never get my work done if I didn't now and then dive into that strange divine sea.
qtd. in
Blackett, Monica. The Mark of the Maker: A Portrait of Helen Waddell. Constable, 1973.
Scholarly debate continues to rage on the question of whether WS
subscribed to the Church of England
or whether he adhered to the minority and persecuted Old Religion of Catholicism
. Supporters of the Catholic thesis include Michael Wood
and Richard Wilson
.
Dobson, Michael. “A Furtive Night’s Work”. London Review of Books, 20 Oct. 2005, pp. 7-8.
7
Germaine Greer
strongly disagrees with what she calls dismissively the elaborate argument that seeks to prove that Shakespeare was as Catholic as the pope.
AS
has been discussed as a religious writer who, slightly ahead of her time, intuited the need for a feminist revision of patriarchal monotheism. She centred a play on the Roman Catholic Mass, and some of her poems dwell on the body of the Virgin Mary as well as that of Christ.
Middlebrook, Diane Wood. Anne Sexton: A Biography. Houghton Mifflin, 1991.
350
She refused to talk about her personal religious beliefs, which gathered strength over her lifetime. The protagonist of her unfinished novel jokingly expresses her indecision: Last year I was almost a Catholic
by choice, but decided it would be too flashy a move and perhaps Jesus would understand my feelings for him although I was not a member of His Church.
qtd. in
Middlebrook, Diane Wood. Anne Sexton: A Biography. Houghton Mifflin, 1991.
she wrote later that for years she had harboured a terrible and blind hatred for missionaries and for the Christianity which they represented, and once I left the mission I never set foot in a Christian church again. She read deeply in Hinduism, found it very rich and deep in concepts compared with Christianity, and remained involved with it throughout her life.
Broad, Charlotte. “Head, Bessie, 1937-”. Literature Online biography, 2002.
Always deeply spiritual in her interests and approach to life, she evolved her own religion, and was not afraid of inconsistency. She asked her son to call a Catholic priest when she died, which he did.
GMH
had found the liberal and progressive ethos of Balliol
a strain, and set himself against it. His Anglican
practices became more and more high, to the extent of making confession and kissing the floor before an image of the Virgin Mary. In 1866 he converted to the Roman Catholic Church
.
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Drabble, Margaret, editor. The Oxford Companion to English Literature. 5th ed., Oxford University Press, 1985.
Born into the rising and prosperous English trading class, with strong gentry connections, SH
was baptised into the Church ofEngland
. Possibly out of loyalty to her dead father, who worked for the royal family, or reaction against the Dissenting religion and parliamentary politics of her stepfather, she became during the English Civil War an active supporter of the royalist cause and a convert for several years to RomanCatholicism
. As a reconverted Anglican she devoted considerable energy to the welfare of her chosen church, but never lost her sympathy with Catholic practices.
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Her husband, like her parents, was Roman Catholic
. Despite periods when she neglected churchgoing or doubted her faith, she considered herself a Catholic to the end of her life. She was particularly devout in her last ten years.
Manvell, Roger. Elizabeth Inchbald: England’s Principal Woman Dramatist and Independent Woman of Letters in 18th Century London. University Press of America, 1987.
She says she was indifferent to religion as a child, and was attracted to churches more by atmosphere than by any religious practice.
qtd. in
Quinn, John, editor. A Portrait of the Artist as a Young Girl. Methuen, 1986.
52
On atmosphere, she leaned to the Catholic Church
(she had first cousins who were Catholics), loving its smell and feel, the fact that it was warm and embracing, whereas in the antiseptic atmosphere and emptiness of Church of Ireland buildings, you felt terribly alone and confronted with God.
qtd. in
Lynch, Rachael Sealy. “Public Spaces, Private Lives: Irish Identity and Female Selfhood in the Novels of Jennifer Johnston”. Border Crossings: Irish Women Writers and National Identity, edited by Kathryn Kirkpatrick, University of Alabama Press, 2000, pp. 250-68.
251
Her parents did not have either her or her brother christened when they were born—an omission that carried a terrible social stigma.
qtd. in
Quinn, John, editor. A Portrait of the Artist as a Young Girl. Methuen, 1986.
