From the time when the Atlantic Monthly published the first serial instalments of this book, English readers as well as American were enthusiastic, and enthusiasm grew with its appearance as a volume.
Brinnin, John Malcolm, and John Ashbery. The Third Rose: Gertrude Stein and her World. Addison-Wesley, 1959.
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Hobhouse, Janet. Everybody Who was Anybody: A Biography of Gertrude Stein. Doubleday, 1975.
Critic Shirley Neuman
sees this opera as an important step towards the final version of Ida.GS
's Faustus (unlike Marlowe
's or Goethe
's) is tormented by the fact that he cannot go...
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Texts
Neuman, Shirley. “Would a Viper Have Stung Her if She Had Only Had One Name?: Doctor Faustus Lights the LightsGertrude Stein and the Making of Literature, edited by Ira Bruce Nadel and Shirley Neuman, MacMillan, 1988, pp. 168-93.
Barbour, Douglas. “Day thoughts on Anne Wilkinson’s poetry”. A Mazing Space: Writing Canadian Women Writing, edited by Shirley Neuman and Smaro Kamboureli, Longspoon/NeWest, 1986, pp. 179-90.
Williamson, Janice. “Framed by history: Marjorie Pickthall’s devices and desire”. A Mazing Space: Writing Canadian Women Writing, edited by Shirley Neuman and Smaro Kamboureli, Longspoon/NeWest, 1986, pp. 167-78.
Neuman, Shirley. Gertrude Stein: Autobiography and the Problem of Narration. English Literary Studies, Department of English, University of Victoria, 1979.
Neuman, Shirley, and Ira Bruce Nadel. “Introduction”. Gertrude Stein and the Making of Literature, edited by Shirley Neuman et al., Northeaster University Press, 1988, p. xvii - xxiv.
Sayre, Henry M. et al. “The Artist’s Model: American Art and the Question of Looking like Getrude Stein”. Gertrude Stein and the Making of Literature, edited by Shirley Neuman and Shirley Neuman, Northeaster University Press, 1988, pp. 21-41.