Stevenson, Anne. Between the Iceberg and the Ship. University of Michigan Press.
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Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Ella Hepworth Dixon | EHD
took the title for the collection (and for the first story) from a line in Shakespeare
's Henry IV: Were it good / To set the exact wealth of all our states /... |
Intertextuality and Influence | Pamela Hansford Johnson | This is a satirical novel set on a US campus—though not, PHJ
insists, embodying any identifiable place or people. The title, from Shakespeare
's Midsummer Night's Dream, suggests that the campus of the story... |
Intertextuality and Influence | Anna Maria Mackenzie | The title-page bears a quotation from Shakespeare
; the dedication argues that the rebel Monmouth was wrong but deserving of pity. The story traces the fate of a family named Bruce; it opens with a... |
Intertextuality and Influence | Anne Stevenson | AS
says she began to write verse when I was introduced to Shakespeare
and the English Romantics as a child, Stevenson, Anne. Between the Iceberg and the Ship. University of Michigan Press. 121 |
Intertextuality and Influence | Mary Elizabeth Braddon | MEB
's Hostages to Fortune, also published in 1875, gives a more sustained view of the theatre milieu than did A Strange World. It tells the story of Herman Westray's struggle to succeed... |
Intertextuality and Influence | Susan Du Verger | The titles, however, reveal that romance is to be countered with romance: The Generous Poverty, The Honourable Infidelity, The Fortunate Misfortune, The Double Rape, etc., sound like novels, and they employ... |
Intertextuality and Influence | Catherine Gore | The title-page quotes Shakespeare
's Richard II about the deposing of a king. The novel opens with precision: at five o'clock on 22 June 1791, with aristocrats fearful for their fate in the aftermath of... |
Intertextuality and Influence | Lesley Storm | The title is a near-quotation from Shakespeare
's A Midsummer Night's Dream—the working man who is about to play the role of the lion promises not to frighten the ladies in the audience: I... |
Intertextuality and Influence | Bryher | |
Intertextuality and Influence | U. A. Fanthorpe | The title poem explains the implications of the title: I was set here / To watch. So I do, / And report, in cipher, to headquarters, / Which is an hypothesis. Wainwright, Eddie. Taking Stock, A First Study of the Poetry of U.A. Fanthorpe. Peterloo Poets. 28 |
Intertextuality and Influence | Frances Jacson | |
Intertextuality and Influence | Anne Sexton | She titled the volume from the words of Shakespeare
's character Macduff when he hears of the murder of his wife and children; this borrowing was suggested by James Wright
. Middlebrook, Diane Wood. Anne Sexton: A Biography. Houghton Mifflin. 163 |
Intertextuality and Influence | Elizabeth Thomas | In his absence Camilla recovers, and three years later marries another rake, Sir Lusignan Dellbury; when his former adoration is cooled by marriage, she turns to her children for emotional satisfaction. He insists on her... |
Intertextuality and Influence | Mrs E. M. Foster | As an epistolary novel, Concealment lacks the characteristic metanarrative of other MEMF
novels, though an interesting prologue addressed to the reader from the Authoress cautions against the practice of concealment. Foster also identifies herself, in... |
Intertextuality and Influence | Jane Harvey | Again her title-page quotes Shakespeare
. The novel opens with a musical party in the housekeeper's room at Cassilwood House in Northumberland on the fifth of November at the time of the second Jacobite Rebellion... |
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