William Wordsworth

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Standard Name: Wordsworth, William

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Elizabeth Jolley
The narrative voice (a Scottish one, apparently as a kind of joke) is complex and shifting, with irony fed by unstable reference to the central couple (now Muriel and Henry, now Mother and Father, and...
Intertextuality and Influence Elizabeth Barrett Browning
Byron and Wordsworth were important poetic influences. Books that Elizabeth Barrett owned and kept until her death included Philip James Bailey 's Festus, A Poem, a major text of the spasmodic school, L. E. L.
Intertextuality and Influence Sylvia Kantaris
Other poems are self-referential examinations of poetry and writing. The Recluse describes the inability of the contemporary poet to present in verse (like the unnamed William Wordsworth ) the rustic tale of a chance-met old...
Intertextuality and Influence A. S. Byatt
The painter Van Gogh is a constant presence in this highly allusive novel, which takes Stephanie Potter, now Orton, through pregnancy and birth (while she tries to hold on to her former identity by reading...
Intertextuality and Influence Joanna Baillie
Mary Berry took the lead in promoting the volume.
Baillie, Joanna. “Editorial Materials”. The Collected Letters of Joanna Baillie, edited by Judith Bailey Slagle, Fairleigh Dickinson University Press, 1999, pp. ix - xiv, 1.
11
Editing De Monfort for her British Theatre in 1808, Elizabeth Inchbald wrote of the hero as a lunatic possessing every vice which pride engenders, yet...
Intertextuality and Influence Felicia Hemans
The volume takes its epigraphs and historical starting-points from a wide range of sources, including major male Romantics—Wordsworth , Byron , Coleridge , Goethe , Schiller —and lesser-known contemporaries including women—Elizabeth Ogilvy Benger
Intertextuality and Influence Isa Blagden
The final line invokes Wordsworth 's The Female Vagrant, andIB also echoes Thomas Hood 's Bridge of Sighs and the more general iconography of the fallen woman. This treatment of what it meant...
Intertextuality and Influence Anne Manning
The title-page quotes William Wordsworth . This is a deliberately quiet and humdrum book, set in the Midlands and centred on the elderly, unmarried Miss Hills of Bever Hollow, Althea and Kitty. Their sisterly relationship...
Intertextuality and Influence May Crommelin
The title-page quotes William Wordsworth . This fairly conventional romance, in which MC has not yet begun to exploit her gift for local colour, uses its young heroine and narrator to look at the problems...
Intertextuality and Influence Elizabeth Strutt
The first chapter-heading comes from one of Wordsworth 's Lucy poems; eighteenth-century poets are also quoted. Unattributed chapter-headings, as well as verses by characters in the novel, are probably by ES herself. The protagonist, Genevieve...
Intertextuality and Influence Elizabeth Barrett Browning
The title piece is a lyrical drama depicting, largely in the form of a conversation between two angels, the crucifixion of Christ. Among the accompanying pieces were several on literary personages or topics: To Mary Russell Mitford
Intertextuality and Influence Anne Marsh
The elderly narrator of The Deformed is physician to the family of the Marquess of Brandon, in the little town of Carstones, which depends on the marquess and seems like an appendage to his castle...
Intertextuality and Influence Elizabeth Stone
The third volume of Miss Pen and her Niece contained a short story, Sir Eustace de Lucie, a rewriting of Wordsworth 's poem The Horn of Egremont Castle. Set in the medieval period...
Intertextuality and Influence L. M. Montgomery
Her writing, like Emily's, was profoundly influenced by nineteenth-century English writers and poets. LMM named Hemans and Byron in personal letters; Emily cites Tennyson and Wordsworth .
Gillen, Mollie. The Wheel of Things. Fitzhenry and Whiteside, 1975.
149, 161
Intertextuality and Influence Anne Thackeray Ritchie
Again, ATR 's stay at Chateau Bréquerecque, Boulogne, in 1854 provided the basis for the novel's setting.
Shankman, Lillian F., and Anne Thackeray Ritchie. “Biographical Commentary and Notes”. Anne Thackeray Ritchie: Journals and Letters, edited by Abigail Burnham Bloom et al., Ohio State University Press, 1994, p. various pages.
28
She takes chapter epigraphs from a wide range of folk and literary sources, including Elizabeth Barrett Browning and Wordsworth .

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