Bennett, Catherine. “The Prime of Miss Jean Plaidy”. The Guardian, pp. 23-4.
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Connections Sort ascending | Author name | Excerpt |
---|---|---|
Theme or Topic Treated in Text | Storm Jameson | Jameson briefly praises the writings of Mansfield
, Conrad
, Hardy
, and James
, along with Willa Cather
and Sinclair Lewis
. However, she concentrates her study on the way other Georgian authors have... |
Textual Production | Harriet Beecher Stowe | Though HBS
was internationally recognized for her written works she was not, unlike many other contemporary literary figures, a frequent lecturer. While Dickens
, Samuel Clemens
(who published as Mark Twain), Julia Ward Howe
... |
Textual Production | Charlotte Yonge | CY
published her novel as the author of The Heir of Redclyffe. Le Fanu's Uncle Silas is sometimes called the first murder mystery, and, as Battiscombe notes, Yonge wrote her contribution to this genre... |
Textual Production | Beryl Bainbridge | She later said the non-realism of this tale had dissatisfied her. She acknowledged the influence on it of Dickens
and Robert Louis Stevenson
, and then judged that the best bits . . . have... |
Textual Production | Jean Plaidy | JP
had begun writing some years before this first publication. Bennett, Catherine. “The Prime of Miss Jean Plaidy”. The Guardian, pp. 23-4. 23 |
Textual Production | Anne Mozley | Bishop John Wordsworth
wrote in his posthumous memoir of AM
that no one out of her own family circle knew or even suspected that she practised authorship and editing work as an occupation. When she... |
Textual Production | Susan Hill | |
Textual Production | Monica Dickens | Monica Dickens
wrote a Foreword to The London of Charles Dickens, published by the London Transport
Executive for the Dickens centenary. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Margaret Kennedy | In the years between the 1926 staging of The Constant Nymph and the appearance of Escape Me Never!, MK
co-wrote with Basil Dean
the play Come With Me (1934), and adapted Charles Dickens
's... |
Textual Production | Wilkie Collins | WC
's sensation novel The Woman in White began its serialization in Dickens'sAll the Year Round, following on the same page the conclusion of Dickens's own A Tale of Two Cities in instalments. Borne Back Daily. http://borneback.com/ . 26 November 2010 |
Textual Production | Matilda Betham-Edwards | She herself says the poem appeared in Household Words, but apparently she misremembered, since the oldDictionary of National Biography explicitly contradicted her. Dickens paid her five pounds for it. Five pounds for the... |
Textual Production | Q. D. Leavis | To mark the centenary of Charles Dickens
's death, QDL
and F. R. Leavis
published Dickens: The Novelist, their reassessment of his cultural significance, dedicated by each to the other. MacKillop, Ian. F.R. Leavis: A Life in Criticism. Allen Lane. 369, 372 |
Textual Production | Alice Meynell | As a reviewer, AM
dealt with writing by Samuel Johnson
, Christina Rossetti
, George Eliot
, Emily Brontë
, Dickens
, Robert Browning
and Elizabeth Barrett Browning
, Jean Ingelow
, Charles Williams
,... |
Textual Production | Q. D. Leavis | The great parts written by QDL
have not been identified, let alone the weight of her input overall, and scholars are divided over her claims to substantial co-authorship. In the same year, 1995, Ian MacKillop |
Textual Production | Jane Welsh Carlyle | Many, including Charles Dickens
, have speculated that JWC
could have produced wonderful novels, and because she did not she is often viewed as something of a missing woman writer Christianson, Aileen. “Rewriting Herself: Jane Welsh Carlyle’s Letters”. Scotlands: The International, Interdisciplinary Journal of Scottish Culture, Vol. 2 , No. 1, Edinburgh University Press, pp. 47-52. 47 |
No bibliographical results available.