Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Publishing | Angela Thirkell | In 1930, once she was back in England, she found she could earn her living by journalism for Punch and the Fortnightly Review. She was attuned to writing by women from an early stage... |
Reception | Sarah Lewis | Sappho was well-received, though perhaps not quite to the extent SL
imagined. She wrote to a friend in 1877, The British press has placed me on a plane with Shakespeare
—the highest position accorded to... |
Reception | Flora Thompson | In further Ladies Companion competitions the same year, FT
went on to win joint second prize for her essay on Emily Brontë
(which, again, the magazine printed) and another first prize for her essay on... |
Reception | Jane Austen | Austen's status in the English-speaking world is not so far equalled among, for instance, French speakers. Valérie Cossy
noted in March 2006 that (largely on account of inaccurate and inadequate translations) [v]ery few people in... |
Reception | Marie Corelli | MC
took her own work extremely seriously, seeing herself as the Shakespeare
of her age and genre. Anderson, Rachel, and Sheila Kaye-Smith. “Introduction”. Joanna Godden, Dial, 1984, p. xi - xviii. xiv |
Reception | Molly Keane | When she wrote this book, MKthought it was pure Shakespeare
. Well, not Shakespeare exactly—more Dornford Yates
. qtd. in Chamberlain, Mary, editor. Writing Lives: Conversations Between Women Writers. Virago Press, 1988. 122 Yates wrote popular, jokey novels about a charismatic but self-regarding and jingoistic set of comfortably-off... |
Residence | Susan Hill | |
Residence | Marie Corelli | In Stratford, MC
became known as an eccentric. Her forceful character and her self-proclaimed guardianship of Shakespeare
's memory and birthplace offended many townspeople. Mitchell, Sally, editor. Victorian Britain: An Encyclopedia. Garland Press, 1988. |
Textual Features | Thomas Hardy | TH
's earliest poems, written in London, reflect the influence of Shakespeare
and George Meredith
on one hand, Gittings, Robert. Young Thomas Hardy. Penguin, 1978. 122-3 |
Textual Features | Amy Levy | The frontispiece shows a woman sitting beside a well with an empty bucket. The caption, in Latin, indicates that she has despaired of finding Truth, which proverbially lies at the bottom of a well. Many... |
Textual Features | Laetitia Pilkington | Whereas the ballad-opera (based on Shakespeare
's The Taming of the Shrew) was misogynist, as its title suggests, LP
's prologue was vehemently pro-woman. |
Textual Features | Anne Thackeray Ritchie | These pieces convey vividly personal memories of people, places, and events from her childhood, and the impact her famous writer father had on her early life. She writes: my memory is a sort of Witches'... |
Textual Features | Ali Smith | The arborist re-reads Oliver Twist alongside their partner's lectures and urges the partner to consider discussing the musical form of the novel (a request accommodated, as the academic threads it in alongside Auld Lang Syne... |
Textual Features | Margaret Drabble | After harking back to the days in which eminent authors were not public figures, she amusingly described the culture of public performance which arose during the 1960s. Highlights in her narrative were the first Writers'... |
Textual Features | Elizabeth Heyrick | EH
enlarges on the terrible state of the Irish peasantry, with unemployment surpassing four million and many deaths from starvation. She comments on the Vagrancy Act of 21 June 1824; on the fact that prison... |
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