Wandor, Michelene. The Music of the Prophets. Arc Publications.
34
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Phebe Gibbes | In addition to its over-riding themes of colonialism and the marriage market, this novel, set in early British Calcutta (and incorporating a good deal of travel book material), is much concerned with literature and with... |
Intertextuality and Influence | Anne Grant | |
Intertextuality and Influence | Elizabeth Meeke | The title-page quotes from Dryden
. The story opens in 1800 with Mr Hamilton left guardian to Lenmore, the son of his dead correspondent in Jamaica. Early scenes are set among a group of... |
Intertextuality and Influence | Anna Seward | The sonnets are written in strict Milton
ic form. One of their favourite themes is love of nature and the countryside; one or two deal with Seward's love for Honora Sneyd
. In rendering Horace... |
Intertextuality and Influence | Anna Miller | Along with works of art she describes, but more briefly, the way of life of places she passes through. She has, however, little sympathy with working people's needs. She remarks that actresses and dancers have... |
Intertextuality and Influence | Michelene Wandor | It proclaims: this is the story of two people // this is the story of two peoples // and one God / your God or mine? Wandor, Michelene. The Music of the Prophets. Arc Publications. 34 |
Intertextuality and Influence | Susan Smythies | The novel offers in passing an amusing catalogue of an old-fashioned library, whose first items are heroic romances like Ibraham; Cassandra; Cleopatra [by Madeleine de Scudéry
and Gauthier de La Calprenède
]. Several... |
Intertextuality and Influence | Elizabeth Hamilton | EH
seeks to raise the canonical status of the novel in this work not only by serious politico-philosophical content, but also by chapter-heading quotations from the classics (from Horace
, Shakespeare
, and Milton
to... |
Intertextuality and Influence | Lady Mary Wortley Montagu | This poem suggests that women are culpably hungry for flattery (as the poet's husband felt she often was); she declares herself willing to bear sole responsibility for her sexual reputation: it will be her own... |
Intertextuality and Influence | Ann Eliza Bleecker | She used the writing of the pastoral to build a relationship with Tomhanick, Americanizing the topographical tradition to create a suitable backdrop for the life of a poet. Her work includes meditations on death... |
Intertextuality and Influence | Mariana Starke | The play's central theme was suttee or sati, the practice of burning a widow at her husband's death. The playbill advertised a Procession representing the Ceremonies attending the Sacrifice of an Indian Woman on the... |
Intertextuality and Influence | Jane Wiseman | Her poems, full of character and ingenuity, spring from social interchange. The title piece is a longish, narrative, occasional poem, Sent with a Pair of China Basons Wiseman, Jane. “A Fairy Tale, Inscrib’d, to the Honourable Mrs. W— With Other Poems (1917)”. Eighteenth-Century English Labouring-Class Poets, 1700-1740, edited by William Christmas, Pickering and Chatto, pp. 34-46. 34 |
Intertextuality and Influence | Eliza Haywood | This was the first periodical for women to take advantage of the monthly format, which was still fairly new. Unlike other magazines, it used fiction as its staple, while also including advice on behaviour, relationships... |
Literary responses | Anna Steele | The Academy gave Condoned a largely negative review, arguing that Steele had with the odd lack of judgment which not seldom distinguishes lady novelists, done nearly all she could to spoil her book. The Academy. 11 (3 February 1877): 91 |
Literary responses | John Oliver Hobbes | Edmund Gosse
wrote to congratulate JOH
on The Serious Wooing, paying it the high compliment of calling it her new version Hobbes, John Oliver. The Life of John Oliver Hobbes. J. Murray. 203 |
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