Drabble, Margaret. The Waterfall. Penguin.
130
Connections Sort descending | Author name | Excerpt |
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Intertextuality and Influence | Margaret Drabble | Imagery of postpartum fluidity, particularly lactation, characterizes the lovers' growing passion and the descriptions of female sexual desire and orgasm. The narrative alternates between a schizoid third-person dialogue Drabble, Margaret. The Waterfall. Penguin. 130 |
Intertextuality and Influence | Elizabeth Heyrick | Both the title-page and the body of the work quote (unascribed) lines about social injustice spoken by Shakespeare
's King Lear (who has only just realised the rampant injustice of the world and of his... |
Intertextuality and Influence | Jane Owen | That JO
intended to publish is suggested by her dedication To the Worthy and Constant Catholickes of England—especially, she says, rich ones. Owen, Jane. Jane Owen. Editor Latz, Dorothy L., Ashgate. prelims |
Intertextuality and Influence | Rumer Godden | RG
found this negotiation among publishers traumatic. She had updated Shakespeare
's The Tempest in the spirit of the entertainments which Graham Greene
used to intersperse among his serious novels. Spencer Curtis
thought the story... |
Intertextuality and Influence | Adelaide Kemble | Bessie and her more assertive friend Ursula Hamilton are challenged by men in their social circle about the alleged inferiority of women, as proved by their failure to produce serious artistic work. Bessie thinks of... |
Intertextuality and Influence | Sarah Harriet Burney | These letters show her to be a rewarding, informal, up-to-the-minute literary critic. She kept remarkably up to date on the topic of women's writing, showing herself consistently receptive to new styles and new ideas. She... |
Intertextuality and Influence | Sarah Green | The plot owes something to Charlotte Lennox
's Female Quixote. The father of Green's heroine has lived through many crazes for novelists: first Burney
, then Radcliffe
, then Owenson
, then Rosa Matilda |
Intertextuality and Influence | Elaine Feinstein | Subjects of poems here include Dickens
, Thomas
and |
Intertextuality and Influence | Naomi Jacob | The book is headed by a quotation from As You Like ItWilliam Shakespeare
: Cupid hath clapped him on the shoulder. Jacob, Naomi. The Man who Found Himself. Robert Hale. prelims |
Intertextuality and Influence | Mrs Martin | Indeed, as in MM
's previous novels, the narrative technique contributes largely to the reader's enjoyment. The narrator addresses the reader as dear Madam, then (without modifying this address) invites her to call the narrator... |
Intertextuality and Influence | Ali Smith | As each book in this series relates to one of Shakespeare
's plays, this one relates to Pericles, and the artist that it relates to is |
Intertextuality and Influence | Rose Tremain | Most of the stories concern love, and some make creative use of the lives or works of other authors, like Tolstoy
and Daphne Du Maurier
. In The Closing DoorRT
created a character who... |
Intertextuality and Influence | Theodora Benson | While the title alludes to Lewis Carroll
, the chapters are headed with quotations which begin with Shakespeare
and Verlaine
, move through such less usual sources as Punch and Rupert Brooke
, and conclude... |
Intertextuality and Influence | Charlotte Charke | CC
closes with a last concealed theatrical reference: the hope that she will be able to pass in the Catalogue of Authors Charke, Charlotte, and Leonard R. N. Ashley. A Narrative of the Life of Mrs. Charlotte Charke. Scholars’ Facsimiles and Reprints. 277 |
Intertextuality and Influence | Selina Davenport | The title-page signals the novel's concern with evil and revenge by quoting Shakespeare'sOthello. The story turns on the efforts of the female villain Hippolita, otherwise known as Rosalie, to exact bloody vengeance for... |
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