Charlotte Brontë
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Standard Name: Brontë, Charlotte
Birth Name: Charlotte Brontë
Married Name: Mrs Arthur Bell Nicholls
Pseudonym: Currer Bell
Used Form: Charlotte Bronte
CB
's five novels, with their passionate explorations of the dilemmas facing nineteenth-century middle-class English women, have made her perhaps the most loved, imitated, resisted, and hotly debated novelist of the Victorian period.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Features | Violet Hunt | VH
modifies the gothic here to explore the psychological strains felt by sexually-frustrated women. Marie Secor
finds a Charlotte Brontë
-ish quality Secor, Marie. “Violet Hunt, Novelist: A Reintroduction”. English Literature in Transition, Vol. 19 , 1976, pp. 25-34. 27 |
Textual Features | Dorothy L. Sayers | Here she mounts a powerful appreciation of the novel, both for its importance in the development of the detective story (all the clues, she says, are clearly conveyed to the reader, something which seldom happened... |
Textual Features | Mary Elizabeth Coleridge | While Charlotte Brontë
, MEC
argues, swept the world away in the storm of her passion and George Eliotconquered it with the power of understanding, [Elizabeth] Gaskell
forced it to weep for pity [and]... |
Textual Features | Mary Taylor | Originally intending to focus upon her subject's time in New Zealand, Stevens felt the need to contextualize MT
's position as an independent merchant in Wellington within the overall life of this spirited woman, and... |
Textual Features | Violet Hunt | Through this novel, VH
reconfigures the conventional governess narrative through the character, perceptions, and experiences of her heroine, Amy Steevens. Hunt, Violet. White Rose of Weary Leaf. W. Heinemann, 1908. 9 |
Textual Features | Patricia Beer | PB
here considers a series of canonical authors, Austen
, Eliot
, Charlotte Brontë
, and Elizabeth Gaskell
, and the way that the Woman Question was handled in fiction. Critic John Mullan
notes her... |
Textual Features | Lettice Cooper | Cooper's eight lives form a more varied selection than those of her companion volumes, stretching from the Earl of Strafford
and Blind Jack Metcalf
of Knaresborough via Charlotte Brontë
and Sir Titus Salt
(manufacturer, philanthropist... |
Textual Features | Flora Macdonald Mayor | While spinsters are again perceived as lonely, self-pitying, garrulous, defensive TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 4223 (9 March 1984): 238 |
Textual Features | Mona Caird | The protagonist of this novel, Victoria Sedley, has early thoughts about her status as a separate self, which critic Patricia Murphy calls Cartes
ian, but she later grows up into the confines of a woman's... |
Textual Features | Mary Ann Kelty | This is a novel of two generations, each part of which seems to contain a faint foreshadowing of Charlotte Brontë
's Jane Eyre. It traces the personal and family experience of Catherine Dorrington, who... |
Textual Features | Dorothy Richardson | Carol Watts
notes the influence of two writers in particular on this volume. As she suggests, Miriam's personal and creative journey begins with a departure, as does Lucy Snowe's in Charlotte Brontë
's Villette... |
Textual Features | Charlotte Mew | The essay treats works by women writers, such as Anne Thackeray Ritchie
's The Village on the Cliff and Charlotte Brontë
's Jane Eyre and Villette, alongside works by men. |
Textual Features | Eudora Welty | The word regional, said Welty, is careless, condescending, and an outsider's term; it has no meaning for the insider who is doing the writing.Jane Austen
, theBrontësisters
, and the writers... |
Textual Features | Liz Lochhead | Beginning with a rap'bout being a woman, Lochhead, Liz. True Confessions and New Clichés. Polygon Books, 1985. 3 |
Textual Features | Phyllis Bentley | Set (like its successors) in the fictional valley of the Ire (based on the Colne Valley) in the West Riding of Yorkshire, Inheritance follows five generations of three families involved in the cloth... |
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