52-3
Jennifer then acquired the awful mythology of Limbo from her Catholic
friends, and she and her brother were christened after she refused to go to school on her bicycle for six weeks, believing that she would go straight to Limbo where [she] would spend a horrible Eternity if she fell off and was run over by a tram.
qtd. in
Quinn, John, editor. A Portrait of the Artist as a Young Girl. Methuen, 1986.
52-3
Commentator Rachael Sealy Lynch
regards Johnston as influenced by her at least nominal membership in the Church of Ireland
at a date when an Irish Protestant had become an anomaly.
Lynch, Rachael Sealy. “Public Spaces, Private Lives: Irish Identity and Female Selfhood in the Novels of Jennifer Johnston”. Border Crossings: Irish Women Writers and National Identity, edited by Kathryn Kirkpatrick, University of Alabama Press, 2000, pp. 250-68.
Her family had been Roman Catholic
back in 1605, at the height of Catholic unrest and persecution of Catholics in England.
Escreet, J. M. The Life of Edna Lyall. Longmans, Green and Co., 1904.
3
EL
, however, came from a liberal Unitarian
background: her father (to whom she was devoted) was brought up a Unitarian by his own father (who was strong in that faith), but later converted to the Church of England
. EL
was an Anglican with a special affection for Unitarians,
Payne, George A. "Edna Lyall:" an Appreciation. John Heywood.
18
and some indignation that despite their noble, generous, Christlike lives they were so often misrepresented as though they were not Christians at all.
Payne, George A. "Edna Lyall:" an Appreciation. John Heywood.
19
She was a committed Protestant who wrote with admiration of the parliamentarian and the Whig heroes of the mid and later seventeenth century. In 1873 she was deeply impressed by a meeting run by the US revivalists Moody
and Sankey
.
Escreet, J. M. The Life of Edna Lyall. Longmans, Green and Co., 1904.
23
In January 1881 she went through some kind of crisis in her faith (earnestly seeking the truth through a cloud of doubt)
Escreet, J. M. The Life of Edna Lyall. Longmans, Green and Co., 1904.
39
from which she was helped to recover by her cousin the Rev. Philip Newnham
.
Escreet, J. M. The Life of Edna Lyall. Longmans, Green and Co., 1904.
Brought up a Presbyterian
, SM
was received into the Anglo-Catholic church in 1972 (the year of her marriage and of her husband's appointment as a parish priest) and later became a Roman Catholic
.
“Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC.
At seven, [l]ike every other little Catholic
body, she was confirmed and made her first Communion. About this time, while endeavouring to achieve holiness, she felt her endeavour undermined or reversed by a startlingly mundane encounter with the Devil in her garden at home.
Mantel, Hilary. “Giving up the Ghost: A Memoir”. London Review of Books, 2 Jan. 2003, pp. 8-13.
13
Mantel, Hilary. Giving up the Ghost. Fourth Estate, 2003.
96-7
Lowry, Elizabeth. “The trouble is I’m dead”. London Review of Books, 19 May 2005, pp. 25-6.
26
By sixteen or earlier she was no longer a Catholic, but she was left with a sense of guilt.
Edemariam, Aida. “Interview with Hilary Mantel”. The Guardian, 12 Sept. 2009, pp. 28-9.
She was an Irish gentlewoman and apparently a Roman Catholic
or ex-Catholic, though of heterodox tendencies. She goes into some detail in discussing the doctrines and practices of the Catholic Church, but is highly critical of them. On the one hand she once suspected a Jesuit plot against her; on the other hand she approves of the Reformation. She mentions a couple of supernatural experiences during her youth: one while sitting with her mother's dead body, and one when a visitation of well-dressed people became visible to her at night, whom nobody else could see.
McCarthy, Charlotte. Justice and Reason. printed for the author, 1767.
He came from an Irish Catholic
family, though he spent much of his adulthood in England. Despite his Catholic upbringing, he lived like a Protestant and thought like a Deist.
qtd. in
“Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC.
96
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Brought up a Catholic
, KOBlost her faith while still at school; however, even without intellectual belief, she retained a strong emotional attachment to the religion of her forebears. Lorna Reynolds
calls her a Catholic agnostic.
Reynolds, Lorna. Kate O’Brien: A Literary Portrait. Colin Smythe; Barnes and Noble, 1987.
