John Milton

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Standard Name: Milton, John

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Augusta Webster
She refers to the campaign for the vote as a side-effect of a disturbance in the relation of the sexes, of the Paradisaical, or Milton ic,
Webster, Augusta. “Parliamentary Franchise for Women Ratepayers”. Before the Vote Was Won: Arguments For and Against Women’s Suffrage, edited by Jane Lewis, Routledge, 1987, pp. 338-41.
338
subordination of women. It is in fact the...
Intertextuality and Influence Mary Taylor
In her pursuit of female independence, Taylor refutes Milton 's assertion in Paradise Lost (He for God only, and she for God in him),
Taylor, Mary. The First Duty of Women. Emily Faithfull, 1870.
177
with the counter-assertion: It is not for God...
Intertextuality and Influence Aldous Huxley
Its womanizing protagonist, Mr Hutton, considers himself the Christ of Ladies (reversing, with what he supposes to be worldly wit, the supposed nickname of Milton as the lady of Christ's).
Huxley, Aldous. Mortal Coils. Chatto and Windus, 1958.
3
His internal monologue...
Intertextuality and Influence Isabella Beeton
Notwithstanding the putative focus on management, the bulk of the 44-chapter book is taken up with discussion of food, from the chapters on Arrangement and Economy of the Kitchen and Introduction to Cookery to the...
Intertextuality and Influence Adelaide Kemble
Bessie and her more assertive friend Ursula Hamilton are challenged by men in their social circle about the alleged inferiority of women, as proved by their failure to produce serious artistic work. Bessie thinks of...
Intertextuality and Influence Elizabeth Hands
In Critical Fragments, on some of the English Poets (seven poets, all male), EH wittily exercises an imitation which is far from flattery. She begins with Milton , who in ponder'ous verse, moves greatly on...
Intertextuality and Influence Mary Shelley
As it stands, Frankenstein is no ghost story, though it is rich in the uncanny, and aims to chill its reader's blood. MS shows an astonishing power for such a young author of weaving together...
Intertextuality and Influence Medora Gordon Byron
The title-page quotes Milton 's Paradise Lost (There wanted yet the master-work); the preface quotes Samuel Johnson saying that the novelist needs to have first-hand experience of the living world, but that...
Intertextuality and Influence Susanna Watts
The first number, dated 1 December 1824, opens with The Editors to the Reader, in which Watts's three personae introduce themselves as sisters. They are very literary personifications, who possess, respectively, the actual spear...
Intertextuality and Influence Eliza Kirkham Mathews
The novel which emerged from so much interference during composition is naive, exaggerated, and badly structured, but highly unusual, with great intensity in its writing. Its title-page quotes Thomas Holcroft , and its epigraphs to...
Intertextuality and Influence Sarah Lady Cowper
The diary's first volume opens with a preface which expresses conventional modesty bluntly, without the customary effort at elegance or grace: Books generally begin with a Preface which draws in the Reader to go on...
Intertextuality and Influence Jane Harvey
In addition to quotation from Milton , Pope , and Thomson , this book has a Sterne an flavour, with passages titled from sights (like The Theatre Royal and The Merchants's Court) alternating with...
Leisure and Society Mary Jones
MJ mentions her reading (or running over) as reaching from Milton 's Paradise Lost to popular ballads, even taking in Bunyan 's Pilgrim's Progress, but her favourite was Pope .
Jones, Mary. Miscellanies in Prose and Verse. Dodsley, 1750.
317, 301, 319
Literary responses Lady Jane Cavendish
Starr pronounced in 1931: As a literary production, The Concealed Fansyes is practically without value.He noted its general and specific indebtedness to Ben Jonson , asserted a likeness between its pair of brothers and...
Literary responses Edna St Vincent Millay
Her editor Eugene Saxton wrote that the staff at Harper were much moved by the emotional quality of the poems.
qtd. in
Milford, Nancy. Savage Beauty: The Life of Edna St. Vincent Millay. Random House, 2001.
450
Peter Monro Jack in the New York Times Book Review reminded readers that Milton

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