Charlotte Brontë

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Standard Name: Brontë, Charlotte
Birth Name: Charlotte Brontë
Married Name: Mrs Arthur Bell Nicholls
Pseudonym: Currer Bell
Used Form: Charlotte Bronte
CB 's five novels, with their passionate explorations of the dilemmas facing nineteenth-century middle-class English women, have made her perhaps the most loved, imitated, resisted, and hotly debated novelist of the Victorian period.
Etching of Charlotte Brontë after a portrait by George Richmond, 1850. She is seen from the waist up, seated, with one elbow resting on a table, that hand holding a small book and the other on her lap, holding a handkerchief. She wears a flat ribbon round her neck, and a dark dress, buttoned in front, with lace trim on the sleeves and bodice. Her dark, smooth hair is pulled back and tied with a dark ribbon.

Connections

Connections Author name Excerpt
Textual Features Anne Mozley
The review of Adam Bede is indeed most perceptive as well as detailed. AM begins by noticing how novels have been expanding their empire: how many have been added to their readership by the newer...
Textual Features Mary Taylor
In essence, Miss Miles presents and evaluates four case studies of young middle-class women struggling to earn and enjoy a living. Sarah's Aunt Jane details the obstacles facing working women: There's no decent way fit...
Textual Features Eliza Lynn Linton
The novel, like the much earlier Grasp Your Nettle, features an off-stage Brontë esque mad wife.
Sanders, Valerie, and Eliza Lynn Linton. “Appendix F: Eliza Lynn Linton and the Canon”. The Rebel of the Family, edited by Deborah T. Meem and Deborah T. Meem, Broadview, pp. 475-87.
479
Textual Features Mary Taylor
Originally intending to focus upon her subject's time in New Zealand, Stevens felt the need to contextualize MT 's position as an independent merchant in Wellington within the overall life of this spirited woman, and...
Textual Features Flora Macdonald Mayor
While spinsters are again perceived as lonely, self-pitying, garrulous, defensive
TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive.
4223 (9 March 1984): 238
in the eyes of some, the heroine here defies such a one-sided image. Leonard Woolf found Mary Jocelyn very reserved...
Textual Features Violet Hunt
VH modifies the gothic here to explore the psychological strains felt by sexually-frustrated women. Marie Secor finds a Charlotte Brontë -ish quality
Secor, Marie. “Violet Hunt, Novelist: A Reintroduction”. English Literature in Transition, Vol.
19
, pp. 25-34.
27
introduced into Hunt's writing with this work. Secor also notes that its...
Textual Features Adrienne Rich
AR 's delineation of a lesbian continuum . . . of woman-identified experience
Rich, Adrienne. Blood, Bread, and Poetry. Norton.
51
became one of her most controversial and influential theories. Rejecting established definitions of lesbianism as pathology, she means to acknowledge the...
Textual Features Eudora Welty
The word regional, said Welty, is careless, condescending, and an outsider's term; it has no meaning for the insider who is doing the writing.Jane Austen , theBrontësisters , and the writers...
Textual Features Jane Austen
The plot of this novel is a version of a romance archetype: poor but deserving girl confounds all expectations by marrying up. Elizabeth Bennet is the quintessence of the witty and resourceful heroine who had...
Textual Features Violet Hunt
Through this novel, VH reconfigures the conventional governess narrative through the character, perceptions, and experiences of her heroine, Amy Steevens.
Hunt, Violet. White Rose of Weary Leaf. W. Heinemann.
9
Though often compared to Charlotte Brontë 's Jane Eyre for her intelligent self-reliance, Amy...
Textual Features Dorothy Richardson
Carol Watts notes the influence of two writers in particular on this volume. As she suggests, Miriam's personal and creative journey begins with a departure, as does Lucy Snowe's in Charlotte Brontë 's Villette...
Textual Features Ruby M. Ayres
Dark Gentleman carries an unascribed epigraph from Caroline Norton : Until I truly loved—I was alone.
Ayres, Ruby M. Dark Gentleman. Hodder and Stoughton.
title-page
Its title is the name given by Judith Anson to Simon Trenchard, with whom at last she achieves...
Textual Features Elizabeth Robins
It presents, in a light and humorous tone, three models of writing women: Charlotte Brontë as a genius of the past, speaking from beyond the grave (or perhaps being fraudulently made to speak); a Victorian...
Textual Features Charlotte Mew
The essay treats works by women writers, such as Anne Thackeray Ritchie 's The Village on the Cliff and Charlotte Brontë 's Jane Eyre and Villette, alongside works by men.
Textual Features Liz Lochhead
Beginning with a rap'bout being a woman,
Lochhead, Liz. True Confessions and New Clichés. Polygon Books.
3
the revue explores many facets of a woman's life, from her dramas, her traumas, and her fiascos to her fainting spasms; / the ins-and-outs of her...

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