Judd, Denis. Alison Uttley. Michael Joseph.
137, 150
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | George Bernard Shaw | The play was published in 1901, with a preface titled BETTER THAN SHAKESPEARE
? |
Textual Production | Alison Uttley | |
Textual Production | E. Arnot Robertson | EAR
published Summer's Lease, a novel whose epigraph comes from the Shakespeare
sonnet (Shall I compare thee to a summer's day?) which contains the words of its title. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Charlotte Stopes | |
Textual Production | Elizabeth Ogilvy Benger | Benger wrote an impromptu poem in the presence of one W. J. S., A Lament: on the Paucity of Information Respecting the Life and Character of Shakespeare—a fitting subject for a biographer. Notes and Queries. Oxford University Press. 2nd ser. (1861) xi: 384 |
Textual Production | Geraldine Jewsbury | Although she disapproved of The Mill on the Floss, GJ
praised George Eliot
's Adam Bede for its genius and also liked Silas Marner for its depictions of human nature, however humbly embodied it... |
Textual Production | Penelope Shuttle | The first book that affected PS
deeply was Brontë
's Jane Eyre, with whose protagonist she identified. Steffens, Daneet. “Penelope Shuttle”. Mslexia, No. 33, pp. 46-8. 48 |
Textual Production | Jan Morris | JM
published (and titled from Shakespeare
's Hamlet) In My Mind's Eye: A Thought Diary, which takes her through a year of commentary on herself and the world around her. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. |
Textual Production | Ruth Rendell | In her novel No More Dying Then (titled from the closing words of a Shakespeare
sonnet), RR
focused on bereavement and reconciliation. British Books in Print. J. Whitaker and Sons. 1973 Benstock, Bernard, and Thomas F. Staley, editors. Dictionary of Literary Biography 87. Gale Research. 312 |
Textual Production | Kate O'Brien | KOB
's first published novel, Without My Cloak, at once established both her public profile and her characteristic subject-matter. It is titled from an image in a Shakespeare
sonnet: the inconsistent lover lures his... |
Textual Production | Charlotte Stopes | CS
published Shakespeare
's Warwickshire Contemporaries, a collection of biographies which she had written and had already printed separately. Schoenbaum, Samuel. Shakespeare’s Lives. Clarendon Press. 640 |
Textual Production | Ngaio Marsh | She collaborated with her old friend the actor Jonathan Elsom
on a one-man vehicle for him entitled Sweet Mr. Shakespeare, incorporating a mixture of biography, anecdotes, sonnets and speeches. Lewis, Margaret. Ngaio Marsh: A Life. Chatto & Windus. 232 |
Textual Production | Marina Warner | MW
published her retelling of Shakespeare
's play The Tempest: a historical novel, Indigo; or, Mapping the Waters. Moseley, Merritt, editor. Dictionary of Literary Biography 194. Gale Research. 194: 286-7 |
Textual Production | Theodora Benson | TB
published her first novel, Salad Days, with a dedication to her friend and future collaborator Betty Askwith
. The title-page quotes Shakespeare
's Cleopatra. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Charlotte Lennox | James Boswell
drafted for CLProposals for Publishing a New and Improved Edition of Shakspeare
Illustrated; this edition was never completed. Carlile, Susan. Charlotte Lennox. An Independent Mind. University of Toronto Press. 338 Isles, Duncan. “The Lennox Collection (Concluded)”. Harvard Library Bulletin, Vol. 19 , No. 4, pp. 416-35. 421 |
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