Charlotte Brontë

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Standard Name: Brontë, Charlotte
Birth Name: Charlotte Brontë
Married Name: Mrs Arthur Bell Nicholls
Pseudonym: Currer Bell
Used Form: Charlotte Bronte
CB 's five novels, with their passionate explorations of the dilemmas facing nineteenth-century middle-class English women, have made her perhaps the most loved, imitated, resisted, and hotly debated novelist of the Victorian period.
Etching of Charlotte Brontë after a portrait by George Richmond, 1850. She is seen from the waist up, seated, with one elbow resting on a table, that hand holding a small book and the other on her lap, holding a handkerchief. She wears a flat ribbon round her neck, and a dark dress, buttoned in front, with lace trim on the sleeves and bodice. Her dark, smooth hair is pulled back and tied with a dark ribbon.

Connections

Connections Author name Excerpt
Textual Features Mary Elizabeth Coleridge
While Charlotte Brontë , MEC argues, swept the world away in the storm of her passion and George Eliotconquered it with the power of understanding, [Elizabeth] Gaskell forced it to weep for pity [and]...
Textual Features Mary Taylor
Originally intending to focus upon her subject's time in New Zealand, Stevens felt the need to contextualize MT 's position as an independent merchant in Wellington within the overall life of this spirited woman, and...
Textual Features Violet Hunt
Through this novel, VH reconfigures the conventional governess narrative through the character, perceptions, and experiences of her heroine, Amy Steevens.
Hunt, Violet. White Rose of Weary Leaf. W. Heinemann, 1908.
9
Though often compared to Charlotte Brontë 's Jane Eyre for her intelligent self-reliance, Amy...
Textual Features Mary Russell Mitford
MRM has no patience with Laetitia-Matilda Hawkins 's The Countess and Gertrude or with Byron 's Childe Harold.
Mitford, Mary Russell. The Life of Mary Russell Mitford: Told by Herself in Letters To Her Friends. Editor L’Estrange, Alfred Guy Kingham, Harper and Brothers, 1870, 2 vols.
1: 133, 152
She despises Stéphanie-Félicité de Genlis as a delightful mixture of cant and affectation...
Textual Features Patricia Beer
PB here considers a series of canonical authors, Austen , Eliot , Charlotte Brontë , and Elizabeth Gaskell , and the way that the Woman Question was handled in fiction. Critic John Mullan notes her...
Textual Features Lettice Cooper
Cooper's eight lives form a more varied selection than those of her companion volumes, stretching from the Earl of Strafford and Blind Jack Metcalf of Knaresborough via Charlotte Brontë and Sir Titus Salt (manufacturer, philanthropist...
Textual Features Mona Caird
The protagonist of this novel, Victoria Sedley, has early thoughts about her status as a separate self, which critic Patricia Murphy calls Cartes ian, but she later grows up into the confines of a woman's...
Textual Features Mary Ann Kelty
This is a novel of two generations, each part of which seems to contain a faint foreshadowing of Charlotte Brontë 's Jane Eyre. It traces the personal and family experience of Catherine Dorrington, who...
Textual Features Dorothy Richardson
Carol Watts notes the influence of two writers in particular on this volume. As she suggests, Miriam's personal and creative journey begins with a departure, as does Lucy Snowe's in Charlotte Brontë 's Villette...
Textual Features Eudora Welty
The word regional, said Welty, is careless, condescending, and an outsider's term; it has no meaning for the insider who is doing the writing.Jane Austen , theBrontësisters , and the writers...
Textual Features Elizabeth Robins
It presents, in a light and humorous tone, three models of writing women: Charlotte Brontë as a genius of the past, speaking from beyond the grave (or perhaps being fraudulently made to speak); a Victorian...
Textual Features Adrienne Rich
AR 's delineation of a lesbian continuum . . . of woman-identified experience
Rich, Adrienne. Blood, Bread, and Poetry. Norton, 1986.
51
became one of her most controversial and influential theories. Rejecting established definitions of lesbianism as pathology, she means to acknowledge the...
Textual Features Anne Mozley
The review of Adam Bede is indeed most perceptive as well as detailed. AM begins by noticing how novels have been expanding their empire: how many have been added to their readership by the newer...
Textual Features Phyllis Bentley
Set (like its successors) in the fictional valley of the Ire (based on the Colne Valley) in the West Riding of Yorkshire, Inheritance follows five generations of three families involved in the cloth...
Textual Features Dinah Mulock Craik
Freed as a disabled woman from the expectations of conventional femininity, Olive leads an independent life and struggles to become a successful painter, strengthened by her reading of Shelley and Byron . But she foregoes...

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