Henry Fothergill Chorley

She dedicated this work to Henry Chorley , without whose persuasion, she said, she would not have written it. French and American editions soon followed. It was reissued by Cambridge University Press

AMH was already writing and drawing as a professional when Henry Chorley , editor of the Ladies' Companion, commissioned her to go to Oberammergau and report on the passion play. On her return to...

Man of letters Henry Fothergill Chorley was apparently connected to the family through JF 's father's paternal grandmother.

The Oxford Dictionary of National Biography suggests that JP hoped for a proposal of marriage from writer and reviewer Henry Fothergill Chorley , which he never made.

Over the years EO developed friendships many people, a number of whom were involved with the community surrounding the Crystal Palace at Sydenham. Among these friends were Sir David Brewster , Henry Chorley ,...

MAB had already met L. E. L. and Mary Russell Mitford . She now met the Chorley family, Shelton Mackenzie of the Dublin University Magazine, and other figures in Liverpool literary society. She presumably...

While in London, ER renewed old friendships and established new. She socialized with Sir Edwin Henry Landseer , John Wilson Croker , Henry Chorley , Lord Lansdowne , and Anna Jameson (with whom she corresponded)...

CC 's friends and acquaintances were varying and numerous. In her youth the radical politician John Cartwright was a neighbour. Her literary work as an adult led to the formation of a number of lasting...

FH was by this time a major literary attraction. Rose Lawrence describes visiters [sic] and strangers, with letters of introduction,—sketchers and pencillers. At about this time Hemans met Lawrence, Caroline Hamilton , and Henry Fothergill Chorley

There was a precedent for this kind of faux-historical document (which the Athenæum reviewer, Henry Fothergill Chorley , at once picked up on): Hannah Mary Rathbone 's The Diary of Lady Willoughby, 1844.

This work met with good reception and went through thirty-six editions or reprints by 1881.H. F. Chorley 's review in the Athenæum praised the author and her work, considering it a treatment of [w]oman's...

Grudgingly, Henry Fothergill Chorley in the Athenæum said this book was clearly meant for the gentler sex, and that for readers willing to judge it as a religious nouvellette, the author has not succeeded...

H.F. Chorley acidly commented in a comic review of the novel for the Athenæum: We are not pious enough to relish the tone of argument,—we are not irreligious enough to find the strained tones...

The Athenæum's H. F. Chorley lamented that the publication of GA 's early productions was exposing to view the eager, romantic, generous girl making experiments on subjects of different classes and periods,—writing in search...

Henry Fothergill Chorley , reviewing the novel for the Athenæum, found Grantley Manorhaunted by the intertextual spectre of Jane Austen 's Emma; he also drew parallels with Frances Burney 's Cecilia...