Grundy, Isobel, and Eliza Fenwick. “Introduction and Appendices”. Secresy, 2nd ed., Broadview, 1998, pp. 7 - 34, 361.
12
Theatre Royal, Drury Lane
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Textual Production | Elizabeth Gunning | EG
's confusing preface to her translated melodrama The Wife with Two Husbands, 1803, says she is printing it because she has heard that Drury Lane
is about to put on her first essay... |
| Textual Production | Eliza Fenwick | |
| Textual Production | Joanna Baillie | JB
sent her friend Mary Berry
a prologue for Fashionable Friends, Berry's play produced at Drury Lane
by Anne Damer
in 1802; she also wrote an epilogue for it. Baillie, Joanna. “Editorial Materials”. The Collected Letters of Joanna Baillie, edited by Judith Bailey Slagle, Fairleigh Dickinson University Press, 1999, pp. ix - xiv, 1. 2n7, 3 Baillie, Joanna. The Collected Letters of Joanna Baillie. Editor Slagle, Judith Bailey, Fairleigh Dickinson University Press, 1999, 2 vols. 1: 153n2 |
| Textual Production | Catharine Trotter | CT
's first play, Agnes de Castro. A Tragedy, opened at Drury Lane
. Kelley, Anne. Catharine Trotter: An Early Modern Writer in the Vanguard of Feminism. Ashgate, 2002. 254 Greer, Germaine et al., editors. Kissing the Rod. Virago, 1988. 406 The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 1: 455 |
| Textual Production | Jane Porter | JP
's next play had a long gestation. Nearly finished in November 1817, it was accepted by Drury Lane
in January 1818, then postponed to accommodate Kean
's revival of The Jew of Malta... |
| Textual Production | Frances Burney | After the triumph of Evelina, FB
's first intention was to write for the stage. She had the encouragement of Richard Brinsley Sheridan
, manager of Drury Lane Theatre
, and of dramatist Arthur Murphy
. Burney, Frances. The Complete Plays of Frances Burney. Editor Sabor, Peter, William Pickering, 1995, 2 vols. 1: xviii, 3 |
| Textual Production | Mary Pix | After asking the actor George Powell
to help her get it accepted at Drury Lane, she had then taken it to the other theatre, and claimed that Powell plagiarised it in his The Imposture Defeated... |
| Textual Production | Joanna Baillie | Mary Berry
and Anne Damer
both offered comments and revisions four years before this play was published. Lady Louisa Stuart
did the same (through Walter Scott) in 1809. Baillie, Joanna. The Collected Letters of Joanna Baillie. Editor Slagle, Judith Bailey, Fairleigh Dickinson University Press, 1999, 2 vols. 1: 158-9, 244 Slagle, editor of JB |
| Textual Production | Bryony Lavery | BL
collaborated with Nona Shepphard
on The Drury Lane
Ghost, staged in London in 1989, Peter Pan, 1991 (in which she played the voice of Tinkerbell), and The Sleeping Beauty, 1992. On... |
| Wealth and Poverty | Anna Williams | David Garrick
put on a benefit performance at Drury Lane Theatre
for a Gentlewoman of Learning, distressed by blindness, that is AW
. Johnson, Samuel. The Letters of Samuel Johnson. Editor Redford, Bruce, The Hyde Edition, Princeton University Press, 1992–1994, 5 vols. 1: 124 and n3 |
| Wealth and Poverty | Caroline Norton | The burning down of Drury Lane Theatre
on 24 February 1809 was a financial catastrophe for CN
's parents, as well as for her grandfather Richard Brinsley Sheridan
. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990. |
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