Griffith, Elizabeth. “Introduction”. The Delicate Distress, edited by Cynthia Booth Ricciardi and Susan Staves, University Press of Kentucky, p. vii - xviii.
xxx
Connections Sort descending | Author name | Excerpt |
---|---|---|
Performance of text | Elizabeth, Margravine of Anspach | Elizabeth (Berkeley), Lady Craven
(later Margravine of Anspach), defied social convention by having her comedy The Miniature Picture (Larpent MS 525) acted at Drury Lane
, with a prologue by Richard Brinsley Sheridan
, and... |
Performance of text | Elizabeth Griffith | EG
's comedy The Platonic Wife (based on one of Marmontel
's tales, L'heureux divorce) opened at Drury Lane
. Griffith, Elizabeth. “Introduction”. The Delicate Distress, edited by Cynthia Booth Ricciardi and Susan Staves, University Press of Kentucky, p. vii - xviii. xxx Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. Rizzo, Betty. “’Depressa Resurgam’: Elizabeth Griffith’s Playwriting Career”. Curtain Calls, edited by Mary Anne Schofield and Cecilia Macheski, Ohio University Press, pp. 120-42. 126 |
Performance of text | Elizabeth Griffith | EG
's comedy The School for Rakes opened at Drury Lane
; it was adapted from Eugénie by P. A. Caron de Beaumarchais
, and had a highly satisfactory run. Griffith, Elizabeth. “Introduction”. The Delicate Distress, edited by Cynthia Booth Ricciardi and Susan Staves, University Press of Kentucky, p. vii - xviii. xxx-xxxi |
Performance of text | Mary Robinson | MR
's comic opera The Lucky Escape opened at Drury Lane
, given for her benefit at its first appearance. Pascoe differs from the London Stage and from Mann and Garnier as to the exact date. Robinson, Mary. “Introduction”. Mary Robinson: Selected Poems, edited by Judith Pascoe, Broadview, pp. 19-64. 59 Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press. 397 The London Stage 1660-1800. Southern Illinois University Press. 5: 167 |
Performance of text | Frances Sheridan | FS
's second comedy, The Dupe (called by editor Joyce Coates Cleary
an interesting cross between a farce and a morality play), opened at Drury Lane
; but it flopped. The London Stage 1660-1800. Southern Illinois University Press. 4: 1025 Sheridan, Frances. “Introduction”. Memoirs of Miss Sidney Bidulph, edited by Jean Coates Cleary et al., World’s Classics, Oxford University Press. xiv |
Performance of text | Joanna Baillie | De Monfort, JB
's tragedy about hatred, one of her first Plays on the Passions, had its opening at Drury Lane Theatre
, London. Library catalogues also list this play as De Montfort. Carhart, Margaret S. The Life and Work of Joanna Baillie. Archon Books. 110 |
Performance of text | Dorothea Celesia | DC
's Almide, an adaptation of Tancrede by Voltaire
, opened at Drury Lane
in London. It proved a success, and ran for ten nights. The London Stage 1660-1800. Southern Illinois University Press. |
Performance of text | Delarivier Manley | DM
's Lost Lover was produced at Drury Lane
; it was published the same year. Manley, Delarivier. “Introduction”. New Atalantis, edited by Ros Ballaster, Pickering and Chatto, p. v - xxviii. xi Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press. 393 |
Performance of text | Hannah Cowley | HC
's first play, the comedy The Runaway, opened at Drury Lane
, as the only new mainpiece of David Garrick
's final season; it had the successful run of seventeen nights. The London Stage 1660-1800. Southern Illinois University Press. 4: 1952 Link, Frederick M., and Hannah Cowley. “Introduction”. The Plays of Hannah Cowley, Vol. 1 , Garland, p. v - xlxx. vii, x |
Performance of text | Mary Robinson | MR
's afterpiece or satiric comedy Nobody opened at Drury Lane
, with prologue and epilogue by herself. Robinson, Mary. “Introduction”. Perdita: The Memoirs of Mary Robinson, edited by Moses Joseph Levy, Peter Owen. xiii The London Stage 1660-1800. Southern Illinois University Press. 5: 1707 |
Performance of text | Joanna Baillie | Henriquez, by JB
, was first staged at Drury Lane
, London. Carhart, Margaret S. The Life and Work of Joanna Baillie. Archon Books. 164 |
Performance of text | Susanna Centlivre | SC
's first play, The Perjur'd Husband; or, The Adventures of Venice, was performed at Drury Lane
. Its precise date seems to be unknown. The London Stage 1660-1800. Southern Illinois University Press. 2: xlv, 4 Bowyer, John Wilson. The Celebrated Mrs Centlivre. Duke University Press. 33 |
Performance of text | Delarivier Manley | DM
's tragedy Lucius, the First Christian King of Britain, was acted at Drury Lane
. Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press. 393 |
Performance of text | Hannah Cowley | HC
's farce or afterpiece Who's the Dupe? opened at Drury Lane
under Garrick
's successor, Sheridan
. It was normal practice for light-hearted sketches to follow more serious plays to complete the evening's entertainment. The London Stage 1660-1800. Southern Illinois University Press. 5: 246 |
Performance of text | Joanna Baillie | Of the twenty-eight plays that JB
wrote, only seven were professionally produced. These were De Monfort,The Family Legend, Henriquez, The Separation, The Election, Constantine Paleologus, and Basil... |
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