Theatre Royal, Drury Lane

Connections

Connections Sort descending Author name Excerpt
Publishing Ann Yearsley
As early as March-April 1788 AY 's backers Eliza Dawson and Wilmer Gossip were suggesting that a play would offer a better chance of financial return than poetry. Yearsley drafted her lost play Bawdin at...
Publishing Frances Sheridan
She had written it after fleeing to Blois in France with her family after a theatre riot greeted a performance of Voltaire 's Mahomet, and had intended it to be the first of a...
Reception Joanna Baillie
In general JB was criticised for lacking stage-craft—by Elizabeth Inchbald , for example, who must have been a good judge. It was said that her sonorously-voiced passions float unanchored; her comedies are too sweet.
Feminist Companion Archive.
Baillie...
Textual Features Mary Julia Young
MJY 's poem, in fast-moving heroic couplets, opens with Genius invoking the aid of Fancy. Fancy insists that the most beautiful and versatile of the muses is Thalia (who presides over comedy). After urging the...
Textual Production Marianne Chambers
The same year it played at the Theatre Royal itself, and also reached print.
Textual Production Frances Brooke
FB 's Virginia a Tragedy, with Odes, Pastorals, and Translations appeared in print. David Garrick and John Rich had rejected this tragedy for the stage.
The play had been in competition with one of the...
Textual Production Jane Porter
JP wrote several plays. She had already refused one invitation to write for Drury Lane when in March 1816 she met and was impressed by both Edmund Kean and his wife, Mary . Mary described...
Textual Production Clotilde Graves
Many of CG 's sixteen plays (often but not all light comedy), have remained unpublished, though produced on stage in London and New York. The earliest of these, the blank-verse tragedy Nitocris, was...
Textual Production Robert Browning
RB 's play A Blot in the 'Scutcheon, the fifth instalment of his Bells and Pomegranates series, opened at the Drury Lane Theatre with Helen Faucit playing Mildred.
Drabble, Margaret, editor. The Oxford Companion to English Literature. Oxford University Press.
Thomas, Donald. Robert Browning: A Life Within Life. Weidenfeld and Nicolson.
64
Textual Production Jane Porter
JP 's next play had a long gestation. Nearly finished in November 1817, it was accepted by Drury Lane in January 1818, then postponed to accommodate Kean 's revival of The Jew of Malta...
Textual Production Eliza Fenwick
EF published, again with Tabart , The Life of Carlo, the Famous Dog of Drury-Lane Theatre.
Grundy, Isobel, and Eliza Fenwick. “Introduction and Appendices”. Secresy, 2ndnd ed, Broadview, pp. 7 - 34, 361.
12
Textual Production Joanna Baillie
JB sent her friend Mary Berry a prologue for Fashionable Friends, Berry's play produced at Drury Lane by Anne Damer in 1802; she also wrote an epilogue for it.
Baillie, Joanna. “Editorial Materials”. The Collected Letters of Joanna Baillie, edited by Judith Bailey Slagle, Fairleigh Dickinson University Press, pp. ix - xiv, 1.
2n7, 3
Baillie, Joanna. The Collected Letters of Joanna Baillie. Editor Slagle, Judith Bailey, Fairleigh Dickinson University Press.
1: 153n2
Textual Production Frances Burney
After the triumph of Evelina, FB 's first intention was to write for the stage. She had the encouragement of Richard Brinsley Sheridan , manager of Drury Lane Theatre , and of dramatist Arthur Murphy .
Burney, Frances. The Complete Plays of Frances Burney. Editor Sabor, Peter, William Pickering.
1: xviii, 3
Textual Production Elizabeth Griffith
EG 's last comedy, The Times (a sentimental piece adapted from Goldoni ), opened at Drury Lane .
Griffith, Elizabeth. “Introduction”. The Delicate Distress, edited by Cynthia Booth Ricciardi and Susan Staves, University Press of Kentucky, p. vii - xviii.
xxxii
Textual Production Elizabeth Gunning
EG 's confusing preface to her translated melodrama The Wife with Two Husbands, 1803, says she is printing it because she has heard that Drury Lane is about to put on her first essay...

Timeline

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