Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Mrs Martin | Indeed, as in MM
's previous novels, the narrative technique contributes largely to the reader's enjoyment. The narrator addresses the reader as dear Madam, then (without modifying this address) invites her to call the narrator... |
Intertextuality and Influence | Theodora Benson | While the title alludes to Lewis Carroll
, the chapters are headed with quotations which begin with Shakespeare
and Verlaine
, move through such less usual sources as Punch and Rupert Brooke
, and conclude... |
Intertextuality and Influence | Julia Constance Fletcher | The Prince of Morocco is an extraordinary fantasy whose implications are hard to fathom. The man who lost his chance of marriage to Shakespeare
's Portia by choosing the golden casket is here only nicknamed... |
Intertextuality and Influence | Regina Maria Roche | Critic Amanda Burgess
sees this as perhaps the earliest example of the Irish national tale, and of a shift in RMR
's literary focus from England to Ireland which coincided with her own move in... |
Intertextuality and Influence | Ada Leverson | This novel is a comedy of manners set in London in springtime, the start of the social season. Critic Charles Burkhart
suggests that the title alludes to Shakespeare
's Twelfth Night; it also, paradoxically... |
Intertextuality and Influence | Edna St Vincent Millay | She writes often here about the landscape and plants at Steepletop, using them as a metaphor for life and joy and the past. The final piece included in her Selected Poems, 2003, a... |
Intertextuality and Influence | Felicia Hemans | The volume provides lavish notes to explain its sometimes quite obscure historical figures and settings, and cites a wide range of authors including Plutarch
, Shakespeare
, Milton
, and Germaine de Staël
. FH |
Intertextuality and Influence | Elizabeth Sarah Gooch | In this version of her life-story, ESG
traces her fall back to her mother's refusal to allow her to marry her first love. She accords this refusal a passage of purple prose beginning Ah! wherefore... |
Intertextuality and Influence | Elizabeth Baker | The play's impulsive young protagonist, Dorothy Archibald, opposes her parents' wishes by falling in love with a bank clerk who plays the violin. Critic Rudolf Weiss
has noted that the play is full of echoes... |
Intertextuality and Influence | Sarah Harriet Burney | These letters show her to be a rewarding, informal, up-to-the-minute literary critic. She kept remarkably up to date on the topic of women's writing, showing herself consistently receptive to new styles and new ideas. She... |
Intertextuality and Influence | Ella Wheeler Wilcox | Without ever owning the complete works of Théophile Gautier
, Alphonse Daudet
, Shakespeare
, Byron
, or Swinburne
, she read bits and pieces of them all, and they helped to shape her style... |
Intertextuality and Influence | Sarah Green | The plot owes something to Charlotte Lennox
's Female Quixote. The father of Green's heroine has lived through many crazes for novelists: first Burney
, then Radcliffe
, then Owenson
, then Rosa Matilda |
Intertextuality and Influence | Elaine Feinstein | Subjects of poems here include Dickens
, Thomas
and |
Intertextuality and Influence | Naomi Jacob | The book is headed by a quotation from As You Like ItWilliam Shakespeare
: Cupid hath clapped him on the shoulder. qtd. in Jacob, Naomi. The Man who Found Himself. Robert Hale, 1973. prelims |
Intertextuality and Influence | Eliza Kirkham Mathews | The novel which emerged from so much interference during composition is naive, exaggerated, and badly structured, but highly unusual, with great intensity in its writing. Its title-page quotes Thomas Holcroft
, and its epigraphs to... |
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