Charlotte Brontë
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Standard Name: Brontë, Charlotte
Birth Name: Charlotte Brontë
Married Name: Mrs Arthur Bell Nicholls
Pseudonym: Currer Bell
Used Form: Charlotte Bronte
CB
's five novels, with their passionate explorations of the dilemmas facing nineteenth-century middle-class English women, have made her perhaps the most loved, imitated, resisted, and hotly debated novelist of the Victorian period.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Reception | Jean Plaidy | In 1991, JP
said of Mistress of Mellyn: This was the sort of book that I loved to write, because I had read so much of the BrontësCharlotte BrontëAnne Brontë
, over and over again, and... |
Reception | George Sand | Many other British writers were strongly influenced by GS
: Geraldine Jewsbury
, Matilda Hays
, Anne Ogle
, Eliza Lynn Linton
, Mathilde Blind
, and, most notably, Emily
and Charlotte Brontë
and George Eliot |
Reception | Elizabeth Gaskell | Announcement of the second edition of EG
's The Life of Charlotte Brontë produced a threat from Lady Scott
's solicitors of a libel suit unless the publishers
withdrew all mention of their client and publicly apologized. Uglow, Jennifer S. Elizabeth Gaskell: A Habit of Stories. Faber and Faber, 1993. 426-7 |
Reception | Vita Sackville-West | The enthusiastic review by J. C. Squire
was not entirely welcome to VSW
, since she regarded Squire as a silly old ass and all that. qtd. in Glendinning, Victoria. Vita. Penguin, 1984. 167 |
Reception | Emily Brontë | Not until after a larger selection of poems, heavily edited by Charlotte
, was included along with the biographical preface in the 1850 edition of Wuthering Heights, did EB
's poetry begin to receive... |
Reception | Anne Brontë | An anonymous reviewer of Agnes Grey and Wuthering Heights in The Spectator for 18 December 1847 commented that the work of all three Charlotte BrontëEmily BrontëBrontë
s suffered from injudicious selection of the theme and matter. Allott, Miriam, editor. The Brontës. Routledge and Kegan Paul, 1974. 218 |
Residence | Anne Lister | |
Textual Features | Mary Russell Mitford | MRM
has no patience with Laetitia-Matilda Hawkins
's The Countess and Gertrude or with Byron
's Childe Harold. Mitford, Mary Russell. The Life of Mary Russell Mitford: Told by Herself in Letters To Her Friends. Editor L’Estrange, Alfred Guy Kingham, Harper and Brothers, 1870, 2 vols. 1: 133, 152 |
Textual Features | Jane Austen | The plot of this novel is a version of a romance archetype: poor but deserving girl confounds all expectations by marrying up. Elizabeth Bennet is the quintessence of the witty and resourceful heroine who had... |
Textual Features | Barbara Pym | Several critics have noted the influence on this novel of Charlotte Brontë
. Wyatt-Brown, Anne M. Barbara Pym: A Critical Biography. University of Missouri Press, 1992. 86-90 Wyatt-Brown, Anne M. Barbara Pym: A Critical Biography. University of Missouri Press, 1992. 41, 57 |
Textual Features | Ruby M. Ayres | Dark Gentleman carries an unascribed epigraph from Caroline Norton
: Until I truly loved—I was alone. Ayres, Ruby M. Dark Gentleman. Hodder and Stoughton, 1953. title-page |
Textual Features | Eliza Lynn Linton | The novel, like the much earlier Grasp Your Nettle, features an off-stage Brontë
esque mad wife. Sanders, Valerie, and Eliza Lynn Linton. “Appendix F: Eliza Lynn Linton and the Canon”. The Rebel of the Family, edited by Deborah T. Meem and Deborah T. Meem, Broadview, 2002, pp. 475-87. 479 |
Textual Features | Anne Mozley | The review of Adam Bede is indeed most perceptive as well as detailed. AM
begins by noticing how novels have been expanding their empire: how many have been added to their readership by the newer... |
Textual Features | Mary Taylor | In essence, Miss Miles presents and evaluates four case studies of young middle-class women struggling to earn and enjoy a living. Sarah's Aunt Jane details the obstacles facing working women: There's no decent way fit... |
Textual Features | Caroline Clive | In a preface CC
addresses criticism of her previous work, Paul Ferroll. She writes: The opinions of the Public are like Fate. An Author may loudly declare them unjust, but he does not alter... |
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