The London Stage 1660-1800. Southern Illinois University Press.
4: 1025
Connections Sort descending | Author name | Excerpt |
---|---|---|
Performance of text | Frances Sheridan | FS
's second comedy, The Dupe (called by editor Joyce Coates Cleary
an interesting cross between a farce and a morality play), opened at Drury Lane
; but it flopped. The London Stage 1660-1800. Southern Illinois University Press. 4: 1025 Sheridan, Frances. “Introduction”. Memoirs of Miss Sidney Bidulph, edited by Jean Coates Cleary et al., World’s Classics, Oxford University Press. xiv |
Performance of text | Elizabeth Griffith | EG
's comedy The School for Rakes opened at Drury Lane
; it was adapted from Eugénie by P. A. Caron de Beaumarchais
, and had a highly satisfactory run. Griffith, Elizabeth. “Introduction”. The Delicate Distress, edited by Cynthia Booth Ricciardi and Susan Staves, University Press of Kentucky, p. vii - xviii. xxx-xxxi |
Performance of text | Hannah Cowley | HC
's first play, the comedy The Runaway, opened at Drury Lane
, as the only new mainpiece of David Garrick
's final season; it had the successful run of seventeen nights. The London Stage 1660-1800. Southern Illinois University Press. 4: 1952 Link, Frederick M., and Hannah Cowley. “Introduction”. The Plays of Hannah Cowley, Vol. 1 , Garland, p. v - xlxx. vii, x |
Performance of text | Mary Robinson | MR
's afterpiece or satiric comedy Nobody opened at Drury Lane
, with prologue and epilogue by herself. Robinson, Mary. “Introduction”. Perdita: The Memoirs of Mary Robinson, edited by Moses Joseph Levy, Peter Owen. xiii The London Stage 1660-1800. Southern Illinois University Press. 5: 1707 |
Performance of text | Joanna Baillie | De Monfort, JB
's tragedy about hatred, one of her first Plays on the Passions, had its opening at Drury Lane Theatre
, London. Library catalogues also list this play as De Montfort. Carhart, Margaret S. The Life and Work of Joanna Baillie. Archon Books. 110 |
Performance of text | Dorothea Celesia | DC
's Almide, an adaptation of Tancrede by Voltaire
, opened at Drury Lane
in London. It proved a success, and ran for ten nights. The London Stage 1660-1800. Southern Illinois University Press. |
Performance of text | Delarivier Manley | DM
's Lost Lover was produced at Drury Lane
; it was published the same year. Manley, Delarivier. “Introduction”. New Atalantis, edited by Ros Ballaster, Pickering and Chatto, p. v - xxviii. xi Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press. 393 |
Performance of text | Hannah Cowley | HC
's farce or afterpiece Who's the Dupe? opened at Drury Lane
under Garrick
's successor, Sheridan
. It was normal practice for light-hearted sketches to follow more serious plays to complete the evening's entertainment. The London Stage 1660-1800. Southern Illinois University Press. 5: 246 |
Performance of text | Joanna Baillie | Henriquez, by JB
, was first staged at Drury Lane
, London. Carhart, Margaret S. The Life and Work of Joanna Baillie. Archon Books. 164 |
Performance of text | Susanna Centlivre | SC
's first play, The Perjur'd Husband; or, The Adventures of Venice, was performed at Drury Lane
. Its precise date seems to be unknown. The London Stage 1660-1800. Southern Illinois University Press. 2: xlv, 4 Bowyer, John Wilson. The Celebrated Mrs Centlivre. Duke University Press. 33 |
Performance of text | Delarivier Manley | DM
's tragedy Lucius, the First Christian King of Britain, was acted at Drury Lane
. Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press. 393 |
Author summary | Barbarina Brand, Baroness Dacre | BBBD
wrote as an amateur in the Romantic period. She wrote dramatic works, mostly tragedies, often adapted from texts by other authors, and poems, mostly occasional verse and often translated from poems by others. Her... |
Publishing | Mary Davys | Something occurred to make Drury Lane
reject MD
's next play, The Self-Rival, which it should have Bowden, Martha F., and Mary Davys. “Introduction”. The Reform’d Coquet; or, Memoirs of Amoranda; Familiar Letters Betwixt a Gentleman and a Lady; and, The Accomplish’d Rake; or, Modern Fine Gentleman, University Press of Kentucky, p. ix - xlix. xlviii Bowden, Martha F., and Mary Davys. “Introduction”. The Reform’d Coquet; or, Memoirs of Amoranda; Familiar Letters Betwixt a Gentleman and a Lady; and, The Accomplish’d Rake; or, Modern Fine Gentleman, University Press of Kentucky, p. ix - xlix. xlviii |
Publishing | Harriette Wilson | She wrote a farce which she submitted to Robert Elliston
, manager of Drury Lane
(and an old friend who later proposed marriage to her). But he did not accept her play. In 1829 (after... |
Publishing | Maria Edgeworth | This literary satire was the first fruit of his wish that she should write a series of dramas for young people. Its manuscript survives in the Bodleian Library
. Sheridan
rejected it for Drury Lane |
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