Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Literary responses | Mercy Otis Warren | Her biographer, Katharine Anthony
, finds her plays influenced by the classic models of Molière
and Shakespeare
; astonishingly confident, if sometimes crass, in their satirical realism; and written with feeling as well as thought. Anthony, Katharine Susan. First Lady of the Revolution: The Life of Mercy Otis Warren. Kennikat Press, 1972. 82-3 |
| Literary responses | Anna Steele | The Academy gave Condoned a largely negative review, arguing that Steele had with the odd lack of judgment which not seldom distinguishes lady novelists, done nearly all she could to spoil her book. The Academy. 11 (3 February 1877): 91 |
| Literary responses | Ann Radcliffe | Anna Seward
, in letters which were to be published in AR
's lifetime, mixed her praise of her gothic oeuvre with some trenchant criticism. Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press, 1999. 221-2 |
| Literary responses | Helen Maria Williams | A respectful review by Mary Wollstonecraft
in the Analytical praised Williams's calm domestic scenes, Wollstonecraft, Mary. The Works of Mary Wollstonecraft. Editors Todd, Janet and Marilyn Butler, Pickering, 1989, 7 vols. 7: 251 |
| Literary responses | Ethel M. Dell | |
| Literary responses | Ann Yearsley | The Critical Review, commenting on Poems, on Various Subjects together with the fourth edition of Yearsley's earlier collection, summarised her case against Hannah More and showed considerable sympathy with her: Surely a mother had... |
| Literary responses | Marina Warner | This book has proved fruitful and positive, generating many reviews and substantial scholarly articles, written from several perspectives. These include its focus on the untold story of the women in Shakespeare
's Tempest, and... |
| Literary responses | Mary Lady Chudleigh | Editor Margaret Ezell
notes how several women readers copied MLC
's most celebrated poem, To the Ladies, into irrelevant volumes, which they presumably thought a more secure repository than scraps of paper for a... |
| Literary responses | Ethel M. Dell | In response to a compliment on her writing EMD
replied, they are not well written and will never be called classics. qtd. in Dell, Penelope. Nettie and Sissie. Hamish Hamilton, 1977. 129 |
| Literary responses | Anne Bradstreet | |
| Literary responses | Elizabeth Jennings | She held bursaries or grants from the Arts Council
(after the initial one for her first book) in 1965, 1968, and 1972. “Lauinger Library: Special Collections Division”. Georgetown University Library. |
| Literary responses | Michael Field | Edith and Katharine must have also been extremely pleased with the praise they received from the critics. A review in The Spectator heralded a new voice which is likely to be heard far and wide... |
| Literary responses | Jane Porter | JP
was, with her sister
, one of those praised by John O'Keeffe
in his poem Female Authors, Being an Answer to a Lady, who asserted, that by transmigration the soul of Shakespeare
lived in... |
| Literary responses | Elizabeth Barrett Browning | Aurora Leigh was, according to Barry Cornwall (father of Adelaide Procter
), the book of the season. Procter, Bryan Waller. An Autobiographical Fragment and Biographical Notes, with Personal Sketches of Contemporaries, Unpublished Lyrics, and Letters of Literary Friends. Editor Patmore, Coventry, Roberts Brothers, 1877. 113 |
| Literary responses | Elizabeth Barrett Browning | Pronouncements about gender, which permeated the Victorian reception of poetry (or of poetry by women) are particularly inescapable in the reception of Aurora Leigh, which directly satirised the criticism of women writers and other... |
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