Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Jane Harvey | |
Intertextuality and Influence | Mary Shelley | As it stands, Frankenstein is no ghost story, though it is rich in the uncanny, and aims to chill its reader's blood. MS
shows an astonishing power for such a young author of weaving together... |
Intertextuality and Influence | Charlotte McCarthy | The body of CMC
's work consists of her treatise in thirty-seven chapters. She imagines how God must have felt at various moments, beginning when he is about to create the world: I will make... |
Intertextuality and Influence | B. M. Croker | The first chapter is has an epigraph from Pope
(A youth of frolic, an old age of cards) and Croker goes on to head her chapters with great literary names like Milton
and... |
Intertextuality and Influence | Mary Shelley | The epigraph is a quotation from Milton
's Paradise Lost about not seeking to know the future. MS
frames the story with a visit she made to the Sybil's Cave near Naples (though some have... |
Intertextuality and Influence | Frances Jacson | |
Intertextuality and Influence | Eliza Fletcher | EF
wrote her Dramatic Sketches, Elidure in three weeks and Edward in two, after reading Milton
's History of Britain, that Part especially now call'd England, 1670. Fletcher, Eliza. Autobiography of Mrs. Fletcher, of Edinburgh. Editor Richardson, Mary, Lady, Printed at the offices of C. Thurman for private circulation, 1874. 122-3, 150 |
Intertextuality and Influence | Michelene Wandor | It proclaims: this is the story of two people // this is the story of two peoples // and one God / your God or mine? Wandor, Michelene. The Music of the Prophets. Arc Publications, 2006. 34 |
Intertextuality and Influence | Anne Grant | Charlotte Lennox
is alluded to in this book (though AG
gives her birth name wrongly as Massey), Grant, Anne. Memoirs of an American Lady. Longman, Hurst, Rees and Orme, 1808, 2 vols. 1: 21n |
Intertextuality and Influence | Margaret Croker | |
Intertextuality and Influence | Frances Jacson | The title-page quotes from Milton
's Samson Agonistes. An address To the Dethroned Sovereign Truth hopes for the restoration of this power which, says the author, is still present although obsolete and obscure. Her... |
Intertextuality and Influence | Mrs E. M. Foster | As an epistolary novel, Concealment lacks the characteristic metanarrative of other MEMF
novels, though an interesting prologue addressed to the reader from the Authoress cautions against the practice of concealment. Foster also identifies herself, in... |
Intertextuality and Influence | Anne Grant | As well as her central allusion to Barbauld, AG
claims authority for her work by quoting Milton
on her title-page and later as well, and by echoing, in her deliberately derivative, that is traditional style... |
Intertextuality and Influence | Ann Hatton | This novel is well supplied with quotations: Macpherson
's Ossian
on the title-page and Robert Blair
(The Grave) to open the first volume, with Shakespeare
and Milton
for the succeeding volumes. It opens... |
Intertextuality and Influence | Anna Seward | AS
was writing religious verse at ten or twelve years old. Ashmun, Margaret. The Singing Swan. Yale University Press; H. Milford, Oxford University Press, 1931. 8 |
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