Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Intertextuality and Influence | Anne Thackeray Ritchie | Again, ATR
's stay at Chateau Bréquerecque, Boulogne, in 1854 provided the basis for the novel's setting. Shankman, Lillian F., and Anne Thackeray Ritchie. “Biographical Commentary and Notes”. Anne Thackeray Ritchie: Journals and Letters, edited by Abigail Burnham Bloom et al., Ohio State University Press, 1994, p. various pages. 28 |
| Intertextuality and Influence | Rumer Godden | A Fugue in Time has three epigraphs: a description of the simultaneous, independent melodies present in Bach
's fugues; eighteen lines from T. S. Eliot
's still fairly recent East Coker (from Home is where... |
| Intertextuality and Influence | Anna Letitia Barbauld | William Enfield
quoted eight lines from Aikin (as Our Poetess) in dedicating his very popular anthology The Speaker, designed for the teaching of elocution, to the head of Warrington Academy
. Her volume... |
| Intertextuality and Influence | Fleur Adcock | Below Loughrigg is largely a localised collection, haunted by the presence of Wordsworth
. |
| Intertextuality and Influence | Elizabeth Gunning | This interesting novel is a kind of rake's progress that seems to speak against the system of primogeniture.The hero (and first-person narrator) is that familiar figure, an upper-class child spoiled by his parents. He had... |
| Intertextuality and Influence | Elizabeth Isabella Spence | The title-page quotes William Wordsworth
. At the beginning of the collection a male narrator, London-born with a Welsh mother, travels after his mother's death to Chirk (her native place). The tales' framework is desultory... |
| Intertextuality and Influence | Grace Aguilar | The central character is the undowered girl Florence Leslie—so called because of her birth in Italy—whose high-minded principles have been fuelled by indiscriminate Aguilar, Grace. Woman’s Friendship. D. Appleton and Company, 1891. 13 |
| Intertextuality and Influence | Mary Elizabeth Coleridge | To the Writer of a Poem on a Bridge speaks to Wordsworth
's Upon Westminster Bridge. Chapman, Alison. “Mary Elizabeth Coleridge, Literary Influence and Technologies of the Uncanny”. Victorian Gothic: Literary and Cultural Manifestations in the Nineteenth Century, edited by Ruth Robbins and Julian Wolfreys, Palgrave, 2000, pp. 109-28. 126-7 And watched the waters... |
| Intertextuality and Influence | Anna Letitia Barbauld | |
| Intertextuality and Influence | Margaret Drabble | MD
's critical study Wordsworth addressed the work of a poet who, she says, has influenced her thinking. The British National Bibliography. Council of the British National Bibliography; British Library, Bibliographic Services Division, 1950. OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
| Intertextuality and Influence | E. Nesbit | The title, condensed from two lines in Wordsworth
's Ode on the Intimations of Immortality, alludes to the dimming and flattening of once-acute sensations. One of these poems says that Love can never be... |
| Intertextuality and Influence | Gladys Henrietta Schütze | The title phrase opens one of the best-known poems by scholar and poet Francis William Bourdillon
. GHS
quotes a stanza from it, along with other, more canonical poets from Ovid
through Milton
and Wordsworth |
| Intertextuality and Influence | Ruth Rendell | The novel contains particularly sophisticated subplots, including the intense rivalry between Burden's teenaged children, and Elizabeth's and Wexford's parallel fears of growing old. As usual in RR
's work, the novel gives an important role... |
| Intertextuality and Influence | Grace Aguilar | One of these stories, The Authoress is notable as a künstlerroman and a defence of GA
's ambitions as a writer. It is the tale of frustrated romance between a young woman writer and a... |
| Intertextuality and Influence | Eliza Mary Hamilton | The collection is dedicated to her brother, William Rowan Hamilton
. Blain, Virginia. “Letitia Elizabeth Landon, Eliza Mary Hamilton, and the Genealogy of the Victorian Poetess”. Victorian Poetry, Vol. 33 , No. 1, 1 Mar.–31 May 1995, pp. 31-51. 31, 43 |
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