Atwood, Margaret, and Christian Ward. “Freeforall”. The Guardian, 26 Apr. 2014, pp. 59-63.
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Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Publishing | Isak Dinesen | Again she wrote at Rungstedlund, first in English and then in Danish. She had her English manuscript conveyed in the diplomatic pouch of Sweden (a neutral country) to Random House
in New York... |
Publishing | Margaret Atwood | MA
's graphic short story Freeforall, adaptation and art by Christian Ward
, appeared in the Guardian newspaper in connection with the British Library
exhibition Comics Unmasked. |
Publishing | Mary Tighe | A copy of the privately printed edition, beautifully inscribed to John Richardson at London on 24 July 1805, is now British Library
C. 95 b. 38. A copy once owned by Lytton Strachey
(with his... |
Publishing | Eliza Parsons | In May, with only three weeks to go before publication and in desperate need of money, EP
was attempting to get up a subscription for Lucy. She had (as she confided to the potential... |
Publishing | Adelaide O'Keeffe | The book bears her name, in the form Adélaïde D. O'Keeffe: an apparent de-anglicization. This spelling survives to the fourth edition; in an inscription in a copy of this which AOK
presented to a... |
Publishing | Samuel Beckett | Fittingly, perhaps, SB
's last two texts were an English prose piece and a French poem: Stirrings Still, 1988, and Comment dire (What is the Word, written in hospital while recovering from... |
Publishing | Georgiana Chatterton | Many of GC
's last works were privately printed. According to the original Dictionary of National Biography, she first used this means of publication for Quagmire Ahead, 1864, then for A Plea for... |
Publishing | Alice Thornton | She brought this account of her life up to her husband's death. The original of this first book is not known to be extant, but a copy made by one of her descendants survives, identified... |
Publishing | Eliza Parsons | An advertisement had promised this novel for 1 June. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 1: 795 |
Reception | Dorothy White | A note in the British Library
copy records (with some confusion about dates) that someone nailed this to the church door at Wickhamford in Worcestershire, during the Christmas season. |
Reception | Anne Grant | AG
's popularly best-known poem today (though it is known without her name) must be Oh where, tell me where, is your Highland Laddie gone?. The British Library
catalogue lists under Grant's name a... |
Reception | Sarah Grand | At her death, SG
left all her manuscripts, copyrights, and published works to her step-granddaughter, Elizabeth Genevieve Bernadine Crawford Haldane McFall
, daughter of Haldane McFall
. Kersley, Gillian. Darling Madame: Sarah Grand and Devoted Friend. Virago Press, 1983. 334-5, 100 |
Reception | Rosa Nouchette Carey | The British Library
holds RNC
's correspondence with two of her publishers, Bentley
and Macmillan
, while Columbia University
, New York, holds her correspondence with Hodder and Stoughton
. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. “Hodder and Stoughton Records 1875-1914”. Columbia University in the City of New York, Rare Book & Manuscript Library. |
Reception | Emily Lawless | Many of EL
's papers survive, although they are scattered. The largest collection is at Marsh's Library
in Dublin. Collections of her correspondence survive in the Bodleian Library
, Oxford, the Hove Central Library |
Reception | Jane Lead | Several of JL
's works now in the British Library
were formerly owned by the artist and scene-painter Philippe-Jacques de Loutherbourg
, who left annotations in a few of them. English Short Title Catalogue. http://estc.bl.uk/. |
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