Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Johann Wolfgang von Goethe
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Standard Name: Goethe, Johann Wolfgang von
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Friends, Associates | Matilda Betham-Edwards | MBE
set a great deal of store by meeting men distinguished as authors or in other fields, as a spur to literary achievement of her own. She was given to boasting of her acquaintance with... |
Friends, Associates | Vernon Lee | Back in Italy after the end of the First World War, VL
continued to read widely. She returned to Dante
, Shakespeare
, and Goethe
. She introduced herself to newer writings on philosophy, science... |
Friends, Associates | William Makepeace Thackeray | As well as meeting Goethe
, he had some contact with the intellectual circle presided over by Goethe's daughter-in-law, Ottilie
. |
Friends, Associates | Maria Riddell | |
Friends, Associates | Jane Welsh Carlyle | JWC
and Thomas shared an admiration for Goethe
. Thomas corresponded with him, and Jane netted him a purse. In reply Goethe sent the couple medallions and books, and for Jane he included a locket... |
Intertextuality and Influence | Helen Maria Williams | This novel re-writes Rousseau
's Julie; ou, La nouvelle Héloise in the sentimental style of Frances Sheridan
's Sidney Bidulph or Henry Mackenzie
's Julia de Roubigné. Kelly, Gary. Women, Writing, and Revolution 1790-1827. Clarendon, 1993. 33 |
Intertextuality and Influence | Agnes Maule Machar | |
Intertextuality and Influence | Anna Brownell Jameson | The book is also a model of female erudition, peppered with foreign phrases, references to earlier Shakespeare critics, to the visual arts, and to other authors, including the ancient Greek dramatists and the German romanticists... |
Intertextuality and Influence | Helen Maria Williams | |
Intertextuality and Influence | Gertrude Stein | Critic Shirley Neuman
sees this opera as an important step towards the final version of Ida.GS
's Faustus (unlike Marlowe
's or Goethe
's) is tormented by the fact that he cannot go... |
Intertextuality and Influence | Anne Bannerman | Her model for the sonnet, as well as for the use of male erotic voices from Petrarch
and Goethe
, was Charlotte Smith
, though AB
's tone is more unrestrained and impassioned than Smith's. Elfenbein, Andrew. Romantic Genius: The Prehistory of a Homosexual Role. Columbia University Press, 1999. 135-6 |
Intertextuality and Influence | Elizabeth Jolley | EJ
invoked as an appropriate description of her own motivation, Flaubert
's dictum that writing comes from an inner wound. Joussen, Ulla. “An Interview with Elizabeth Jolley”. Kunapipi, Vol. 15 , No. 2, 1993, pp. 37-43. 40 |
Intertextuality and Influence | Edith Wharton | After an epigraph from Goethe
(in German) EW
begins with her earliest memory, which she identifies with the birth of identity and relates in the third person, of the little girl who eventually became me... |
Intertextuality and Influence | Anne Bannerman | The contents included odes, sonnets (including one sequence from Petrarch
and another based on Goethe
's Werther, in which she speaks as the male lover of a woman, with notes relating her poems to... |
Intertextuality and Influence | Hannah More | More takes a sceptical view of sensibility: she reproves both the representation of it in Goethe
's Werther (which had been available in English for about three years) and the sentimental enthusiasm which the book... |
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