Wiseman, Jane. “A Fairy Tale, Inscrib’d, to the Honourable Mrs. W— With Other Poems (1917)”. Eighteenth-Century English Labouring-Class Poets, 1700-1740, edited by William Christmas, Pickering and Chatto, pp. 34-46.
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Connections Sort descending | Author name | Excerpt |
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Intertextuality and Influence | Anna Miller | Along with works of art she describes, but more briefly, the way of life of places she passes through. She has, however, little sympathy with working people's needs. She remarks that actresses and dancers have... |
Intertextuality and Influence | Susan Smythies | The novel offers in passing an amusing catalogue of an old-fashioned library, whose first items are heroic romances like Ibraham; Cassandra; Cleopatra [by Madeleine de Scudéry
and Gauthier de La Calprenède
]. Several... |
Intertextuality and Influence | Elizabeth Hamilton | EH
seeks to raise the canonical status of the novel in this work not only by serious politico-philosophical content, but also by chapter-heading quotations from the classics (from Horace
, Shakespeare
, and Milton
to... |
Intertextuality and Influence | Ann Eliza Bleecker | She used the writing of the pastoral to build a relationship with Tomhanick, Americanizing the topographical tradition to create a suitable backdrop for the life of a poet. Her work includes meditations on death... |
Intertextuality and Influence | Mariana Starke | The play's central theme was suttee or sati, the practice of burning a widow at her husband's death. The playbill advertised a Procession representing the Ceremonies attending the Sacrifice of an Indian Woman on the... |
Intertextuality and Influence | Jane Wiseman | Her poems, full of character and ingenuity, spring from social interchange. The title piece is a longish, narrative, occasional poem, Sent with a Pair of China Basons Wiseman, Jane. “A Fairy Tale, Inscrib’d, to the Honourable Mrs. W— With Other Poems (1917)”. Eighteenth-Century English Labouring-Class Poets, 1700-1740, edited by William Christmas, Pickering and Chatto, pp. 34-46. 34 |
Intertextuality and Influence | Eliza Haywood | This was the first periodical for women to take advantage of the monthly format, which was still fairly new. Unlike other magazines, it used fiction as its staple, while also including advice on behaviour, relationships... |
Intertextuality and Influence | Lady Mary Wortley Montagu | This poem suggests that women are culpably hungry for flattery (as the poet's husband felt she often was); she declares herself willing to bear sole responsibility for her sexual reputation: it will be her own... |
Intertextuality and Influence | Elizabeth Boyd | The two subsidiary poems are Macareus to Æolus, Done in imitation of Dryden
's Canace to Macareus and Æolus to Pluto. Boyd, Elizabeth. Variety. T. Warner and B. Creake. 77ff, 87ff |
Intertextuality and Influence | Matilda Charlotte Houstoun | MCH
raises the tone of her work with chapter-headings from Wordsworth
, Shakespeare
, Dryden
, and others, most of them asserting the value of the poor and powerless, or protesting about the deficiencies of... |
Intertextuality and Influence | Henrietta Rouviere Mosse | The title-page quotes Dryden
. The story opens in Scotland, twenty miles from Glasgow, with the humble clergyman Dr Woodville giving reluctant permission for his unsophisticated young daughter, Anna, to attend a charity ball... |
Intertextuality and Influence | Elizabeth Boyd | A first prologue addresses Pope
, and invokes the ghosts of Shakespeare
(The Wonder, as the Glory of the Land) and Dryden
(Shakespear's Freind) as mentors to EB
's performance in... |
Intertextuality and Influence | Elizabeth Thomas | |
Intertextuality and Influence | Iris Murdoch | This celebration of postwar modernity has as epigraph Dryden
's welcome to a new century: 'Tis well an old age is out, / And time to begin a new. Conradi, Peter J. Iris Murdoch. A Life. HarperCollins. 497 |
Intertextuality and Influence | Catherine Fanshawe | The poems by CF
include an Elegy on the Abrogation of the Birthnight Ball (her lament, in the person of an elderly beau, for the passing of the old-fashioned minuet: an orgy of grandiose parody... |
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