Error message
To log in to this site, your browser must accept cookies from the domain orlando.cambridge.org.Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Features | Christian Isobel Johnstone | It seeks to enlarge vocabulary by omitting words and leaving the young readers to supply the gaps. Topics include life in other countries. The book features poetry by L. E. L.
and Wordsworth
. |
Textual Features | Joanna Baillie | The poems present human shifts of mood and quirks of feeling. They are sensitively observed and charmingly written. The only modern poets she yet knew of to admire, JB
said later, were William Hayley
and... |
Textual Features | Charlotte Yonge | Her vindication of unmarried women drawing intellectual and social authority from their relationship with the Church of England
brings to mind Mary Astell
. She appears to have learned from women writers like Sarah Trimmer |
Textual Production | Anne Marsh | The title-page bore a creative misquotation from William Wordsworth
: She lived within her father's halls . . . And very few to love—which converts the rustic Lucy into an upper-class heroine like AM |
Textual Production | A. S. Byatt | In Unruly Times, 1989, she considers the shared thinking of Wordsworth
and Coleridge
, and its development in the context of epoch-making public events and the intellectual climate which surrounded them. |
Textual Production | Jane Francesca Lady Wilde | Francesca Elgee set the tone for her correspondence with John Hilson
in her earliest surviving letter, writing your Gods are my Gods about her favourite modern living poets, Tennyson
and Elizabeth Barrett
, who... |
Textual Production | Joanna Baillie | Here she gathered together poems by such writers as Walter Scott
, George Crabbe
, William Wordsworth
, Robert Southey
, Felicia Hemans
(whose work Baillie warmly admired), Anne Grant
of Laggan, Anna Maria Porter |
Textual Production | Elizabeth Barrett Browning | |
Textual Production | Una Marson | The subject-matter of her contributions was dictated and limited by her editor, Dunbar T. Wint
, who did not believe that women had any place in the political or intellectual arena. UM
nevertheless found opportunities... |
Textual Production | Michèle Roberts | MR
's Fair Exchange, a historical novel, dealt with episodes in the lives of Mary Wollstonecraft
, William Wordsworth
, and Annette Vallon
. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. qtd. in Newman, Jenny. “Michèle Roberts”. Contemporary British and Irish Fiction, edited by Sharon Monteith et al., Arnold, 2004, pp. 119-34. 130 |
Textual Production | Susanna Blamire | |
Textual Production | Henrietta Camilla Jenkin | Her friend Elizabeth Gaskell
wrote to George Smith
of Smith, Elder
on 10 February 1859 to urge him to publish this novel, which, however, she declared she had not read. He sent her a copy... |
Textual Production | Dorothy Wordsworth | DW
kept (with decreasing fullness) her earliest surviving journal, written at Alfoxden, the second home she had shared with her brother William
. Wordsworth, Dorothy. Journals of Dorothy Wordsworth. Editor Selincourt, Ernest De, Macmillan, 1941, 2 vols. 1: 3, 16 and n2 |
Textual Production | E. M. Delafield | Its title comes from Wordsworth
's poem, The World is Too Much with Us. |
Textual Production | Susanna Blamire | Gilpin/Coward (who provided a good deal of biographical information and other commentary) argued that SB
had the most original and most reflective mind that Cumberland has produced, apart from William Wordsworth
. Blamire, Susanna, and Catherine Gilpin. Songs and Poems. Editor Coward, George, George Routledge, 1866. 35-6 |
Timeline
No timeline events available.
Texts
No bibliographical results available.