Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Performance of text | John Oliver Hobbes | In the same year JOH
and Moore
also collaborated on the one-act comedy Journeys End in Lovers' Meeting (titled from Shakespeare
), which was performed in June 1895 (according to her father's memoir) Richards, John Morgan, and John Oliver Hobbes. “Pearl Richards Craigie: Biographical Sketch by her Father”. The Life of John Oliver Hobbes, J. Murray, 1911. 23 |
| Performance of text | Elaine Feinstein | EF
's best-known play, the feminist piece Lear's Daughters, written in collaboration with the Women's Theatre Group
, a prequel revisioning Shakespeare
's story, was staged in London. “Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC. |
| Author summary | Elizabeth Montagu | EM
, eighteenth-century Bluestocking leader, is known on the one hand as an informal letter-writer, and on the other hand for ambitious critical intervention in canonicity and cultural debates, with her critical study of Shakespeare |
| Author summary | Charlotte Stopes | CS
was a keen researcher who wrote extensive criticism on Shakespeare
. In the late nineteenth and early twentieth centuries, she published prolifically to support her family. An active feminist, she spoke and wrote widely... |
| Author summary | Mary Cowden Clarke | MCC
was a leading nineteenth-century Shakespearean scholar, who (in collaboration with her husband, Charles Cowden Clarke
) annotated editions, compiled a concordance, and wrote a key or encyclopaedia, and on her own account produced an... |
| Author summary | Samuel Johnson | Arriving in eighteenth-century London as one more young literary hopeful from the provinces, SJ
achieved such a name for himself as an arbiter of poetry, of morality (through his Rambler and other periodical essays and... |
| Author summary | Henrietta Maria Bowdler | HMB
, who published mainly in the early nineteenth century, was an editor, conduct-book writer, theological writer, poet, and novelist. She was also the originator of the project for rendering Shakespeare
inoffensive to delicate ears... |
| Publishing | Mary Maria Colling | Some time after 17 March 1831 Longman, Rees, Orme, Brown and Green
presented Colling with a copy of the plays of Shakespeare
(the Bard), having heard that she admired his poetry. Bray, Anna Eliza, and Mary Maria Colling. “Letters to Robert Southey”. Fables and Other Pieces in Verse by M.M. Colling, Longman, Rees, Orme, Brown and Green, 1831, pp. 1-85. 16 |
| Publishing | Mary Cowden Clarke | MCC
issued in eighteen monthly parts The Complete Concordance to Shakspere. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990. |
| Publishing | Elizabeth Gaskell | The story's ending led to conflict with Dickens
, who apparently wanted to offer readers a more rationalist interpretation of the events narrated. When Gaskell demurred he pulled out all the stops: I have no... |
| Publishing | Caroline Blackwood | |
| Publishing | Pamela Frankau | PF
's agent rejected the first novel she finished after Marriage of Harlequin, which dealt with a playwright she had imagined herself in love with, and which she called (again from Shakespeare
's Hamlet... |
| Publishing | Maria Callcott | MC
contributed a six-page letter to a book entitled The Seven Ages of Shakspeare, which illustrates with engravings the famous seven ages passage of As You Like It. Callcott, Maria, and William Shakespeare. “Introduction”. The Seven Ages of Shakspeare, edited by J. Martin and J. Martin, J. Van Voorst, 1840. title-page |
| Publishing | L. M. Montgomery | At Prince of Wales College
in Charlottetown a few years after this, she wrote an essay on Shakepeare's
Portia which was read out at the graduation ceremonies and printed in the Charlottetown Guardian. In... |
| Publishing | Samuel Johnson | SJ
published by subscription, again after many delays, his edition of Shakespeare
. Bronson, Bertrand H., and Samuel Johnson. “Introduction”. Johnson on Shakespeare, edited by Arthur Sherbo and Arthur Sherbo, Yale Edition, Yale University Press, 1975, p. xiii - xxxviii. xxiii |
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