Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Occupation | P. L. Travers | Instead of taking up her university scholarship, PLT
went to work. First Aunt Ellie wangled her a secretarial job for which she had to fake competence in maths. Then she managed to get permission to... |
| Occupation | Anne Damer | In 2014 an exhibition of Damer's work in marble, terracotta and bronze was shown at Strawberry Hill. Also on display were her anatomy sketch-book, her prompt copies of plays performed at Richmond House and... |
| Occupation | Mary Robinson | MR
caught the eye of the young Prince of Wales
as she acted Perdita in a royal command performance of Shakespeare
's The Winter's Tale; she was twenty-two (or twenty-three) to his seventeen. Robinson, Mary. “Introduction”. Perdita: The Memoirs of Mary Robinson, edited by Moses Joseph Levy, Peter Owen, 1994. xii Robinson, Mary. Perdita: The Memoirs of Mary Robinson. Editor Levy, Moses Joseph, Peter Owen, 1994. 101 Nathan, Alix. “Mistaken or Misled? Mary Robinson’s Birth Date”. Women’s Writing, Vol. 9 , No. 1, 2002, pp. 139-42. 139 |
| Occupation | Leah Sumbel | From the age of five Mary Stephens Davies (later Mary Wells, then LS
) acted in children's roles in Birmingham: she made her debut as one of the little princes in the Tower in... |
| Occupation | Mary Robinson | Though very nervous, she felt a new sensation Robinson, Mary. Perdita: The Memoirs of Mary Robinson. Editor Levy, Moses Joseph, Peter Owen, 1994. 88 |
| Occupation | Mary Elizabeth Braddon | If biographer Jennifer Carnell
is correct, this means that she went on stage at the age of seventeen. Carnell, Jennifer. The Literary Lives of Mary Elizabeth Braddon: A Study of Her Life and Work. Sensation Press, 2000. 15 |
| Occupation | Clemence Dane | During the intensive bombing of the London Blitz, CD
gave readings of Shakespeare
in restaurants to anyone who cared to listen. Amherst, Jeffrey John Archer, Earl. Wandering Abroad: the Autobiography of Jeffrey Amherst. Secker and Warburg, 1976. 203 |
| Occupation | Mary Elizabeth Braddon | She played male parts in plays by Shakespeare
and others, not as burlesque, but as straight parts after the style of Charlotte Cushman
. At least one reviewer, in Coventry's Era, objected to... |
| Occupation | Christopher St John | They began annual memorial performances of Shakespeare
's plays in Terry's honour. In 1929, their opening season, CSJ
appeared in A Midsummer Night's Dream Glendinning, Victoria. Vita. Penguin, 1984. 251 |
| Occupation | Marie Corelli | Her guardianship of Shakespeare
's memory extended to public opposition of the Baconian theory that emerged in the early twentieth century: the belief that Shakespeare was not the author of the works attributed to him... |
| Other Life Event | Isabella Banks | IB
christened the Queen's memorial oak, which was planted by the actor Samuel Phelps
in Primrose Hill in London as part of the Shakespeare
Tercentenary Celebration. Burney, Edward Lester. Mrs. G. Linnaeus Banks. E. J. Morten, 1969. 76, 85 Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder, 1908–2026, 22 vols. plus supplements. |
| Performance of text | Elaine Feinstein | EF
's best-known play, the feminist piece Lear's Daughters, written in collaboration with the Women's Theatre Group
, a prequel revisioning Shakespeare
's story, was staged in London. “Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC. |
| Performance of text | Alison Fell | AF
was a constant source of scenes, burlesques, and improvisations for performance by the Women's Liberation Street Theatre Group
. She also wrote for a number of underground or radical papers: Ink, Islington Gutter... |
| Performance of text | Carol Ann Duffy | On the four hundredth anniversary of Shakespeare's death, seven typically touching and witty poems by CAD
on Shakespeare
the man were performed as Shakespeare Masque, in a musical setting by Sally Beamish
, in... |
| Performance of text | Liz Lochhead | LL
has written several plays for children and adolescents. These include Disgusting Objects, a play about schoolgirls' first encounter with sexism written for the Scottish Youth Theatre
in 1982, and Shanghaied, a play... |
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