John Milton

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Standard Name: Milton, John

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Felicia Hemans
The volume provides lavish notes to explain its sometimes quite obscure historical figures and settings, and cites a wide range of authors including Plutarch , Shakespeare , Milton , and Germaine de Staël . FH
Intertextuality and Influence Mary Astell
How, she asks, can a Man respect his Wife when he has a contemptible Opinion of her and her Sex?
Astell, Mary. The First English Feminist. Editor Hill, Bridget, St Martin’s Press, 1986.
111
She mentions the tradition of misogynist writing, and suggests that men have had exclusive...
Intertextuality and Influence Mary Wollstonecraft
MW was replying to a number of authoritative male texts about the nature of women: by Burke (who in Reflections on the Revolution in France had glorified Marie-Antoinette and dismissed non-queenly femininity as animal), Rousseau
Intertextuality and Influence Anna Maria Porter
The new Juvenilia Press edition, like the original first volume, contains five stories: Sir Alfred; or, The Baleful Tower, The Daughters of Glandour, The Noble Courtezan, The Children of Fauconbridge, and...
Intertextuality and Influence Emily Frederick Clark
Quotations heading chapters come from Milton and other mostly modern poets, including Charlotte Smith and Mary Robinson . Other inset poems may be EFC 's own.
McLeod, Deborah. The Minerva Press. University of Alberta, 1997.
The story opens as Portuguese peasants encounter a fainting...
Intertextuality and Influence Dora Greenwell
Her allegorical poem Bring Me Word How Tall She Is begins Within a garden shade,
A garden sweet and dim,
Two happy children played
Together; he was made
For God, and she for him.
Greenwell, Dora. Camera Obscura. Daldy, Isbister, 1876.
62
Intertextuality and Influence Hannah More
The title-page quotation from Paradise Lost features the archangel Raphael's pronouncement that it is better for human beings to know That which before us lies in daily life than things remote.
Feminist Companion Archive.
According to critic...
Intertextuality and Influence Catherine Hubback
CH heads her volumes and chapters with quotations. Wordsworth is the most-used here; among other lines, he is cited for A little onward lend thy guiding hand / To these dark steps, a little farther...
Intertextuality and Influence Margaret Atwood
Jocelyn has in a distant past studied English literature and is occasionally disconcerting. Do you believe in free will?, she asks, out of the blue. Stan replies, How do you mean?
Atwood, Margaret. The Heart Goes Last. Nan A. Talese / Doubleday, 2015.
119
He replies...
Intertextuality and Influence Olaudah Equiano
The book moves into vivid narrative with OE 's abduction, his mostly tolerable experiences as a slave in Africa (constantly moving on until he reached a tribe who were morally corrupted by whites), and his...
Intertextuality and Influence Jane Johnson
The poem is headed with a quotation from Psalm 19: The Heavens declare the Glory of God, & the Firmament showeth his handy work—the same psalm which Addison had famously rendered as The spacious...
Intertextuality and Influence Elizabeth Pipe Wolferstan
In Three Years After Marriage (a title which alludes to Three Hours After Marriage by Pope , Gay , and Arbuthnot ) a beautiful young wife, Matilda, is impervious to advice against quarrelling with her...
Intertextuality and Influence Sarah Green
Under a perfunctory pretence of writing about the monarchs Henry VI and Edward IV , with dignifying chapter-headings from Shakespeare , Milton , Thomson , Prior , Gray , Pope , and the poems of...
Intertextuality and Influence Mary More
MM believes that she is saying something new and not commonly known when she argues that male power over women has grown gradually by unjust laws. She sets out by quoting from and commenting on...
Intertextuality and Influence Mary Catherine Hume
The starting-point for the poem is the tradition (subtly questioned) of Sappho's suicide as an abandoned woman; this fact links the text to other responses to the topic by other women poets including Felicia Hemans

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