GA
's writings treat in detail the Jewish faith to which she strongly adhered, and she often focuses on the persecution and prejudice which Jews suffered throughout the nineteenth century, as well as historically. As critic Michael Galchinsky
argues, the practices and culture of crypto-Judaism, whereby Jews evaded the Inquisition
by passing for Catholic while retaining their ancestral faith in private, considerably influenced both the form and content of her work.
Galchinsky, Michael. The Origin of the Modern Jewish Woman Writer. Wayne State University Press, 1996.
passim
Despite her intense commitment to improving the standing of her people through her writing, her friend Anna Maria Hall
avers that she and her husband could only with difficulty get GA
to speak on religious topics and were quite unacquainted with her religious habits.
Hall, Anna Maria, and Frederick William Fairholt. Pilgrimages to English Shrines. New Edition, Arthur Hall, Virtue, 1853.
454
However, her continuing dedication to Judaism, and her identification of herself with her Sephardic Jewish heritage—which she also considered a nationality—was obvious to those who knew her, and she may have been a proto-Zionist: the natural and unaffected eloquence of her words, when referring to the past history of the Jews . . . and the positive radiance of her countenance when she spoke of the gathering of the tribes at Jerusalem, could never be forgotten . . . .
Hall, Anna Maria, and Frederick William Fairholt. Pilgrimages to English Shrines. New Edition, Arthur Hall, Virtue, 1853.
A century later, the writer Kate O'Brien
told a probably apocryphal story about the Alexander family's ecumenism. The Viceroy of Ireland, she says, wanted to have a strictly private and apparently casual word in confidence both with the Primate of Ireland
and with his neighbour the Roman CatholicCardinal Logue
. Under the pretence of a duck-shooting trip, the Viceroy dropped in for lunch with Alexander, had his first talk, and left, he said, to catch a train to Dublin. In fact he dropped in for tea with the Cardinal—where he found the elder Miss Alexander
ensconced behind the teapot as hostess, a position she often filled for the Cardinal.
O’Brien, Kate. My Ireland. B. T. Batsford, 1962.
71-2
O'Brien places this story during CFA
's lifetime, before her husband became archbishop.
It seems AA
was arrested twice this year, for speaking against the Sacrament. The second time was on 13 June.
Wilson, Derek. A Tudor Tapestry: Men, Women and Society in Reformation England. Heinemann, 1972.
183
She was questioned by Edmund Bonner
, Bishop of London, but later acquitted for lack of witnesses. It seems that at this date he was concerned more about the heterodoxy of Askew's beliefs than with her connections and contacts, whom he had not yet guessed to be important.
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Her divorce was denied about the same time. She may have signed a Catholic
credo (though evidence is conflicting). She was nevertheless pulled in for questioning again almost at once, but released, and went north (to her brother, not her husband).
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Wilson, Derek. A Tudor Tapestry: Men, Women and Society in Reformation England. Heinemann, 1972.
BB
was born into the English lower middle class. She says her family had been quite well off until the slump of 1929, but then they had lost everything. She converted to Catholicism
during her late teenage years. She was received into the Church while acting in Scotland, which was convenient because in England she would legally have needed her parents' consent, being under age. She received her religious instruction from a nun.
Bainbridge, Beryl. “Waiting for the Biographer”. Lives for Sale: Biographers’ Tales, edited by Mark Bostridge, Continuum, 2004, pp. 206-11.
She was a Christian believer of sentimental cast, who liked to see spiritual significance in details of her life. Brought up as an Anglican
, she learned from a French Catholic
servant to cherish and pray to a shrine to the Virgin. She was, however, enthusiastic about the Welsh-speaking services of a Dissenting
chapel in Wales from the first time that she attended it.
Barcynska, Hélène. Full and Frank: The Private Life of a Woman Novelist. Hurst and Blackett, 1941.
40,69
Barcynska, Hélène. The Miracle Stone of Wales. Rider, 1957.
5
She not only prayed at moments of personal crisis but believed in God's active, frequent intervention in her life. When widowed for the second time, she turned increasingly to . . . spiritualism (without relinquishing her Christianity)
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
and actually practised as a faith-healer through her custodianship of what she called the Miracle Stone, which spent each night in the shrine to the Virgin in her bedroom.