British Book News. British Council.
(1959): 551
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Eleanor Farjeon | These poems of love and separation have echoes of Shakespeare
and Elizabeth Barrett Browning
. British Book News. British Council. (1959): 551 |
Intertextuality and Influence | Helen Oyeyemi | Miranda and Ore try to understand the house's haunting in terms of the soucouyant, a Caribbean supernatural character that sheds skin and traverses boundaries. Ore describes the terror of the soucouyant as the danger of... |
Intertextuality and Influence | Dorothy Wellesley | Fire, addressed to Yeats
and headed with a quotation from Shakespeare
(Does not our life consist of the four elements?), Wellesley, Dorothy, and W. B. Yeats. Selections from the Poems of Dorothy Wellesley. Macmillan. 1 |
Intertextuality and Influence | Candia McWilliam | The book is simple and singular in plot and sparse in characters compared with CMW
's first, but here too a central character is pregnant through most of the action. Here too literary references come... |
Intertextuality and Influence | Margaret Cavendish | Her address to her husband rejoices that he has never bidden her to stop writing and work (that is do needlework) instead. In this connection she quotes from Lord Denny
's attempt to silence Lady Mary Wroth |
Intertextuality and Influence | Sarah Pearson | The family attends the funeral of Mirabeau
; Pearson, Susanna. The Medallion. G. G. and J. Robinson. 2: 89 Pearson, Susanna. The Medallion. G. G. and J. Robinson. 3: 98 |
Intertextuality and Influence | Ann Hatton | This novel is well supplied with quotations: Macpherson
's Ossian
on the title-page and Robert Blair
(The Grave) to open the first volume, with Shakespeare
and Milton
for the succeeding volumes. It opens... |
Intertextuality and Influence | Deborah Levy | In Macbeth—False Memory she professed not to be adaptating Shakespeare
, but the play features the murder of one businessman by another, followed by a haunting and a quest for revenge, all in an emphatically... |
Intertextuality and Influence | Rose Tremain | Her dedicatee was a bookstore owner in Nashville, Tennessee, where he involved himself in the Civil Rights movement in 1960. (His son Richard
is known as a writer). RT
uses three epigraphs: from St John of the Cross |
Intertextuality and Influence | Mrs Showes | The story begins where many novels end: with the happiness of the eponymous heroine as she reaches the age of eighteen as a virtuous, well-educated heiress, married by her own choice to Count Harton. Her... |
Intertextuality and Influence | May Kendall | The title comes from Mercutio's speech about the Queen of the Fairies in Shakespeare
's Romeo and Juliet; MK
quotes the opening of this speech on her title-page. |
Intertextuality and Influence | Harriet Corp | A different third-person narrator replaces the somewhat pompous gentleman of An Antidote. The book's subect is the relations between the two Placid women, mother and daughter, and the squire's family, the Bustles (who are... |
Intertextuality and Influence | Florence Farr | A series of reviews by others precedes Farr's own account of her musical recitations. These experiments in verse performance began as illustrations of Yeats's theories of the music and rhythm of spoken verse, but Farr... |
Intertextuality and Influence | Candia McWilliam | Matters begin to come to their melodramatic head when Margaret comes to Daisy to complain, with passionate if suppressed rage, that the cleaners have been in her room while she was in London. It emerges... |
Intertextuality and Influence | Laura Ormiston Chant | The novel takes place in the ugly town Chant, Laura Ormiston. Sellcuts’ Manager. Grant Richards. 9 |
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