Burney, Frances. The Complete Plays of Frances Burney. Editor Sabor, Peter, William Pickering.
1: xviii, 3
Connections Sort ascending | Author name | Excerpt |
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Textual Production | Frances Burney | After the triumph of Evelina, FB
's first intention was to write for the stage. She had the encouragement of Richard Brinsley Sheridan
, manager of Drury Lane Theatre
, and of dramatist Arthur Murphy
. Burney, Frances. The Complete Plays of Frances Burney. Editor Sabor, Peter, William Pickering. 1: xviii, 3 |
Textual Production | Elizabeth Griffith | EG
's last comedy, The Times (a sentimental piece adapted from Goldoni
), opened at Drury Lane
. Griffith, Elizabeth. “Introduction”. The Delicate Distress, edited by Cynthia Booth Ricciardi and Susan Staves, University Press of Kentucky, p. vii - xviii. xxxii |
Textual Production | Elizabeth Gunning | EG
's confusing preface to her translated melodrama The Wife with Two Husbands, 1803, says she is printing it because she has heard that Drury Lane
is about to put on her first essay... |
Textual Production | Joanna Baillie | Mary Berry
and Anne Damer
both offered comments and revisions four years before this play was published. Lady Louisa Stuart
did the same (through Walter Scott) in 1809. Baillie, Joanna. The Collected Letters of Joanna Baillie. Editor Slagle, Judith Bailey, Fairleigh Dickinson University Press. 1: 158-9, 244 Slagle, editor of JB |
Textual Production | Hannah Cowley | It was badly presented, by two of the cast in particular. Escott, Angela. Email about supposed quarrel between Hannah Cowley and Hannah More to Isobel Grundy. |
Textual Production | Amelia Opie | Despite the volume's title, The Ruffian Boy had been in print well before this, and had spawned several theatrical incarnations. These included one based on the story, written by Edward Ball
and produced at Norwich... |
Textual Features | Mary Julia Young | MJY
's poem, in fast-moving heroic couplets, opens with Genius invoking the aid of Fancy. Fancy insists that the most beautiful and versatile of the muses is Thalia (who presides over comedy). After urging the... |
Reception | Joanna Baillie | In general JB
was criticised for lacking stage-craft—by Elizabeth Inchbald
, for example, who must have been a good judge. It was said that her sonorously-voiced passions float unanchored; her comedies are too sweet. Feminist Companion Archive. |
Publishing | Mary Davys | Something occurred to make Drury Lane
reject MD
's next play, The Self-Rival, which it should have Bowden, Martha F., and Mary Davys. “Introduction”. The Reform’d Coquet; or, Memoirs of Amoranda; Familiar Letters Betwixt a Gentleman and a Lady; and, The Accomplish’d Rake; or, Modern Fine Gentleman, University Press of Kentucky, p. ix - xlix. xlviii Bowden, Martha F., and Mary Davys. “Introduction”. The Reform’d Coquet; or, Memoirs of Amoranda; Familiar Letters Betwixt a Gentleman and a Lady; and, The Accomplish’d Rake; or, Modern Fine Gentleman, University Press of Kentucky, p. ix - xlix. xlviii |
Publishing | Harriette Wilson | She wrote a farce which she submitted to Robert Elliston
, manager of Drury Lane
(and an old friend who later proposed marriage to her). But he did not accept her play. In 1829 (after... |
Publishing | Maria Edgeworth | This literary satire was the first fruit of his wish that she should write a series of dramas for young people. Its manuscript survives in the Bodleian Library
. Sheridan
rejected it for Drury Lane |
Publishing | Ann Yearsley | As early as March-April 1788 AY
's backers Eliza Dawson
and Wilmer Gossip
were suggesting that a play would offer a better chance of financial return than poetry. Yearsley drafted her lost play Bawdin at... |
Publishing | Frances Sheridan | She had written it after fleeing to Blois in France with her family after a theatre riot greeted a performance of Voltaire
's Mahomet, and had intended it to be the first of a... |
Author summary | Barbarina Brand, Baroness Dacre | BBBD
wrote as an amateur in the Romantic period. She wrote dramatic works, mostly tragedies, often adapted from texts by other authors, and poems, mostly occasional verse and often translated from poems by others. Her... |
Performance of text | Maria Theresa Kemble | MTK
performed the role of Lady Julia at Drury Lane
in her second play, Personation; or, Fairly Taken In, a farce or comic interlude. Highfill, Philip H. et al. A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660-1800. Southern Illinois University Press. 326 Feminist Companion Archive. |
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