Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Publishing | Elizabeth Gaskell | The story's ending led to conflict with Dickens
, who apparently wanted to offer readers a more rationalist interpretation of the events narrated. When Gaskell demurred he pulled out all the stops: I have no... |
| Reception | Sarah Lewis | Sappho was well-received, though perhaps not quite to the extent SL
imagined. She wrote to a friend in 1877, The British press has placed me on a plane with Shakespeare
—the highest position accorded to... |
| Reception | Jane Austen | Austen's status in the English-speaking world is not so far equalled among, for instance, French speakers. Valérie Cossy
noted in March 2006 that (largely on account of inaccurate and inadequate translations) [v]ery few people in... |
| Reception | Flora Thompson | In further Ladies Companion competitions the same year, FT
went on to win joint second prize for her essay on Emily Brontë
(which, again, the magazine printed) and another first prize for her essay on... |
| Reception | Marie Corelli | MC
took her own work extremely seriously, seeing herself as the Shakespeare
of her age and genre. Anderson, Rachel, and Sheila Kaye-Smith. “Introduction”. Joanna Godden, Dial, 1984, p. xi - xviii. xiv |
| Reception | Molly Keane | When she wrote this book, MKthought it was pure Shakespeare
. Well, not Shakespeare exactly—more Dornford Yates
. qtd. in Chamberlain, Mary, editor. Writing Lives: Conversations Between Women Writers. Virago Press, 1988. 122 Yates wrote popular, jokey novels about a charismatic but self-regarding and jingoistic set of comfortably-off... |
| Residence | Susan Hill | |
| Residence | Marie Corelli | In Stratford, MC
became known as an eccentric. Her forceful character and her self-proclaimed guardianship of Shakespeare
's memory and birthplace offended many townspeople. Mitchell, Sally, editor. Victorian Britain: An Encyclopedia. Garland Press, 1988. |
| Textual Features | E. J. Scovell | EJS
is wary of the transformations of poetry: this apparition / A rainbow truth altering for every eye. The real King Richard II
, who died in obscurity after a life of ruin and negation... |
| Textual Features | Emmeline Pethick-Lawrence | Turning from history to literature, EPL
notes that whereas in life women are assumed to be weak, in literature they are depicted as and admired for being strong, wilful, and assertive. The only exception she... |
| Textual Features | Jane Harvey | The contents include descriptive and melancholy sonnets, satire, autobiography, and politics (including a poem on the horrors of slavery, addressed to William Wilberforce
, and another about the sorrow of a woman whose lover has... |
| Textual Features | Anne Dacier | She insists on admiring the presumed simplicity of manners in the Homeric age in preference to modern, civilized, sophisticated society. Her key image for Homer
's style—of wild, luxuriant, varied growth, the opposite of a... |
| Textual Features | Barbarina Brand Baroness Dacre | For this production she made some cuts, and revised the catastrophe or plot-resolution. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. Dacre, Barbarina Brand, Baroness. Dramas, Translations and Occasional Poems. John Murray, 1821, 2 vols. 1: prelims |
| Textual Features | A. E. Housman | Housman named the influences on his poetry as non-contemporary texts: the border ballads, Shakespeare
's songs, and Heine
. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
| Textual Features | Constance Smedley | This first dialogue concerned the Baconian controversy. CS
's father was given to harping on his belief that Sir Francis Bacon
wrote the works of Shakespeare
. This is the position taken by Smedley's Victorian... |
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