Farjeon, Annabel. Morning has Broken: A Biography of Eleanor Farjeon. Julia MacRae.
115
Connections Sort ascending | Author name | Excerpt |
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Theme or Topic Treated in Text | Camilla Crosland | Since she was well-connected in London literary circles, she was able to include in her memoir recollections of time spent working with the annuals and of literary figures such as Grace Aguilar
, Lady Blessington |
Textual Production | Henrietta Battier | Not all HB
's satires and lampoons reached print. Thomas Moore
, who records that she published for the sake of much-needed cash, also mentions some impromptu lines on his own performance in a university... |
Textual Production | Sarah Stickney Ellis | In her preface to the poem she outlines theories of poetry, taking much the same approach towards it that she had towards fiction: that verse, like prose, would benefit from attention to simple, everyday life... |
Textual Production | Eleanor Farjeon | |
Textual Production | Mary Tighe | MT
set her face against open publication, partly because of the reviewers' ostentatious moral panic over mildly erotic poems by Thomas Moore
, and over ladies associated with him (as she was by virtue of... |
Textual Production | Mary Ann Browne | She quotes L. E. L.
on her title page, and dedicates her work (these early efforts of my timid Muse) Browne, Mary Ann. Mont Blanc. Hatchard and Son. v |
Textual Production | Mary Tighe | Henry Moore copied poems into a manuscript album which he titled Poems HM 1811 (now at Chawton House Library
). The first 66 pages are occupied by MT
's work, at the end of which... |
Textual Production | Constantia Grierson | Copies of Thomas Moore
's Odes of Anacreon (first published in 1800) were issued with a single-sheet printing of The Art of Printing (a poem ascribed to CG
) laid in. English Short Title Catalogue. http://estc.bl.uk/. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 96 |
Textual Production | Anna Jane Vardill | The full title was Poems and Translations from the Minor Greek Poets and Others: written chiefly between the ages of ten and sixteen. The volume was supplied with two title-pages, one conventionally printed and... |
Textual Production | Mary Shelley | MS
engaged in June 1827 to help Thomas Moore
as a silent but major contributor Shelley, Mary. “Introduction”. Lodore, edited by Lisa Vargo, Broadview, pp. 9-45. 16 Shelley, Mary. “Introduction”. Lodore, edited by Lisa Vargo, Broadview, pp. 9-45. 44-5 |
Textual Production | Mary Shelley | She also reviewed works by Caroline Norton
, Thomas Moore
, and James Fenimore Cooper
. Shelley, Mary. “Introduction”. Lodore, edited by Lisa Vargo, Broadview, pp. 9-45. 13 |
Textual Production | Barbara Pym | After years of rejections, BP
succeeded in publishing her first novel, Some Tame Gazelle, with Jonathan Cape
. The title has been said to be borrowed from Victorian author Thomas Haynes Bayly
, who... |
Textual Production | Henrietta Battier | This addresses, says its title, the Illustrious Stephen III, King of Dalkey, Emperor of the Mugglins, Grand Master of the Noble, Illustrious and Ancient Orders of the Lobster, Crab, Scollop . . . . Battier, Henrietta. An Address on the Projected Union. Printed for the author. title-page |
Textual Features | Susanna Watts | The title-page quotes Pope
, who also (with his Messiah) stands first among the contents. Some pieces are unascribed; others are by Byron
(The Isles of Greece), Jane Taylor
(The Squire's... |
Textual Features | Caroline Norton | The Rebel, spoken by an imprisoned Irish harper who weep[s,] to think upon my country's chain, suggests both a sympathy with the cause of Ireland and the influence of CN
's friend Thomas Moore |