William Shakespeare

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Standard Name: Shakespeare, William

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Rhoda Broughton
RB 's satire here embraces the publishing industry and its pandering to readers' tastes. Emma's cousin Lesbia is apparently representative of a particular type of circulating-library reader; much to Emma's mortification, she likes Miching Mallecho...
Intertextuality and Influence Bernardine Evaristo
BE substitutes another name for the surname she shares with her father, but gives her mother's birth name as in life. Her narrator is not Bernardine but Lara, short for Owolara, which means the family...
Intertextuality and Influence Ella Wheeler Wilcox
Without ever owning the complete works of Théophile Gautier , Alphonse Daudet , Shakespeare , Byron , or Swinburne , she read bits and pieces of them all, and they helped to shape her style...
Intertextuality and Influence Jane Harvey
The title-page quotes Shakespeare . This novel follows, with serious concern as well as satirical humour, the career choices made by the sons of the Cleavland family. Their father favours science and agriculture, which he...
Intertextuality and Influence Mary Julia Young
The earlier Adelaide and Antonine, whose lovers take refuge from the French Revolution in England, is balanced by Agnes, or The Wanderer, whose protagonist (another Revolution victim) is ordered by her doomed husband...
Intertextuality and Influence Regina Maria Roche
The heroine suffers under not one but two bad mother-figures, neither of whom is her birth mother. It opens with Greville, a country curate whose spirit has been wounded by the vice and deceit of...
Intertextuality and Influence Anna Maria Mackenzie
The 1809 title-page quotes Shakespeare 's The Merchant of Venice. In 1811 this place is taken by lines from Henry VI Part III, in which the future Richard III avows his villainy and...
Intertextuality and Influence Clementina Black
Meanwhile Orlando establishes a relationship of friendship and equality with Viola Cash, a young woman who embodies intelligence, practicality, and activity as well as beauty. She supports improved education for women, and is not afraid...
Intertextuality and Influence Catherine Gore
The title-page quotes Shakespeare 's Richard II about the deposing of a king. The novel opens with precision: at five o'clock on 22 June 1791, with aristocrats fearful for their fate in the aftermath of...
Intertextuality and Influence Maria Theresa Kemble
Its plot is of the same type as that of Shakespeare 's The Taming of the Shrew.William Shakespeare
Intertextuality and Influence Gillian Slovo
The epigraph is a statement about truth from Shakespeare 's Henry IV Part One. The protagonist of this novel, Sarah Barcant, was born in Smitsrivier, a dusty little South African town dominated by its...
Intertextuality and Influence Frances Jacson
The title-page quotes Pope and Staël . The novel's opening sounds like a tale of mysterious origins, but without the mystery. A quotation from Shakespeare 's Tempest—Prospero telling Miranda the story of her past—introduces...
Intertextuality and Influence Candia McWilliam
The book is simple and singular in plot and sparse in characters compared with CMW 's first, but here too a central character is pregnant through most of the action. Here too literary references come...
Intertextuality and Influence Anna Wickham
This collection represents a significant departure from AW 's earlier work in its adoption of literary conventions. Peopled with jesters, knights, witches, and shepherdesses, the poems in this volume incorporate historical (Anglo-Saxon and Elizabethan), mythological...
Intertextuality and Influence Mary Sidney Herbert Countess of Pembroke
This play provoked Samuel Daniel to respond with The Tragedy of Cleopatra (published in another work in 1594), and influenced Shakespeare 's Antony and Cleopatra.
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Hannay, Margaret P. Philip’s Phoenix: Mary Sidney, Countess of Pembroke. Oxford University Press, 1990, http://U of A HSS.
253n106
Though apparently never acted, Antonius was much admired...

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