William Shakespeare

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Standard Name: Shakespeare, William

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Lesley Storm
The title is a near-quotation from Shakespeare 's A Midsummer Night's Dream—the working man who is about to play the role of the lion promises not to frighten the ladies in the audience: I...
Intertextuality and Influence Pamela Hansford Johnson
This is a satirical novel set on a US campus—though not, PHJ insists, embodying any identifiable place or people. The title, from Shakespeare 's Midsummer Night's Dream, suggests that the campus of the story...
Intertextuality and Influence Anna Maria Mackenzie
The title-page bears a quotation from Shakespeare ; the dedication argues that the rebel Monmouth was wrong but deserving of pity. The story traces the fate of a family named Bruce; it opens with a...
Intertextuality and Influence Maureen Duffy
She also says that it can be read as the mirror-image of her earliest novelistic theme: the child's relation to the mother.
Duffy, Maureen. That’s How It Was. Virago.
xi
Duffy dedicates the book to St Venus (a saint whose festival is...
Intertextuality and Influence Mary Sidney Herbert, Countess of Pembroke
This play provoked Samuel Daniel to respond with The Tragedy of Cleopatra (published in another work in 1594), and influenced Shakespeare 's Antony and Cleopatra.
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Hannay, Margaret P. Philip’s Phoenix: Mary Sidney, Countess of Pembroke. Oxford University Press, http://U of A HSS.
253n106
Though apparently never acted, Antonius was much admired...
Intertextuality and Influence Elizabeth Thomas
The quotations that head her chapters range through more than a dozen well-known male names from Shakespeare through Racine in French, Prior and Pope to Sterne and Burke , plus a couple of unidentified women....
Intertextuality and Influence Catherine Gore
The title-page quotes Shakespeare 's Richard II about the deposing of a king. The novel opens with precision: at five o'clock on 22 June 1791, with aristocrats fearful for their fate in the aftermath of...
Intertextuality and Influence Eleanor Sleath
The chapter headings quote a range of canonical or contemporary writers, including Shakespeare , Milton , Pope , Thomson , Goldsmith , William Mason , John Langhorne , Burns , Erasmus Darwin , Edward Young
Intertextuality and Influence Frances Jacson
Chapters are headed with a lavish array of quotations. Among the better-known authors are Ariosto (in the original), Shakespeare , Drayton , Milton , Pope (on the title-page), Young , Gray , Collins , Johnson
Intertextuality and Influence Dorothea Primrose Campbell
DPC was one of those claiming serious status for the novel by literary allusion. She uses Horace on her title-page, Pope to head the whole novel, and for chapter-headings Chaucer , Shakespeare , Goldsmith ...
Intertextuality and Influence Sarah Fielding
This is a work of fiction, not documentary. It relates the stories of four ex-prostitutes sympathetically, presenting a strong argument for social reform. According to scholar Katherine Binhammer , it is the most feminist among...
Intertextuality and Influence Charlotte Nooth
CN refers to several canonical English names (Pope , Reynolds , Garrick , Shakespeare , and Edmund Kean in her first poem), and relates closely to continental women. She praises Germaine de Staël for...
Intertextuality and Influence Mary Stewart
The novel is set in southern France: the action begins in Avignon and concludes in Marseilles. Epigraphs to chapters range through the traditional English literary canon—Chaucer , Spenser , Shakespeare , Robert Browning
Intertextuality and Influence Michelene Wandor
The four characters, who meet periodically, chat, complain, and reminisce. They also rehearse as the witches in Shakespeare 's Macbeth. They dance, they backchat. To a happy retirement, Katie. . . . To gravetime...
Intertextuality and Influence Jane Harvey
Again her title-page quotes Shakespeare . The novel opens with a musical party in the housekeeper's room at Cassilwood House in Northumberland on the fifth of November at the time of the second Jacobite Rebellion...

Timeline

Texts

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