Charlotte Brontë
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Standard Name: Brontë, Charlotte
Birth Name: Charlotte Brontë
Married Name: Mrs Arthur Bell Nicholls
Pseudonym: Currer Bell
Used Form: Charlotte Bronte
CB
's five novels, with their passionate explorations of the dilemmas facing nineteenth-century middle-class English women, have made her perhaps the most loved, imitated, resisted, and hotly debated novelist of the Victorian period.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Anne Brontë | On 4 July 1846 two anonymous reviews of Poems by Currer
, Ellis
and Acton Bell
appeared, one mildly positive by Sydney Dobell
in the Athenæum, and one enthusiastic in the Critic. A... |
Literary responses | Hannah Lynch | Blackwood's Magazine introduced the serialization of this book with a half-promise of its being a clef: It is, we believe, the faithful narrative of an actual experience, the work of a powerful writer whose identity... |
Literary responses | Rebecca Harding Davis | The book was initially well-received. A reviewer for the mostly female-oriented Peterson's Magazine, for instance, declared that [o]n some of the deepest problems that agitate humanity [RHD
] has evidently thought much and... |
Literary responses | Anne Marsh | It was presumably the lightning that made Charlotte Brontë
fear a charge of plagiarism when she read the tale following the publication of Jane Eyre. Gaskell, Elizabeth. The Life of Charlotte Brontë. Editor Shelston, Alan, Penguin, 1975. 509 |
Literary responses | Elizabeth Gaskell | EG
called this work simply a little country love story, Uglow, Jennifer S. Elizabeth Gaskell: A Habit of Stories. Faber and Faber, 1993. 251 |
Literary responses | Fanny Aikin Kortright | This novel was reviewed for the Athenæum by Horace St John
, who placed FAKunmistakeably in the school of Currer Bell
, Athenæum. J. Lection. 1550 (1857): 881 |
Literary responses | Matilda Betham-Edwards | Geraldine Jewsbury
, reviewing this book for the Athenæum early the next year, was not exactly encouraging. She guessed the author's gender correctly, and judged the novel a pale imitation of Charlotte Brontë
's Jane... |
Literary responses | Jessie Fothergill | The Spectator reviewer admitted to surprise at this novel, since whereas The First Violin and Probation were clever and interesting, it found little, if anything, in them to lead us to expect that their author... |
Literary responses | Julia Kavanagh | H. F. Chorley
, the Athenæum reviewer, lauded it as an excellent story for young people, sound in morals and pleasant in incident,—with only one passing apparition of the Deus ex machina to disturb our... |
Literary responses | Elizabeth Gaskell | Around the time of Ruth's appearance, Swedish novelist and feminist Fredrika Bremer
(who was probably introduced to EG
by William
and Mary Howitt
) wrote: Dear Elizabeth, dear sister in spirit, if I may... |
Literary responses | Jean Rhys | Later critics speak of the book as her masterpiece, and as a work of genius, praising its ground-breaking colonial and canonical critique. Coral Ann Howells
comments that Wide Sargasso Sea has not only taken up... |
Literary responses | Matilda Betham-Edwards | The Athenæum review by Lena Eden
professed itself disgusted not so much by Dr Jacob's hypocritical and despicable character as by his gall in presuming to set himself up as a hero at an age... |
Literary responses | Anne Brontë | The novel was reviewed immediately by The Spectator and the Athenæum. The former accused the author of a morbid love for the coarse, not to say the brutal, and objected to the coarseness of... |
Literary responses | Julia Kavanagh | On 22 November 1848, Charlotte Brontë
wrote to William Smith Williams
(a friend of both herself and the author), I have read Madeleine. It is a fine pearl in simple setting. Julia Kavanagh has... |
Literary responses | Elizabeth Gaskell |
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