|Connections Sort descending||Author name||Excerpt|
|Family and Intimate relationships||Edith Lyttelton|
|Intertextuality and Influence||Mary Shelley||
The legacy of Frankenstein is immense and widely diffused. It has been successfully filmed not once but several times, as simple horror movie and as intellectualised retelling with a gruesome birth scene only marginally connected...
|Intertextuality and Influence||Caryl Churchill||
The 1986 deregulation of the stock market—the Big Bang—by fortunate coincidence
took place during the play's workshop and development period. The play centres on a corporate takeover, which functions allegorically: a corporate raider...
Churchill, Caryl. Serious Money. Methuen, 1990.
|Literary responses||Enid Bagnold|
|Literary responses||Pam Gems|
|Literary responses||Winsome Pinnock||
WP was touched and delighted when members of the National Theatre audience (mostly white and relatively affluent) saw the likeness between their own parents and those on stage.
In 1991 this play won her the...
Stephenson, Heidi, and Natasha Langridge. Rage and Reason: Women Playwrights on Playwriting. Methuen Drama, 1997.
|Literary responses||Caryl Churchill||
Top Girls achieved tremendous popular and critical success. In 1999, National Theatre audiences voted it one of the top One Hundred Plays of the Century—and the only play by a woman to make the top...
|Performance of text||Githa Sowerby|
|Performance of text||Sarah Daniels||
The plays, written for young actors, had all been workshopped at a residential weekend for members of various theatre companies somewhere in the Midlands (the workshop on Taking Breath being led by director Gemma Bodinetz
|Performance of text||Flora Thompson|
|Performance of text||Sarah Daniels|