Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Harriet Martineau | Writing to Mary Russell Mitford
of her hope that they might meet, HM
acknowledged the influence which the spirit of your writings has had over me. qtd. in L’Estrange, Alfred Guy Kingham, editor. The Friendships of Mary Russell Mitford as Recorded in Letters from Her Literary Correspondents. Hurst and Blackett, 1882, 2 vols. 1: 263-4 |
Intertextuality and Influence | Antonia Fraser | The title, which comes from a sonnet by William Wordsworth
, seems to relate less to its context there than to the general irony of the presumed quietness of nuns, who in this story have... |
Intertextuality and Influence | Anne Thackeray Ritchie | Again, ATR
's stay at Chateau Bréquerecque, Boulogne, in 1854 provided the basis for the novel's setting. Shankman, Lillian F., and Anne Thackeray Ritchie. “Biographical Commentary and Notes”. Anne Thackeray Ritchie: Journals and Letters, edited by Abigail Burnham Bloom et al., Ohio State University Press, 1994, p. various pages. 28 |
Intertextuality and Influence | Rumer Godden | A Fugue in Time has three epigraphs: a description of the simultaneous, independent melodies present in Bach
's fugues; eighteen lines from T. S. Eliot
's still fairly recent East Coker (from Home is where... |
Intertextuality and Influence | Elizabeth Melvill | Comments on Ane Godlie Dreame, though sparse, have been persistent. John Livingstone
recorded that she was famous for her dream anent her spirituall condition. qtd. in Baxter, Jamie Reid. “Elizabeth Melville, Lady Culross: new light from Fife”. The Innes Review, Vol. 68 , No. 1, May 2017, pp. 38-77. 40 |
Intertextuality and Influence | Anna Letitia Barbauld | William Enfield
quoted eight lines from Aikin (as Our Poetess) in dedicating his very popular anthology The Speaker, designed for the teaching of elocution, to the head of Warrington Academy
. Her volume... |
Intertextuality and Influence | Fleur Adcock | Below Loughrigg is largely a localised collection, haunted by the presence of Wordsworth
. |
Intertextuality and Influence | Elizabeth Gunning | This interesting novel is a kind of rake's progress that seems to speak against the system of primogeniture.The hero (and first-person narrator) is that familiar figure, an upper-class child spoiled by his parents. He had... |
Intertextuality and Influence | Louisa Anne Meredith | Most of the section called Poems, as well as some other pieces, describe flowers or other features of the natural world. Nature and poetry (which is celebrated in the opening Invocation to Song)... |
Intertextuality and Influence | Elizabeth Isabella Spence | The title-page quotes William Wordsworth
. At the beginning of the collection a male narrator, London-born with a Welsh mother, travels after his mother's death to Chirk (her native place). The tales' framework is desultory... |
Intertextuality and Influence | Grace Aguilar | The central character is the undowered girl Florence Leslie—so called because of her birth in Italy—whose high-minded principles have been fuelled by indiscriminate Aguilar, Grace. Woman’s Friendship. D. Appleton and Company, 1891. 13 |
Intertextuality and Influence | Mary Elizabeth Coleridge | To the Writer of a Poem on a Bridge speaks to Wordsworth
's Upon Westminster Bridge. Chapman, Alison. “Mary Elizabeth Coleridge, Literary Influence and Technologies of the Uncanny”. Victorian Gothic: Literary and Cultural Manifestations in the Nineteenth Century, edited by Ruth Robbins and Julian Wolfreys, Palgrave, 2000, pp. 109-28. 126-7 And watched the waters... |
Intertextuality and Influence | Anna Letitia Barbauld | |
Intertextuality and Influence | Margaret Drabble | MD
's critical study Wordsworth addressed the work of a poet who, she says, has influenced her thinking. The British National Bibliography. Council of the British National Bibliography; British Library, Bibliographic Services Division, 1950. OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Intertextuality and Influence | Gladys Henrietta Schütze | The title phrase opens one of the best-known poems by scholar and poet Francis William Bourdillon
. GHS
quotes a stanza from it, along with other, more canonical poets from Ovid
through Milton
and Wordsworth |
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