Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Features | Frances Cornford | In A Glimpse Cornford describes the unchanging environment, the Smooth-shadowed waters Milton
loved, Cornford, Frances. Different Days. Hogarth Press, 1928. 24 |
Textual Features | Judith Cowper Madan | |
Textual Features | Frances Cornford | In this collection Cambridge again functions as an important subject. Frances Cornford saw her Cambridge poems as emblematic of her poetry as a whole. They served as a gauge for her poetic development and also... |
Textual Features | Caroline Norton | Opening in Milton
ic tones of high seriousness but in Spenser
ian stanzas, the poem offers up childhood as the last echo of Eden spared to humanity after the fall. The sustained trope is that... |
Textual Features | Lucy Hutton | LH
draws on a wide range of sources to buttress her argument. These include the results of her reading—Milton
, and the story of the Greek Atalanta (whose male inventors, she says, were not... |
Textual Features | Eliza Fenwick | For this anthology EF
gathered mostly improving pedagogical material, drawing on revered literary names like Shakespeare
and Milton
, as well as more recent and controversial writers like Thomas Chatterton
and Helen Maria Williams
... |
Textual Features | Mary Shelley | Within the next couple of days she read two more books by Wollstonecraft (along with works by Livy
and Milton
). But she says nothing about these texts, or about the experience of reading them... |
Textual Features | Eleanor Tatlock | Her preface says she is not altogether unknown to the religious Public Tatlock, Eleanor. Poems. S. Burton, 1811, 2 vols. preface |
Textual Features | Jane Harvey | JH
's preface discusses the moral and artistic duties of the writer; she assumes that this person is male until she reaches the diffidence and timidity which in the bosom of a female writer is... |
Textual Features | Deborah Levy | The detached wryness of this book reminded Lauren Elkin
of Djuna Barnes
. Elkin, Lauren, and Deborah Levy. “Introduction”. Beautiful Mutants and Swallowing Geography. Two Early Novels, Bloomsbury, 2015, p. vii - xiii. x |
Textual Features | Kathleen Raine | |
Textual Features | Alethea Lewis | She heads her novel with a prefatory letter to the Rev. William Johnstone
, who, she says, has asked why she chooses to write fiction and not moral essays. She answers that novels offer opportunities... |
Textual Features | Michelene Wandor | Her range of reference is wide: Milton
, Cromwell
, Virginia Woolf
, Joan Baez
, fairy tales, the Bible, and settings (as her publisher puts it) from Jerusalem to Hollywood, cafes to graveyards. |
Textual Features | Mary Whateley Darwall | |
Textual Features | Muriel Jaeger | In an amusing fantasy entitled Trial of Jane Austen the accused stands charged with masquerading as a great writer. Jaeger, Muriel. Shepherd’s Trade. Arthur H. Stockwell, 1965. 118 |
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