Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Friends, Associates | Algernon Charles Swinburne | The twelve-year-old Swinburne met Wordsworth
in September 1849 while he was on holiday with his family. The writer Elizabeth Sewell
was among the family party travelling that year. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
| Friends, Associates | Felicia Hemans | The connection between the male and the female poet was made by Maria Jane Jewsbury
, who was a good friend of the family, Dora Wordsworth
especially. Hemans brought one of her sons on the... |
| Health | Mary Lamb | One of Mary Lamb
's bouts of madness seems to have been brought on by agitation about the break between Coleridge
and theWordsworths
. Moorman, Mary. William Wordsworth: A Biography. Clarendon Press, 1957–1965, 2 vols. 2: 195-6, 195n4 Burton, Sarah. A Double Life: A Biography of Charles and Mary Lamb. Viking, 2003. 263 |
| Instructor | Dorothy Wordsworth | |
| Intertextuality and Influence | Elizabeth Jolley | The narrative voice (a Scottish one, apparently as a kind of joke) is complex and shifting, with irony fed by unstable reference to the central couple (now Muriel and Henry, now Mother and Father, and... |
| Intertextuality and Influence | Isa Blagden | The final line invokes Wordsworth
's The Female Vagrant, andIB
also echoes Thomas Hood
's Bridge of Sighs and the more general iconography of the fallen woman. This treatment of what it meant... |
| Intertextuality and Influence | Elizabeth Barrett Browning | Byron
and Wordsworth
were important poetic influences. Books that Elizabeth Barrett owned and kept until her death included Philip James Bailey
's Festus, A Poem, a major text of the spasmodic school, L. E. L. |
| Intertextuality and Influence | Sylvia Kantaris | Other poems are self-referential examinations of poetry and writing. The Recluse describes the inability of the contemporary poet to present in verse (like the unnamed William Wordsworth
) the rustic tale of a chance-met old... |
| Intertextuality and Influence | A. S. Byatt | The painter Van Gogh
is a constant presence in this highly allusive novel, which takes Stephanie Potter, now Orton, through pregnancy and birth (while she tries to hold on to her former identity by reading... |
| Intertextuality and Influence | Joanna Baillie | Mary Berry
took the lead in promoting the volume. Baillie, Joanna. “Editorial Materials”. The Collected Letters of Joanna Baillie, edited by Judith Bailey Slagle, Fairleigh Dickinson University Press, 1999, pp. ix - xiv, 1. 11 |
| Intertextuality and Influence | Felicia Hemans | The volume takes its epigraphs and historical starting-points from a wide range of sources, including major male Romantics—Wordsworth
, Byron
, Coleridge
, Goethe
, Schiller
—and lesser-known contemporaries including women—Elizabeth Ogilvy Benger |
| Intertextuality and Influence | Anne Manning | The title-page quotes William Wordsworth
. This is a deliberately quiet and humdrum book, set in the Midlands and centred on the elderly, unmarried Miss Hills of Bever Hollow, Althea and Kitty. Their sisterly relationship... |
| Intertextuality and Influence | May Crommelin | The title-page quotes William Wordsworth
. This fairly conventional romance, in which MC
has not yet begun to exploit her gift for local colour, uses its young heroine and narrator to look at the problems... |
| Intertextuality and Influence | Elizabeth Strutt | The first chapter-heading comes from one of Wordsworth
's Lucy poems; eighteenth-century poets are also quoted. Unattributed chapter-headings, as well as verses by characters in the novel, are probably by ES
herself. The protagonist, Genevieve... |
| Intertextuality and Influence | Elizabeth Barrett Browning | The title piece is a lyrical drama depicting, largely in the form of a conversation between two angels, the crucifixion of Christ. Among the accompanying pieces were several on literary personages or topics: To Mary Russell Mitford |
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